The Walt Disney Concert Hall at 111 South Grand Avenue in downtown Los Angeles, California, is the fourth hall of the Los Angeles Music Center and was designed by Frank Gehry. It was opened on October 23, 2003. Bounded by Hope Street, Grand Avenue, and 1st and 2nd streets, it seats 2,265 people and serves, among other purposes, as the home of the Los Angeles Philharmonic orchestra and the Los Angeles Master Chorale. The hall is a compromise between a vineyard-style seating configuration, like the by Hans Scharoun, and a classical shoebox design like the Vienna Musikverein or the Boston Symphony Hall.

Lillian Disney made an initial gift of $50 million in 1987 to build a performance venue as a gift to the people of Los Angeles and a tribute to Walt Disney's devotion to the arts and to the city. Both Gehry's architecture and the acoustics of the concert hall, designed by Minoru Nagata, the final completion supervised by Nagata's assistant and protege Yasuhisa Toyota, have been praised, in contrast to its predecessor, the Dorothy Chandler Pavilion.

Design

The Walt Disney Concert Hall was designed by world-renowned architect Frank Gehry. Despite being a well-accomplished architect at the time of design, Gehry found himself an unlikely candidate for the job when the Disney family was looking for the hall's designer. Even with the location of the Walt Disney Concert Hall set to be in his hometown of Los Angeles, California, Gehry, when discussing his thoughts at the time the architect was selected, said, "it was the least likely thing that I thought would ever happen to me in my life". Gehry's opinion was supported by the representative of the Disney family. Gehry says he was told, "that under no circumstances would Walt Disney's name be on any buildings that I design". Construction of the concert hall itself stalled from 1994 to 1996 due to lack of fundraising. Additional funds were required since the construction cost of the final project far exceeded the original budget. Plans were revised, and in a cost-saving move the originally designed stone exterior was replaced with a less costly stainless steel skin. The needed fundraising restarted in earnest in 1996, headed by Eli Broad and then-mayor Richard Riordan. Groundbreaking for the hall was held in December 1999. Delay in the project completion caused many financial problems for the county of LA. The County expected to repay the garage debts by revenue coming from the Disney Hall parking users. The angular design was used by Gehry to "symbolize musical movement and the motion of Los Angeles". During the summer rehearsals a few hundred VIPs were invited to sit in including donors, board members and journalists. Writing about these rehearsals, Los Angeles Times music critic Mark Swed wrote the following account: