Wallpaper is used in interior decoration to cover the interior walls of domestic and public buildings. It is usually sold in rolls and is applied onto a wall using wallpaper paste. Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets.
The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat. Wallpaper printing techniques include surface printing, rotogravure, screen-printing, rotary printing press, and digital printing.
Modern wallpaper
Modern wallpaper is made in long rolls which are hung vertically on a wall. Patterned wallpapers are designed so that the pattern repeats, and thus pieces cut from the same roll can be hung next to each other so as to continue the pattern without it being easy to see where the join between two pieces occurs. In the case of large complex patterns of images this is normally achieved by starting the second piece halfway into the length of the repeat, so that if the pattern going down the roll repeats after , the next piece sideways is cut from the roll to begin down the pattern from the first. The number of times the pattern repeats horizontally across a roll does not matter for this purpose. A single pattern can be issued in several different colorways.
History
thumb|The traditional hand-blocking technique, France in 1877
The main historical techniques are hand-painting, woodblock printing (overall the most common), stencilling, and various types of machine printing. The first three all date back to before 1700. The landscape painter Jean-Baptiste Pillement discovered in 1763 a method to use fast colours.
Hand-blocked wallpapers like these use hand-carved blocks and by the 18th century designs include panoramic views of antique architecture, exotic landscapes and pastoral subjects, as well as repeating patterns of stylized flowers, people and animals.
In 1785 Christophe-Philippe Oberkampf had invented the first machine for printing coloured tints on sheets of wallpaper. In 1799 Louis-Nicolas Robert patented a machine to produce continuous lengths of paper, the forerunner of the Fourdrinier machine. This ability to produce continuous lengths of wallpaper now offered the prospect of novel designs and nice tints being widely displayed in drawing rooms across Europe.
Wallpaper manufacturers active in England in the 18th century included John Baptist Jackson Among the firms established in 18th-century America: J. F. Bumstead & Co. (Boston), William Poyntell (Philadelphia), John Rugar (New York). This famous so-called "papier peint" wallpaper is still in situ in Ham House, Peabody, Massachusetts. It was the largest panoramic wallpaper of its time, and marked the burgeoning of a French industry in panoramic wallpapers. Dufour realized almost immediate success from the sale of these papers and enjoyed a lively trade with America. The Neoclassical style currently in favour worked well in houses of the Federal period with Charvet's elegant designs. Like most 18th-century wallpapers, the panorama was designed to be hung above a dado.
Beside Joseph Dufour et Cie (1797 – ) other French manufacturers of panoramic scenic and wallpapers, Zuber et Cie (1797–present) and Arthur et Robert exported their product across Europe and North America. Zuber et Cie's design Views of North America hangs in the Diplomatic Reception Room of the White House.
Among the firms begun in France in the 19th century: Desfossé & Karth.
The earliest known American wallpaper sample book that has survived to present day resides in the collection of Old Sturbridge Village in Sturbridge, Massachusetts. It was produced by the firm Janes & Bolles of Hartford, Connecticut, between 1821 and 1828.
England
thumb |right|"Artichoke" wallpaper by [[Morris and Co, designed by John Henry Dearle]]
During the Napoleonic Wars, trade between Europe and Britain evaporated, resulting in the gradual decline of the wallpaper industry in Britain. However, the end of the war saw a massive demand in Europe for British goods which had been inaccessible during the wars, including cheap, colourful wallpaper. The development of steam-powered printing presses in Britain in 1813 allowed manufacturers to mass-produce wallpaper, reducing its price and so making it affordable to working-class people. Wallpaper enjoyed a huge boom in popularity in the nineteenth century, seen as a cheap and very effective way of brightening up cramped and dark rooms in working-class areas. It became almost the norm in most areas of middle-class homes, but remained relatively little used in public buildings and offices, with patterns generally being avoided in such locations. In the latter half of the century Lincrusta and Anaglypta, not strictly wallpapers, became popular competitors, especially below a dado rail. They could be painted and washed, and were a good deal tougher, though also more expensive.
Wallpaper manufacturing firms established in England in the 19th century included Jeffrey & Co.; Shand Kydd Ltd.; Arthur Sanderson & Sons; Townshend & Parker. Designers included Owen Jones, William Morris, and Charles Voysey. In particular, many 19th century designs by Morris & Co and other Arts and Crafts Movement designers remain in production.
20th century
thumb|right|L.C. Orrell and Co. wallpaper, 1906
By the early 20th century wallpaper had established itself as one of the most popular household items across the Western world. Manufacturers in the USA included Sears; designers included Andy Warhol. Wallpaper has gone in and out of fashion since about 1930, but the overall trend has been for wallpaper-type patterned wallcoverings to lose ground to plain painted walls.
21st century
In the early 21st century wallpaper evolved into a lighting feature, enhancing the mood and the ambience through lights and crystals. Meystyle, a London-based company, invented LED-incorporated wallpaper. The development of digital printing allows designers to break the mould and combine new technology and art to bring wallpaper to a new level of popularity.
Historical collections
Historical examples of wallpaper are preserved by cultural institutions such as the Deutsches Tapetenmuseum (Kassel) in Germany; the Musée des Arts Décoratifs (Paris) and Musée du Papier Peint (Rixheim) in France; the Smithsonian's Cooper-Hewitt, Historic New England, Metropolitan Museum of Art, U.S. National Park Service, and Winterthur in the US. Original designs by William Morris and other English wallpaper companies are held by Walker Greenbank.
Types and sizes
thumb|Wallpaper on the wall of an apartment
In terms of methods of creation, wallpaper types include painted wallpaper, hand-printed blockwood wallpaper, hand-printed stencil wallpaper, machine-printed wallpaper, and flock wallpaper. approximately . Most wallpaper borders are sold by length and with a wide range of widths therefore surface area is not applicable, although some may require trimming.
The most common wall covering for residential use and generally the most economical is prepasted vinyl coated paper, commonly called "strippable" which can be misleading. Cloth backed vinyl is fairly common and durable. Lighter vinyls are easier to handle and hang. Paper backed vinyls are generally more expensive, significantly more difficult to hang, and can be found in wider untrimmed widths. Foil wallpaper generally has paper backing and can (exceptionally) be up to wide, and be very difficult to handle and hang. Textile wallpapers include silks, linens, grass cloths, strings, rattan, and actual impressed leaves. There are acoustical wall carpets to reduce sound. Customized wallcoverings are available at high prices and most often have minimum roll orders.
Solid vinyl with a cloth backing is the most common commercial wallcovering and comes from the factory as untrimmed at approximately, to be overlapped and double cut by the installer. This same type can be pre-trimmed at the factory to approximately.
Modern developments
Custom printing
New digital inkjet printing technologies using ultraviolet (UV) cured inks are being used for custom wallpaper production. Very small runs can be made, even a single wall. Photographs or digital art are output onto blank wallpaper material. Typical installations are corporate lobbies, restaurants, athletic facilities, and home interiors. This gives a designer the ability to give a space the exact look and feel desired.
High-tech
New types of wallpaper under development or entering the market in the early 21st century include wallpaper that blocks certain mobile phone and Wi‑Fi signals, in the interest of privacy. The wallpaper is coated with a silver ink which forms crystals that block outgoing signals.
Seismic
In 2012 scientists at the Institute of Solid Construction and Construction Material Technology at the Karlsruhe Institute of Technology announced that they had developed a wallpaper that can help keep a masonry wall from failing in an earthquake. The wallpaper uses glass fibre reinforcement in several directions and a special adhesive which forms a strong bond with the masonry when dry.
As a means of artistic expression
Tsang Kin-Wah, one of Hong Kong's best-known painters, creates large-scale wallpaper installations that evoke the floral designs of William Morris in a style that has become known as word-art installation.
Installation
Like paint, wallpaper requires proper surface preparation before application. Additionally wallpaper is not suitable for all areas. For example, bathroom wallpaper may deteriorate rapidly due to excessive steam (if is not sealed with a specific varnish). Proper preparation includes the repair of any defects in the drywall or plaster and the removal of loose material or old adhesives. For a better finish with thinner papers and poorer quality walls the wall can be cross-lined (horizontally) with lining paper first. Accurate room measurements (length, width, and height) along with number of window and door openings is essential for ordering wallpaper. Large drops, or repeats, in a pattern can be cut and hung more economically by working from alternating rolls of paper.
After pre-pasted wallpaper is moistened, or dry wallpaper is coated with wet paste, the wet surface is folded onto itself and left for a few minutes to activate the glue, which is called "booking wallpaper."
Besides conventional installation on interior walls and ceilings, wallpapers have been deployed as decorative covering for hatboxes, bandboxes, books, shelves, and window-shades.
Wallpaper adhesives
Most wallpaper adhesives are starch or methylcellulose based.
See also
- Faux painting
- List of wallpaper manufacturers
- Mural
- Wall decals
- Wallpaper group
- William Morris wallpaper designs
