<!-- Commented out because image was deleted: thumb|right|Werther poster for the Paris Opéra-Comique -->
Werther is an opera (drame lyrique) in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel The Sorrows of Young Werther, which itself was based on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802).
Performance history
Massenet started composing Werther in 1885, completing it in 1887. He submitted it to Léon Carvalho, the director of the Paris Opéra-Comique, that year, but Carvalho declined to accept it on the grounds that the scenario was too serious. The first performance in France was given by the Opéra-Comique at the Théâtre Lyrique on the Place du Châtelet in Paris on 16 January 1893, with Marie Delna as Charlotte and Guillaume Ibos in the title role, conducted by Jules Danbé, but was not immediately successful.
The United States premiere with the Metropolitan Opera took place in Chicago on 29 March 1894 and then in the company's main house in New York City three weeks later. The UK premiere was a one-off performance at Covent Garden, London, on 11 June 1894<br>(Conductor: Wilhelm Jahn)
|-
|Charlotte, aged 20
|mezzo-soprano
|Marie Renard
|-
|Sophie, her sister, aged 15
|soprano
|Ellen Brandt-Forster
|-
|Werther, a young poet, aged 23
|tenor
|Ernest van Dyck
|-
|Albert, betrothed to Charlotte; aged 25
|baritone
|Franz Neidl
|-
|Le Bailli, Charlotte's father; aged 50
|bass
|Karl Mayerhofer
|-
|Schmidt, a friend of the Bailli
|tenor
|Anton Schlittenhelm
|-
|Johann, a friend of the Bailli
|baritone
|Benedikt Felix
|-
|Brühlmann, a young man
|tenor
|August Stoll
|-
|Käthchen, Brühlmann's fiancée of seven years
|mezzo-soprano
|Emma Karlona
|-
|Children of the Bailli – Fritz, Max, Hans, Karl, Gretel, Clara
|children's voices
|
|-
|colspan="3"|Inhabitants of Wetzlar, guests, servants; off-stage women's and children's voices
|-
|}
Instrumentation
2 flutes (2nd doubling piccolo),
2 oboes (doubling English horns),
2 clarinets in B-flat and A,
alto saxophone,
2 bassoons,
4 horns in F,
2 cornets in B-flat and A,
3 trombones,
tuba,
timpani,
percussion (1) (bass drum, triangle),
harp,
strings.
Synopsis
:Time: Within the period July to December in 1772.
:Place: Wetzlar in Germany.
thumb|upright|left|[[Claire Croiza as Charlotte in 1907]]
Act 1
In July, the widowed Bailiff (a Magistrate, rather than one who comes to seize property), is teaching his six youngest children a Christmas carol ("Noël! Jésus vient de naître"). His drinking companions, Johann and Schmidt, arrive as Charlotte, the eldest daughter, dresses for a ball. Since her fiancé Albert is away, she is to be escorted by Werther, whom the Bailiff and his companions find gloomy. Werther arrives ("O Nature, pleine de grâce"), and watches as Charlotte prepares her young siblings' supper, just as her mother had before she died. He greets her and they leave for the ball. Albert returns unexpectedly after a six-month trip. He is unsure of Charlotte's intentions and disappointed not to find her at home, but is reassured and consoled by Charlotte's younger sister Sophie. He leaves after promising to return in the morning. After an orchestral interlude, Werther and Charlotte return very late; he is already enamoured of her. His declaration of love is interrupted by the announcement of Albert's return. Charlotte recalls how she promised her dying mother she would marry Albert. Werther is in despair.
Act 2
It is three months later, and Charlotte and Albert are now married. They walk happily to church to celebrate the minister's 50th wedding anniversary, followed by the disconsolate Werther ("Un autre est son époux!"). First Albert and then Sophie ("Du gai soleil, plein de flamme") try to cheer him up. When Charlotte exits the church, he speaks to her of their first meeting. Charlotte begs Werther to leave her, though she indicates that she would be willing to receive him again on Christmas Day. Werther contemplates suicide ("Lorsque l'enfant revient d'un voyage"). He encounters Sophie but the tearful girl does not understand his distressing behavior. Albert now realizes that Werther loves Charlotte.
Act 3
Charlotte is at home alone on Christmas Eve. She spends time rereading the letters that she has received from Werther ("Werther! Qui m'aurait dit ... Ces lettres!"), wondering how the young poet is and how she had the strength to send him away. Sophie comes in and tries to cheer up her older sister ("Ah! le rire est béni"), though Charlotte is not to be consoled ("Va! laisse couler mes larmes"). Suddenly Werther appears, and while he reads to her some poetry of Ossian ("Pourquoi me réveiller?"), he realizes that she does indeed return his love. They embrace for a moment, but she quickly bids him farewell. He leaves with thoughts of suicide. Albert returns home to find his wife distraught. Werther sends a messenger to Albert, requesting to borrow his pistols, explaining he is going on an extended trip. After the servant has taken them, Charlotte has a terrible premonition and hurries to find Werther. An orchestral intermezzo ("La nuit de Noël") leads without a break into the final Act.
Act 4
"The death of Werther": At Werther's apartment, Charlotte has arrived too late to stop him from shooting himself; he is dying. She consoles him by declaring her love. He asks for forgiveness. After he dies, Charlotte faints. Outside children are heard singing the Christmas carol.
Noted arias
Act 1
:Werther: "O Nature, pleine de grâce"
Act 2
:Werther: "Un autre est son époux!"
:Sophie: "Du gai soleil, plein de flamme"
:Werther: "Lorsque l'enfant revient d'un voyage"
Act 3
:Charlotte: "Werther! Qui m'aurait dit /Ces lettres!" (Letter Scene)
:Charlotte: "Va! laisse couler mes larmes"
:Werther: "Pourquoi me réveiller?"
Recordings
thumb|Scene from a 2019 [[Florida Grand Opera production]]
A well-regarded recording of the complete opera was made in January 1931 by French Columbia with a French cast, led by Georges Thill and Ninon Vallin, with the orchestra and chorus of the Opéra-Comique under the direction of Élie Cohen. This was later released in a 2-CD set by EMI in its References series. Alan Blyth of the Gramophone magazine commented in his 1990 review, "If you want to hear just how thoroughly prepared, technically secure, idiomatic and deeply felt French singing could be between the wars, you need only listen to this wonderful performance, now brought to new life on an excellent EMI transfer to CD." Henry Fogel of Fanfare magazine, writing in 1992, counted 14 complete recordings and considered it the finest of the lot. This recording was later released by Opera d'Oro and Naxos in different transfers.
{| class="wikitable"
!Year
!Cast<br>(Charlotte,<br>Sophie,<br>Werther,<br>Albert)
!Conductor,<br>opera house and orchestra
!Label
!Notes
|-
|1931 || Ninon Vallin, <br>Germaine Féraldy,<br>Georges Thill,
Marcel Roque
| Élie Cohen <br>Orchestra and Chorus of the ||Originally French Columbia<br>CD: Naxos 8.110061-62, <br>Opera d'Oro OPD 1366
|-
|1934
|Gianna Pederzini,
Marisa Merlo,
Tito Schipa,
Piero Biasini
|Franco Ghione
Orchestra e Coro del Teatro alla Scala di Milano
|Edizioni Timaclub 1983
|in Italian
|-
|1952 || Oralia Domínguez,<br>Eugenia Rocabruna,<br>Giuseppe Di Stefano,<br>Piero Campolonghi || Guido Picco<br>Orchestra e Coro del Palacio de las Bellas Artes||CD: Gala<br>Cat: B0040V420O ||In Italian
|-
|1953 || Pia Tassinari,<br>Vittoria Neviani,<br>Ferruccio Tagliavini,<br>Marcello Cortis || Francesco Molinari-Pradelli<br>Coro di Voci Bianchi, Orchestra Sinfonica di Torino ||CD: Warner-Fonit<br>Cat: 8573 87494-2
|-
|1953 || Suzanne Juyol, <br>Agnes Léger, <br>Charles Richard, <br>Roger Bourdin || Georges Sébastian <br>Orchestra and Chorus of the ||Originally Nixa/Urania<br />CD: Andromeda<br>Cat: ANDRCD 5073
|-
|1954 || Maria Maksakova, <br>Maria Zvezdina, <br>Ivan Kozlovsky, <br>Vladimir Sakharov || Onissim Bron <br>Moscow Radio Orchestra ||CD: Myto<br>Cat: B000027HNO ||In Russian
|-
|1959
|Leyla Gencer,<br>Giuliana Tavolaccini,<br>Ferruccio Tagliavini,<br>Mario Borriello ||Carlo Felice Cillario<br>Coro di Teatro Verdi di Trieste Orchestra e Coro ||CD: Opera d'Oro<br>Cat: 1234 ||In Italian
|-
|| 1964 || Rita Gorr, <br>Mady Mesplé, <br>Albert Lance, <br>Gabriel Bacquier || Jésus Etcheverry <br>Orchestra and Chorus of the Radiodiffusion-Télévision Française ||CD: Accord<br>Cat: 472 917-2
|-
| 1968-69 || Victoria de los Ángeles, <br>Mady Mesplé, <br>Nicolai Gedda, <br>Roger Soyer || Georges Prêtre <br>Orchestre de Paris ||CD: EMI<br>Cat: 562 6272
|-
| 1971 || Virginia Zeani, <br>Valeria Mariconda, <br>Alfredo Kraus, <br>Domenico Trimarchi || Antonino Votto <br>Orchestra e Coro del Teatro Massimo di Palermo ||CD: G.O.P.<br>Cat: 749-CD2 ||In Italian
|-
| 1977 || Brigitte Fassbaender, <br>Marianne Seibel,<br>Plácido Domingo,<br>Hans Günther Nöcker|| Jesús López Cobos <br>Bayerisches Staatsorchester ||CD: Orfeo<br>Cat: B00000AFDE
|-
| 1979 || Tatiana Troyanos, <br>Christine Barbaux, <br>Alfredo Kraus, <br>Matteo Manuguerra || Michel Plasson <br>London Philharmonic Orchestra ||CD: EMI<br>Cat: 7 49610-2
|-
| 1979 || Elena Obraztsova, <br>Arleen Auger, <br>Plácido Domingo, <br>Franz Grundheber || Riccardo Chailly <br>Cologne Radio Symphony Orchestra ||CD: Deutsche Grammophon<br>Cat: 477 5652-1
|-
|1980 || Frederica von Stade, <br>Isobel Buchanan, <br>José Carreras, <br>Thomas Allen || Sir Colin Davis <br>Orchestra of the Royal Opera House, Covent Garden ||CD: Philips<br>Cat: 416 654-2
|-
|1985 || Brigitte Fassbaender,<br>Magdaléna Hajossyová, <br>Peter Dvorský,<br>Hans Helm || Libor Pešek <br>Prague Radio Symphony Orchestra,<br>Chorus of the Bambini di Praga<br>(Television film directed by Petr Weigl)||CD (soundtrack): Supraphon<br>Cat: 11 1547-2 632<br>LD: Amadeo PHLK 7503<br>
|-
|1998 || Vesselina Kasarova, <br>Dawn Kotoski, <br>Ramón Vargas, <br>Christopher Schaldenbrand || Vladimir Jurowski <br>Deutsches Symphonie-Orchester Berlin ||CD: RCA Victor<br>Cat: 74321 58224-2
|-
|1998 || Angela Gheorghiu, <br>Patricia Petibon, <br>Roberto Alagna, <br>Thomas Hampson || Antonio Pappano <br>London Symphony Orchestra ||CD: EMI<br>Cat: EMI 81849
|-
|1999 || Béatrice Uria-Monzon, <br>Jaël Azzaretti, <br>Marcus Haddock, <br>René Massis || Jean-Claude Casadesus <br>Orchestre National de Lille ||CD: Naxos<br>Cat: 8.660072-73
|-
|2005 || Elīna Garanča, <br>Ileana Tonca,<br>Marcelo Álvarez, <br>Adrian Eröd || Philippe Jordan<br>Vienna State Opera<br>(Video of a performance in March)|| DVD: TDK<br>Cat: DVWW-OPWER
|-
|2004 || Susan Graham,<br />Sandrine Piau,<br />Thomas Hampson (baritone),<br />Stéphane Degout || Michel Plasson<br />Orchestre National du Capitole de Toulouse<br>(Video of a concert performance on 29 April)|| DVD: Virgin Classics<br>Cat: 359257-9
|-
|2010 || Sophie Koch,<br />Anne-Catherine Gillet,<br />Jonas Kaufmann,<br />Ludovic Tézier|| Michel Plasson<br />Opéra National de Paris || DVD: Decca<br>Cat: B0014794-09
|-
|2012 || Sophie Koch,<br />Eri Nakamura,<br />Rolando Villazón,<br />Audun Iversen|| Antonio Pappano<br />Orchestra of the Royal Opera House || CD: Deutsche Grammophon<br>Cat: 0289 477 9340 3
|-
|2018 || Anna Stéphany,<br />Mélissa Petit,<br />Juan Diego Flórez,<br />Audun Iversen|| Cornelius Meister<br />Orchestra of the Zürich Opera House<br />(Video of a 2017 performance) || DVD / Blu-Ray: Accentus<br /> Cat: ACC10427 (Blu-Ray), ACC20427 (DVD)<br>
|-
|2024 || Véronique Gens,<br />Hélène Carpentier,<br />Tassis Christoyannis,<br />Thomas Dolié|| György Vashegyi<br />Hungarian National Philharmonic Orchestra<br />||CD: Bru Zane<br>Cat: BZ1056
|}
References
Notes
Further reading
External links
- Werther: Full orchestral score, indiana.edu
- Werther : drame lyrique en quatre actes et cinq tableaux (d'apres Goethe), 1893 publication, French, digitization by BYU on archive.org
