Val Guest (born Valmond Maurice Grossman; 11 December 1911 – 10 May 2006) was an English film director and screenwriter. Beginning as a writer (and later director) of comedy films, he is best known for his work for Hammer, for whom he directed 14 films, and for his science fiction films. He enjoyed a long career in the film industry from the early 1930s until the early 1980s.
Early life and career
Guest was born to John Simon Grossman and Julia Ann Gladys Emanuel in Sutherland Avenue in Maida Vale, London. He later changed his name to Val Guest (officially in 1939). His father was a jute broker, and the family spent some of Guest's childhood in India before returning to England. His parents divorced when he was young, but this information was kept from him. Instead he was told that his mother had died. He was educated at Seaford College in Sussex, but left in 1927 and worked for a time as a bookkeeper.
Guest's initial career was as an actor, appearing in productions in London theatres. He also appeared in a few early sound film roles, before he left acting and began a writing career.
Writer
For a time, around 1934, he was the London correspondent for The Hollywood Reporter (when the publication began a UK edition), before beginning work on film screenplays for Gainsborough Pictures.
This came about because the director Marcel Varnel had been incensed by comments Guest had made in his regular column, "Rambling Around", about the director's latest film. Challenged to write a screenplay by Varnel, Guest co-wrote his first script, which became No Monkey Business (1935) directed by Varnel.
Directing career
Guest became a fully-fledged director in the early 1940s (he had been responsible for some second-unit work previously). His first film was an Arthur Askey short, The Nose Has It (1942), warning of the dangers of spreading infection. Its success led to the Hammer company changing its direction.
He followed it with a drama They Can't Hang Me (1955) and musical It's a Wonderful World (1956). Republic Pictures hired him to make the thriller The Weapon (1956) and he directed a comedy, Carry On Admiral (1957).
Quatermass had been a big hit and Hammer asked Guest to direct the first sequel, Quatermass 2 (1957). They also used him to do The Abominable Snowman (1957), from a Kneale TV play, and a POW movie, The Camp on Blood Island (1958).
Guest made a comedy Up the Creek which led to a sequel Further Up the Creek (1958).
Hammer asked him back to do another war movie, Yesterday's Enemy (1959) with Stanley Baker. Then he made the film version of Expresso Bongo (1959) with Donlan, giving an early role to Cliff Richard.
Guest returned to comedy with Life Is a Circus (1960) starring Bud Flanagan. He made another for Hammer with Stanley Baker, a tough crime film, Hell Is a City (1960). He followed this with a thriller for Hammer, The Full Treatment (1960).
Guest's next film, The Day the Earth Caught Fire (1961), won Guest and Wolf Mankowitz a BAFTA Award for Best Screenplay.
Guest made Jigsaw (1962) and 80,000 Suspects (1963). The Beauty Jungle (1964) was an exposé on beauty competitions. Where the Spies Are (1965) was a spy film for MGM starring David Niven.
Later career
Guest was one of five credited directors to work on the spoof James Bond film Casino Royale (1967), a critically mauled picture in its day. Producer Charles K. Feldman asked Guest if he would direct linking material to make what was left uncompleted, after the departure of Peter Sellers from the project, into a coherent narrative. Guest opted for an 'Additional Sequences' credit after he saw the completed film.
He made a thriller Assignment K (1968) then a musical Toomorrow (1970) which, according to Christopher Hawtree, it is "a staggeringly dreadful movie".
Guest directed the softcore sex comedy Au Pair Girls (1972), followed by Confessions of a Window Cleaner (1974), the first of the Confessions series of sex comedies. He was also working in television, directing episodes of series including The Persuaders! (1971–72), The Adventurer (1972–73) and Space: 1999 (1976–77). He continued to direct films, including Killer Force (1976).
Guest's final feature film work was writing and directing The Boys in Blue (1982), a vehicle for the British comedy double act Cannon and Ball. It was a remake of the Will Hay picture Ask a Policeman (1939), which Guest had co-written. In 2001 he published an autobiography, So You Want to be in Pictures.
His last professional work was as the director of several episodes of the Hammer House of Mystery and Suspense TV series in 1984 and 1985. After Guest retired in 1985, the couple lived together in retirement in California.
In 2004, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to Guest and Donlan. Guest died in a hospice in Palm Desert, California from prostate cancer at the age of 94.