Zubir bin Said ( ; 22 July 1907 – 16 November 1987) was a Singaporean composer most notable for composing the national anthem of his country, "Majulah Singapura" – "Onward Singapore".
A self-taught musician, Zubir also worked as a score arranger and songwriter for Cathay Organisation's Keris Film Productions for 12 years, composing numerous songs for the company's Malay Singaporean films. He is believed to have written up to 1,500 songs, with less than 10% of them ever recorded.
Early years
upright|thumb|right|The [[Victoria Theatre and Concert Hall as it appeared in January 2006. Victoria Theatre was the venue for the first public performance of Zubir Said's compositions, including "Majulah Singapura" on 6 September 1958. The song later became independent Singapore's national anthem.]]
The eldest child in a family of three boys and five girls, Zubir was born on 22 July 1907 in Bukit Tinggi, Minangkabau, Sumatra, Indonesia. His mother died when he was seven years old. He attended a Dutch school but had no interest in academic studies. His involvement with music started when he was introduced to the Solfa music system by a teacher. A primary-school classmate subsequently taught him how to make and play a flute, and in middle school, he learned to play the guitar and drums from fellow students and the keroncong group he was involved in.
Move to Singapore
In 1928 at the age of 21, Zubir went to Singapore to make a living as a musician, taking up the suggestion of a sailor friend who had described the island as a place of "glittering lights, seller [coffee with milk] and butter". This was done in the face of objections from his village chieftain father, Mohamad Said bin Sanang, who believed music to be against religion. Zubir's first job was as a musician with City Opera, a bangsawan or Malay opera troupe based in Tanjong Pagar. He became the troupe's bandleader. Thereafter, in 1936, he joined the recording company His Master's Voice. Zubir went to Java to marry Tarminah Kario Wikromo, a keroncong singer, in 1938; they returned to Zubir's home town of Bukittinggi in 1941 just before the outbreak of World War II.
Coming back to Singapore in 1947, Zubir worked as a part-time photographer with the Utusan Melayu newspaper while composing and performing music and songs. In 1949 he took up the post of orchestra conductor at Shaw Brothers' Malay Film Production, and in 1952 he joined Cathay-Keris Film Productions as a score arranger and songwriter for the company's Malay films, including Sumpah Pontianak (Blood of Pontianak, 1958) and Chuchu Datuk Merah (Grandchildren of Datuk Merah, 1963). In 1957, he received his first public recognition when his songs were performed at the Victoria Theatre.
"Majulah Singapura"
Singapore, then a British colony, had been conferred city status by a royal charter from King George VI in 1951. In 1958, the City Council of Singapore approached Zubir to compose a song for the city to be titled "Majulah Singapura", which was a motto to be displayed in the Victoria Theatre after its renovation. Zubir's song, "Majulah Singapura" ("Onward Singapore"), was first performed by the Singapore Chamber Ensemble during the grand finale of a concert staged in the Victoria Theatre on 6 September 1958 to celebrate its official reopening. When Singapore attained self-government in 1959, the Government felt that a national anthem was needed to unite the different races in Singapore.
It decided that the City Council's song, which was already popular, would serve this purpose. After some revisions were made to the song, it was adopted by the Legislative Assembly on 11 November 1959, and on 30 November the Singapore State Arms and Flag and National Anthem Ordinance 1959 was passed. This statute regulated the use and display of the State Arms and State Flag and the performance of the National Anthem. "Majulah Singapura" was presented to the nation on 3 December at the launch of "Loyalty Week", replacing the colonial anthem "God Save the Queen". After Singapore's full independence from Malaysia on 9 August 1965, "Majulah Singapura" was formally adopted as the Republic's national anthem. In a 1984 oral history interview, to sum up his philosophy when composing the anthem, Zubir cited the Malay proverb "" ("You should hold up the sky of the land where you live").
Later years
In 1962, Zubir's songs for the movie Dang Anom won an award at the ninth Asian Film Festival in Seoul, South Korea.
He also gave music lessons, and often had other music artists visiting him to talk about music and asking for advice. His third and youngest daughter Puan Sri Dr. Rohana Zubir, a retired lecturer with the University of Malaya,
He was content with money earned from those lessons and his film compositions; affirming that he was never driven by money although essential for his own and family's survival, rather he valued honesty and sincerity in his work and placed importance on purity and originality, whether in his music, lyrics or style of singing. He continued working for Cathay-Keris Film Productions until he retired in 1964, composing numerous songs for Malay films. Some sources reported that he also stopped composing songs for Cathay out of objection to its management's decision to cut production costs by borrowing existing music to be used for dubbing onto the background music of some films at the time. In 1971, he received the Jasawan Seni (cultural medallion) award from eight Malay cultural organisations, and the Asean Cultural and Communications Award in 1987. He also received a Certificate of Commendation from the Amalgamated Union of Public Employees (AUPE) for composing the AUPE song. In 1995, Zubir was posthumously given a Lifetime Achievement Award by the Composers and Authors Society of Singapore (COMPASS).
Music
Zubir is estimated to have written about 1,500 songs, including those written for Cathay-Keris Film Productions' Malay films in the 1950s and 1960s; less than 10% of these songs were recorded. His compositions throughout his filmography were heavily influenced by Minangkabau music, his past involvement with the bangsawan scene as well as influences of Indian classical music and Malay irama asli.