Henry Warren Beatty (né Beaty; born March 30, 1937) is an American actor and filmmaker. His career has spanned over six decades, and he has received an Academy Award and three Golden Globe Awards. He also received the Irving G. Thalberg Award in 1999, the BAFTA Fellowship in 2002, the Kennedy Center Honors in 2004, the Cecil B. DeMille Award in 2007, and the AFI Life Achievement Award in 2008.
Beatty has been nominated for 14 Academy Awards, including four for Best Actor, four for Best Picture, two for Best Director, three for Original Screenplay, and one for Adapted Screenplay – winning Best Director for Reds (1981). He was nominated for his performances as Clyde Barrow in the crime drama Bonnie and Clyde (1967), a quarterback mistakenly taken to heaven in the sports fantasy drama Heaven Can Wait (1978), John Reed in the historical epic Reds (1981), and Bugsy Siegel in the crime drama Bugsy (1991).
Beatty made his acting debut as a teenager in love in the Elia Kazan drama Splendor in the Grass (1961). He later acted in John Frankenheimer's drama All Fall Down (1962), Robert Altman's revisionist western McCabe & Mrs. Miller (1971), Alan J. Pakula's political thriller The Parallax View (1974), Hal Ashby's comedy Shampoo (1975), and Elaine May's road movie Ishtar (1987). He also directed and starred in the action crime film Dick Tracy (1990), the political satire Bulworth (1998), and the romance Rules Don't Apply (2016), all of which he also produced.
On stage, Beatty made his Broadway debut in the William Inge kitchen sink drama A Loss of Roses (1960) for which he was nominated for the Tony Award for Best Featured Actor in a Play.
Early life and education
Henry Warren Beaty was born on March 30, 1937, in Richmond, Virginia. His mother, Kathlyn Corinne (née MacLean), was a teacher from Nova Scotia. His father, Ira Owens Beaty, studied for a PhD in educational psychology and was a teacher and school administrator, in addition to working in real estate. His grandparents were also teachers. The family was Baptist. During Warren's childhood, Ira Beaty moved his family from Richmond to Norfolk and then to Arlington and Waverly, then back to Arlington, eventually taking a position at Arlington's Thomas Jefferson Junior High School in 1945. During the 1950s the family resided in the Dominion Hills section of Arlington. Beatty's older sister is actress, dancer and writer Shirley MacLaine (who altered the phonetic spelling of her mother's maiden surname). His uncle by marriage was Canadian politician A.A. MacLeod.
Beatty became interested in movies as a child, often accompanying his sister to theaters. One film that had an important early influence on him was The Philadelphia Story (1940), which he saw when it was re-released in the 1950s. He noticed a strong resemblance between its star, Katharine Hepburn, and his mother, in both appearance and personality, saying that they symbolized "perpetual integrity".
MacLaine noted — on what made her brother want to become a filmmaker, sometimes writing, producing, directing and starring in his films: "That's why he's more comfortable behind the camera ... He's in the total-control aspect. He has to have control over everything."
Beatty played football at Washington-Lee High School in Arlington. Encouraged to act by the success of his sister, who established herself as a Hollywood star, he decided to work as a stagehand at the National Theatre in Washington, D.C. during the summer before his senior year. After graduation, he was reportedly offered ten college football scholarships, but turned them down to study liberal arts at Northwestern University (1954–55), where he joined the Sigma Chi fraternity. Beatty left college after his first year and moved to New York City to study acting under Stella Adler at the Stella Adler Studio of Acting. He often subsisted on peanut butter and jelly sandwiches, and worked odd jobs, including dishwasher, piano player, bricklayer's assistant, construction worker, and, relatively briefly, a sandhog.
Career
1957–1966: Early roles and breakthrough
Beatty started his career making appearances on television shows such as Studio One (1957), Kraft Television Theatre (1957), and Playhouse 90 (1959). He was a semi-regular on The Many Loves of Dobie Gillis during its first season (1959–1960). His performance in William Inge's A Loss of Roses on Broadway garnered him a 1960 Tony Award nomination for Best Featured Actor in a Play and a 1960 Theatre World Award. It was his sole appearance on Broadway.
In February 1960, Beatty enlisted as an airman third class in the California Air National Guard at Van Nuys to fulfill his military service obligation. He was discharged the following year due to a physical disability and remained on inactive duty after that time.thumb|Beatty in [[Photoplay (1961)]]Beatty made his film debut in Elia Kazan's Splendor in the Grass (1961) opposite Natalie Wood. The film was a major critical and box office success; Beatty was nominated for a Golden Globe Award for Best Actor and received the award for New Star of the Year – Actor. The film was also nominated for two Oscars, winning one.
Author Peter Biskind points out that Kazan "was the first in a string of major directors Beatty sought out, mentors or father figures from whom he wanted to learn."
Beatty followed his initial film with Tennessee Williams' The Roman Spring of Mrs. Stone (1961), with Vivien Leigh and Lotte Lenya, directed by Jose Quintero; All Fall Down (1962), with Angela Lansbury, Karl Malden and Eva Marie Saint, directed by John Frankenheimer; Lilith (1963), with Jean Seberg and Peter Fonda, directed by Robert Rossen; Promise Her Anything (1964), with Leslie Caron, Bob Cummings and Keenan Wynn, directed by Arthur Hiller; Mickey One (1965), with Alexandra Stewart and Hurd Hatfield, directed by Arthur Penn; and Kaleidoscope (1966), with Susannah York and Clive Revill, directed by Jack Smight. In 1965, he formed a production company, Tatira, which he named for Kathlyn (whose nickname was "Tat") and Ira.
1967–1979: Stardom and acclaim
thumb|Warren Beatty on the set of the film Reds (1981)
Beatty's next film was Reds (1981), a historical epic about American Communist journalist John Reed who observed the Russian October Revolution – a project Beatty had begun researching and filming for as far back as 1970. It was a critical and commercial success, despite being an American film about an American Communist, made and released at the height of the Cold War. It received 12 Academy Award nominations – including four for Beatty (for Best Picture, Director, Actor, and Original Screenplay), winning three. Beatty won for Best Director, Maureen Stapleton won for Best Supporting Actress (playing anarchist Emma Goldman), and Vittorio Storaro won for Best Cinematography. The film received seven Golden Globe nominations, including Best Motion Picture, Director, Actor and Screenplay. Beatty won the Golden Globe Award for Best Director.thumb|Beatty in 1981, with [[Diane Keaton and First Lady Nancy Reagan at a White House screening of Reds|left]]Following Reds, Beatty did not appear in a film for five years until 1987's Ishtar, written and directed by Elaine May. Following severe criticism in press reviews by the new British studio chief David Puttnam just prior to its release, the film received mixed reviews and was unimpressive commercially. Puttnam attacked several other over-budget American films greenlighted by his predecessor and was fired shortly thereafter.
Under his second production company, Mulholland Productions, Beatty produced, directed and played the title role of comic strip-based detective Dick Tracy in the 1990 film of the same name. The film received positive reviews and was one of the highest-grossing films of the year. It received seven Academy Award nominations, winning three for Best Art Direction, Best Makeup, and Best Original Song. It also received four Golden Globe Award nominations, including Best Motion Picture.
In 1991, he produced and starred as the real-life gangster Bugsy Siegel in the critically acclaimed and commercially successful film Bugsy, directed by Barry Levinson, which was nominated for ten Academy Awards, including Best Picture and Best Actor; it later won two of the awards for Best Art Direction and Best Costume Design. The film also received eight Golden Globe Award nominations, including Best Motion Picture and Best Actor, winning for Best Motion Picture. Beatty's next film, Love Affair (1994), directed by Glenn Gordon Caron, received mixed reviews and was a commercial failure.
In 1998, he wrote, produced, directed and starred in the political satire Bulworth, which was critically acclaimed and nominated for the Academy Award for Best Original Screenplay. The film also received three Golden Globe Award nominations, for Best Motion Picture, Best Actor, and Best Screenplay. Beatty has appeared briefly in numerous documentaries, including Madonna: Truth or Dare (1991) and One Bright Shining Moment: The Forgotten Summer of George McGovern (2005).
Following the poor box office performance of Town & Country (2001), in which Beatty starred, he did not appear in or direct another film for 15 years.
Since 2002: Output decline
thumb|left|Beatty at the [[62nd Academy Awards (1990)|337x337px]] In May 2005, Beatty sued Tribune Media, claiming he still maintained the rights to Dick Tracy. On March 25, 2011, U.S. District Judge Dean Pregerson ruled in Beatty's favor.
In 2010, Beatty directed and reprised his role as Dick Tracy in the 30-minute television special Dick Tracy Special, which premiered on TCM. The metafictional special features an interview with Tracy and film critic and historian Leonard Maltin, the latter of whom discusses the history and creation of Tracy. Tracy talks about how he admired Ralph Byrd and Morgan Conway who portrayed him in several films, but says he didn't care much for Beatty's portrayal of him or his film. The production of the special allowed Beatty to retain the rights to the character. At CinemaCon In April 2016, Beatty reiterated that he intends to make a Dick Tracy sequel. In 2023, Beatty reprised the role of Tracy and played the character opposite himself in Dick Tracy Special: Tracy Zooms In, a follow-up to the Dick Tracy Special that also aired on TCM. The 30-minute special, which mostly consists of a Zoom interview with Ben Mankiewicz and a returning Maltin in which Tracy criticizes aspects of the 1990 film adaptation to Beatty's face and suggests that a younger actor should take over the role of Tracy, concludes with Beatty and Tracy meeting in person and suggesting that Dick Tracy will return in the future.
In the mid-1970s, Beatty signed a contract with Warner Bros. to star in, produce, write, and possibly direct a film about Howard Hughes. The project was put on hold when Beatty began Heaven Can Wait. Initially, Beatty planned to film the life story of John Reed and Hughes back-to-back, but as he was getting deeper into the project, he eventually focused primarily on the Reed film Reds. In June 2011, it was reported that Beatty would produce, write, direct and star in a film about Hughes, focusing on an affair he had with a younger woman in the final years of his life. During this period, Beatty interviewed actors to star in his ensemble cast. He met with Andrew Garfield, Alec Baldwin, Owen Wilson, Justin Timberlake, Shia LaBeouf, Jack Nicholson, Evan Rachel Wood, Rooney Mara, and Felicity Jones. The film would eventually be released under the title Rules Don't Apply, a fictionalized true-life romantic comedy set in 1958 Hollywood and Las Vegas. Beatty wrote, co-produced, directed, and starred alongside Alden Ehrenreich and Lily Collins, with supporting cast including Baldwin, Annette Bening, Matthew Broderick, Candice Bergen, Ed Harris, and Martin Sheen. It was released on November 23, 2016, and was Beatty's first film in 15 years.