Uzumaki

;Shuichi Saito

;Kazuki Tsumura

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| airdateR = The Young Adult Library Services Association chose the first volume for its list of the "Top 10 Great Graphic Novels for Teens" in 2009. The manga was also included on its list of the 53 "Great Graphic Novels for Teens". Viz Media's Deluxe edition ranked No. 172 in Diamond's Top 300 Graphic Novels in October 2013 with a total of 784 copies sold. IGN placed Uzumaki at #2 under their "Top 10 Horror/Thriller Manga" list. About.com's Deb Aoki placed Uzumaki in her list of recommended horror manga, describing it as a classic of the genre. Uzumaki appeared in 1001 Comics You Must Read Before You Die (2011), and the reviewer wrote that it reminded him of the works of H.P. Lovecraft. MyM magazine praised the manga, calling it "one of the scariest manga series around."

In Manga: The Complete Guide (2007), Jason Thompson gave Uzumaki three and a half stars, and wrote that, taken as a whole, the manga succeeds as "an elegant and sometimes blackly humorous story of dreamlike logic and nihilism." Thompson featured the manga again in his House of 1000 Manga blog, praising it for its originality, in that it revolved around "a certain nightmarish, fatalistic way of looking at the world". ComicsAlliance author and comic artist Sara Horrocks also praised the manga, stating "What makes Uzumaki such a strong work is how precise it is in its mechanics. It is meticulous in the way that a curse might be."

For the first volume, Theron Martin from Anime News Network gave it a 'B', praising the art style and character designs, including Viz Media's new cover design. He stated, however, that "some of the attempts at horror get too preposterous for their own good." Greg Hackmann of Mania gave it an A, praising both its "well-honed" art and Ito's ability to form an effective overarching plot out of Uzumakis loosely connected substories. Barb Lien-Cooper of Sequential Tart gave it a 7 out of 10, stating "The art is clean and simple. It works to help maintain the paranoia. The tone and pacing of this story are also just right. Altogether, one of the better horror stories I've read this year." Ken Haley of PopCultureShock gave it an 'A' and praised Ito's effective use of body horror, though he noted that some of the curse's effects were more humorous than frightening.

For the second volume, Lien-Cooper gave it 8 out of 10 stating, "What astounds me about Junji Ito's work is its deceptive simplicity and its flawless execution." Sheena McNeil, also from Sequential Tart, instead gave it a 9 out of 10, citing the novel effects of the curse Ito invented. Hackmann, however, gave it a 'B', explaining that "Unfortunately, this shift in story format is largely a failed experiment: with the overarching escape storyline put on hiatus, a good number of these disconnected episodes degenerate into simple, 'lookit, weird stuff happening' horrorfests that lack much of the creative spark exhibited throughout the first Uzumaki collection."

When reviewing the third and final volume, Haley again gave it an 'A', praising Junji Ito for providing answers to questions previously asked but not answered in a heavy or mundane form. Lien-Cooper gave the conclusion a 6 out of 10, and criticized the ending as nonsensical and the expanded background given in "Galaxies" as uninteresting.

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