Tubular Bells is the debut studio album by the English musician Mike Oldfield, released on 25 May 1973 as the first album on Virgin Records. It comprises two mostly instrumental tracks. Oldfield, who was 19 years old when it was recorded, played almost all the instruments.
Tubular Bells initially sold slowly, but gained worldwide attention in December 1973 when its opening theme was used for the soundtrack to the horror film The Exorcist. This led to a surge in sales which increased Oldfield's profile and played an important part in the growth of the Virgin Group. It stayed in the top ten of the UK Albums Chart for one year from March 1974, during which it reached number one for one week. It reached number three on the US Billboard 200, and number one in Canada and Australia. It has sold more than 2.7 million copies in the UK, and an estimated 15 million copies worldwide.
An orchestral version produced by David Bedford was released in 1975 as The Orchestral Tubular Bells. It was followed by the albums Tubular Bells II (1992), Tubular Bells III (1998), The Millennium Bell (1999), and a re-recorded version, Tubular Bells 2003, for its 30th anniversary. A remastered edition was released in 2009. In 2010, Tubular Bells was one of ten classic album covers from British artists commemorated on a series of UK postage stamps issued by the Royal Mail. Its contribution to British music was recognized when Oldfield played extracts during the 2012 Summer Olympics opening ceremony in London.
Background
Oldfield learned to play the guitar at an early age, and as a teenager he became the bass player for the Whole World, a band put together by Kevin Ayers, formerly of Soft Machine. The Whole World recorded their album Shooting at the Moon (1970) at Abbey Road Studios over several months in 1970, when Oldfield was 17. When the group did not have a recording session booked in the morning, Oldfield would arrive early and experiment with the different instruments, including pianos, harpischords, a Mellotron and various orchestral percussion instruments, and learned to play each of them.
The Whole World broke up in mid-1971 and Ayers lent Oldfield a two-track Bang & Olufsen Beocord ¼" tape recorder. Oldfield blocked off the erase head of the tape machine, which allowed him to record onto one track, bounce the recording onto the second, and record a new instrument onto the first track, thus overdubbing his playing one instrument at a time, and effectively making multitrack recordings. while trying to find a record label interested in his demos. Oldfield approached labels including EMI and CBS, but each rejected him, believing the piece was unmarketable without vocals. In total, 274 overdubs were made and an estimated two thousand "punch-ins", although Newman said "it was really only 70 or 80" in total. Despite various guitars being listed on the album sleeve, such as "speed guitars", "fuzz guitars" and "guitars sounding like bagpipes", the only electric guitar used on the album was a 1966 blonde Fender Telecaster which used to belong to Marc Bolan and to which Oldfield had added an extra Bill Lawrence pickup. The guitars were recorded via direct injection into the mixing desk.) was given to David Bedford at a party, who then subsequently gave it to Oldfield. Tom Newman criticised the wooden cased unit in a 2001 interview with Q magazine, noting that it rarely gave the same result twice. According to the engineer Phil Newell, the bass guitar was one of his Fender Telecaster Basses.
Side one
Oldfield recorded side one, known as "Opus One" at the time, during his one allotted week at the Manor in November 1972. Oldfield had "Part Two" mapped out and sequenced by the time he came to record it.
The "caveman" section is the only part of Tubular Bells that features a drum kit, which is played by Steve Broughton of the Edgar Broughton Band. The section begins with a backing track of bass and drums, with Oldfield overdubbing all other instruments. The shouting vocals developed near the end of the recording, when he had practically finished recording the instruments for the section but felt it needed something else. Heyworth recalled that Branson was getting impatient and pressured Oldfield to deliver the album, and to include vocals on one of the tracks so he could release it as a single. Angered by Branson's suggestion, Oldfield returned to the Manor where he drank half a bottle of Jameson's whiskey from the studio's cellar and demanded that the engineer take him to the studio where, intoxicated, he "screamed his brains out for 10 minutes" into a microphone. The incident left Oldfield so hoarse that he was unable to speak for two weeks. Key was invited to present his portfolio, and one of his designs depicted a boiled egg with blood dripping from it, which Branson liked and wanted to use for the cover because he wanted to call the album Breakfast in Bed. Oldfield hated both the image and the title and rejected them.
The "bent bell" has become the image most associated with Oldfield, appearing on the cover of every Tubular Bells sequel album. It is also the logo of his personal music company, Oldfield Music Ltd. The cover of Tubular Bells was among ten images chosen by Royal Mail for a set of "Classic Album Cover" postage stamps, issued in January 2010.
Release
In January 1973, Branson visited the MIDEM music conference in Cannes, France, and pitched side one to various music companies with the hope of securing a record deal. One American executive offered $20,000 if vocals were added to the music. The unsuccessful visit led Branson and Draper to consider putting the album out through mail order, before they chose to form their own label, Virgin Records, and use Tubular Bells as their first release.
Early sales were slow, and it was not until July 1973 that Tubular Bells appeared in the UK Albums Chart, reaching an initial peak of number seven. The situation changed following the release of The Exorcist in December 1973, Oldfield later attributing the music's successful use on the soundtrack to its unusual 15/8 opening time signature. From February 1974 to May 1975, Tubular Bells dropped out of the UK top 10 for only four weeks. Sixteen months after its release, it went to number one for the week ending 5October 1974, having spent 10 consecutive weeks in second place behind Band on the Run (1973) by Wings, and Oldfield's second album Hergest Ridge (1974). Prior to the 2020s, Tubular Bells had re-entered the charts in every decade since its release, most recently appearing in the week ending 22 March 2018 (its 287th week in total).
On 22 April 2007, the newspaper The Mail on Sunday gave away 2.25 million free copies of Tubular Bells to its readers in a card packet displaying the artwork. The release was organised by EMI, who had bought out Virgin Records, and The Mail on Sunday said its promotion increased sales of by 30%. Oldfield was unhappy about the deal, as he had not been consulted about it and felt it devalued the work.
Tubular Bells has sold more than 2.63 million copies in the UK, and an estimated 15 million worldwide.
Singles
The first single was created by the original US distributor, Atlantic Records. The single was an edit of the first three sections from Part One and was not authorised by Oldfield. It was released in February 1974 in the United States and Canada only, where it reached number seven on the U.S. Billboard Hot 100 chart on 11 May 1974,. It also reached number 15 on the Adult Contemporary chart. In Canada, the single was released as "Tubular Bells (Theme from Exorcist)", reaching number three on the RPM Top Singles chart on 18 May 1974, and was placed at number 103 in the top 200 singles of the year.
"Mike Oldfield's Single (Theme from Tubular Bells)" was the first 7-inch single released by Oldfield in the UK, in June 1974, peaking at number 31. The A-side was a re-recording of Part Two's "bagpipe guitars" section, arranged in a more pastoral version with acoustic guitars and featuring the oboe (played by Lindsay Cooper) as the lead instrument, with "Froggy Went A-Courting" as the B-side.
Reissues
{|class="wikitable"
|-
!Year
!Label
!Format
!Notes
|-
|1973
|Virgin
|Vinyl
|Standard stereo black vinyl with the catalogue number V2001. Reissued in 2009 as part of the Back to Black series.
|-
|1973
|Virgin
|Vinyl
|Standard stereo black vinyl (distributed by Atlantic Records) with the catalogue number VR 13-105. Original US version.
|-
|1975
|Virgin
|Vinyl
|Quadraphonic version in black vinyl with the catalogue number QV 2001 and number QD13-105 in the US. The first 40,000 copies are not true quadraphonic sound, but doctored versions of the stereo mix. This was corrected on subsequent copies, but there is no indication on the record that this substitution was made.
|-
|1978
|Virgin
|Vinyl
|Catalogue number VP 2001. A picture disc version showing the bent bell on a skyscape. This is a stereo remix of the quadraphonic version, the only difference being in the sound of the "reed and pipe organ" during the finale of Part One. This version was included on the Boxed compilation.
|-
|1981
|Virgin
|Vinyl
|Re-mastered by Ray Janos at CBS Recording Studios on the CBS DisComputer System.
|-
|1983
|Virgin
|Vinyl, CD, cassette
|Tenth anniversary limited edition released at the same time as Oldfield's album Crises (1983). First CD issue of the album with a catalogue number of CDV2001.
|-
|2000
|Virgin
|CD, HDCD
|Remastered by Simon Heyworth.
|-
|2001
|Virgin
|SACD
|Includes the 2000 remaster and uses the quadraphonic mix from Boxed for the multi-channel part. This release contains liner notes by David Laing and the SACD release notes were by Phil Newell and Heyworth. Some copies were labelled as the "25th Anniversary Edition".
|}
2009 reissue
In 2008, Oldfield's original 35-year deal with Virgin Records ended and the Tubular Bells rights returned to him. After signing to Mercury Records in 2005, Oldfield's albums originally released on Virgin were transferred to Mercury and re-released, starting the following year. Tubular Bells was reissued in June 2009 in a number of formats, including vinyl, 2-CD and DVD, and includes a new stereo mix by Oldfield in March 2009 from his home studio in Nassau, Bahamas. The Deluxe Edition contains a 5.1 surround sound mix and the Ultimate Edition contains an accompanying book and memorabilia.
The release was promoted by a series of bell-ringing events at 6 p.m. on 6 June 2009, a reference to the Number of the Beast. One of the events was held at the British Music Experience at The O<sub>2</sub>, featuring the 29-piece Handbell Ringers of Great Britain and a performance by the Orb named "Orbular Bells". There were also bell-ringing workshops and competitions at the Experience. The album reached number 11 in the UK.
2023 reissue
A 50th-anniversary edition was released on 26 May 2023 on CD and half-speed mastered 2LP. It features a new master of the original album along with additional previously released tracks including the 2012 Olympics recording, the Tubular Beats recording with York, "Tubular X" (from The X-Files), and one new 8-minute track, the "Introduction to Tubular Bells 4" which was recorded by Oldfield as a demo in 2017. Oldfield's record label has indicated that after recording the 8-minute demo he decided not to go forward with the Tubular Bells 4 project, and that this "may well be the last piece ever to be recorded by Oldfield". A Blu-ray audio version was also being produced which includes new Dolby Atmos and stereo mixes by David Kosten as well as Oldfield's 2009 5.1 mix and the 1975 quadrophonic mix by Phil Newell.
Live performances
Queen Elizabeth Hall, 1973
thumb|right|The first live performance of Tubular Bells was at the Queen Elizabeth Hall
After recording Tubular Bells, Oldfield felt he had "got it out of his system" and was reluctant to do any promotional engagements. However, Branson and Draper felt a live performance of the work was the best way to present it to journalists and the public, and organised a concert at London's Queen Elizabeth Hall on 25 June 1973. but Winwood pulled out as he was unable to find time to attend the rehearsals, and Wyatt was recovering from the recent accident that had left him paralysed.
Musicians:
- Kevin Ayers – bass guitar
- David Bedford – grand piano, accordion, organ, choir master, string arrangements
- Steve Broughton – drums
- Jon Field – flute
- Fred Frith – electric guitar, bass guitar
- John Greaves – Davoli electric piano, Farfisa organ, tin whistle, Vox organ
- Nick Haley – violin
- Tim Hodgkinson – Farfisa organ, Fender Rhodes electric piano, Vox organ
- Steve Hillage – electric guitar
- Simon Ingram Hill – cello, organ
- Geoff Leigh (misspelt on the programme as "Jeff Leig") – flute
- Ashley Mason – viola
- Pierre Moerlen – cymbals, glockenspiel, gongs, tam-tam, tubular bells, timpani
- Tom Newman – nasal chorus
- Mike Oldfield – acoustic and electric guitars, bass, Lowrey organ, mandolin, "prehistoric poem"
- Terry Oldfield – flute
- Ted Speight – electric guitar
- Vivian Stanshall – master of ceremonies
- Mick Taylor – electric guitar
- Janet Townley – violin
- Vulpy – viola
- Girlie Chorus: Sarah Greaves, Kathy Williams, Sally Oldfield, Maureen Rossini, Lynette Asquith, Amanda Parsons, Maggie Thomas, Mundy Ellis, Julie Clive, Liz Gluck, Debbie Scott, Hanna Corker.
BBC TV 2nd House, 1973
Oldfield and many of the musicians who had taken part in the Queen Elizabeth Hall concert performed Part One again later in the year for the BBC arts programme 2nd House, this time as a pre-recorded performance in a studio setting without an audience. The performance was recorded on 30 November 1973 and transmitted on BBC2 on 5 January 1974. The arrangement included a new part for oboe, played by Soft Machine's Karl Jenkins, and accompanied on-screen visuals of tubular steel sculptures and sequences from the film Reflections, both created by artist William Pye.
| rev2 = Chicago Sun-Times
| rev2score =
| rev3 = Creem
| rev3score = C+
| rev4 = Encyclopedia of Popular Music
| rev4score =
| rev5 = Q
| rev5score =
Influential British DJ John Peel was an early admirer of Tubular Bells, and played it on his Top Gear radio show on BBC Radio 1 on 29 May 1973, four days after the release, calling it "one of the most impressive LPs I've ever had the chance to play on the radio, really a remarkable record". Branson and Oldfield were listening to the show on Branson's houseboat, and Oldfield wrote in his autobiography that Peel played the album in its entirety, although the running order from the BBC archives and existing audio copies of the programme show that Peel played Part One only.
Peel reviewed Tubular Bells for The Listener the following week, describing it as "a new recording of such strength and beauty that to me it represents the first break-through into history that any musician has made". Melody Makers Geoff Brown observed that "Tubular Bells is a vast work, almost classical in its structure and in the way a theme is stated and deftly worked upon" and that it was "an enjoyable, evocative album which bodes well for the future of both the country's newest label and of Mike Oldfield".
Reviewing the whole batch of Virgin's first album releases in Sounds, Steve Peacock named Tubular Bells the best, saying that after careful listening he "ended up convinced that it really is a remarkable album", noting the "complex, interlocking carefully woven music that works its way through an enormous dynamic and emotional range", and stating, "I can't think of another album that I'd as unhesitatingly recommend to everyone who's likely to read this". A more reserved review came from Simon Frith in Let It Rock who felt that Tubular Bells was "more than an attractive wall-paper, more than a nature-film score, because of Mike Oldfield's ability to make what happens to the music self-sufficient and satisfying", but questioned why Peel and other critics viewed it as rock music, and concluded that "Oldfield's concern is the sound of rock, but Tubular Bells lacks rock's other essence — energy. This is no way body music — no sex, no violence, no ecstasy; nothing uncontrolled, nothing uncontrollable."
Paul Gambaccini wrote an enthusiastic review for Rolling Stone, calling it "the most important one-shot project of 1973" and "a debut performance of a kind we have no right to expect from anyone. It took Mike Oldfield half a year to lay down the thousands of overdubs required for his 49 minutes of exhilarating music. I will be playing the result for many times that long." He concluded, "I can say that this is a major work". On the other hand, in an article in the same magazine seven months later which discussed the current top twenty albums on the Billboard chart, Jon Landau dismissed the record as "a clever novelty" and said: "Light, rather showy and cute in places, it probably makes pleasant background music for a dinner or conversation." Writing for Creem, Robert Christgau was also left unmoved, saying, "The best I can come up with here is 'pleasant' and 'catchy'. Oldfield isn't Richard Strauss or even Leonard Cohen — this is a soundtrack because that's the level at which he operates." Tubular Bells was inducted into the Grammy Hall of Fame in 2018.
In Q<nowiki/>'s 1998 list of "The 50 Best Albums of the '70s", Tubular Bells was placed at number six. In the Q & Mojo Classic special issue Pink Floyd & The Story of Prog Rock in 2005, it was listed at number nine in its list of "40 Cosmic Rock Albums". It was also included in the book 1001 Albums You Must Hear Before You Die.
Legacy
The Exorcist
The introduction to Part One was chosen to feature in the 1973 horror film The Exorcist. According to the British film critic Mark Kermode, the decision to include the music was the result of chance – the director, William Friedkin, had decided to discard the original score by Lalo Schifrin and was looking for music to replace it. Friedkin was visiting the offices of Ahmet Ertegun, the president of Atlantic Records (which distributed Tubular Bells in the US), and picking up a white label record from the selection of records in Ertegun's office, he put it on the record player and instantly decided that the music would be perfect for the film. Although the introduction only features briefly in two scenes, it has become the track most commonly associated with the film. Oldfield said he did not want to see the film because he believed he would find it too frightening.
Sequels and other albums
Tubular Bells remains the album most identified with Oldfield, and he has released three sequels. Tubular Bells II was released in 1992 which, like its predecessor, reached number one in the UK. It was followed by the electronic and dance-oriented Tubular Bells III (1998) and The Millennium Bell (1999). On the thirtieth anniversary of Tubular Bells, Oldfield re-recorded the original Tubular Bells with contemporary technology, making several corrections to what he saw as flaws in the original production. Since Stanshall died in 1995, the re-recording features new narration provided by actor John Cleese. Tubular Bells 2003 went to number 51 in the UK.
In 1975, an orchestral arrangement of the original album was released as The Orchestral Tubular Bells.
Compilations:
- The Best of Tubular Bells (2001)
- The Complete Tubular Bells (2003)
Oldfield and York's 2013 remix album Tubular Beats contains two remixes of sections of Tubular Bells.
Virgin Group
Richard Branson recognised the significance of Tubular Bells to the Virgin Group's success, who named one of his first Virgin America aircraft, an Airbus A319-112, N527VA Tubular Belle. Prior to this Virgin Atlantic had named a Boeing 747-4Q8, G-VHOT Tubular Belle, in 1994.
In the United Kingdom Virgin Money signalled its entry into the banking sector in January 2012 with a television advertisement titled '40 Years of Better'. The advertisement opened with an image of a record orbiting the Earth accompanied by the music of the introduction to Tubular Bells, signifying the beginnings of Virgin, and ended with a shot of the same record framed and hanging on the wall of the new bank. Two months later a Virgin Media TV advertisement starring Branson and actor David Tennant also featured the record, where a younger version of Branson is seen holding a copy of Tubular Bells under his arm upon exiting a time machine. However, the advert was withdrawn shortly afterwards following objections from the BBC that it was being used to endorse a rival TV service (in the advert Tennant is shown searching on Virgin's TiVo on-demand service for episodes of Doctor Who, a BBC series in which he formerly played the titular character).
In May 2021, Virgin Orbit, the commercial rocket launch provider subsidiary of the Virgin Group, announced the first operational mission of their LauncherOne air-launched rocket was named after the first track, Tubular Bells, Part One.
Cultural references
The use of the opening theme in the 1973 film The Exorcist gained the record considerable publicity and introduced the work to a broader audience. Along with a number of other Oldfield pieces the theme was used in the 1979 NASA movie The Space Movie. It has gained cultural significance as a "haunting theme", partly due to the association with The Exorcist, and has been sampled by many other artists.
In television it was used in several episodes of the Dutch children's series Bassie en Adriaan, and an episode ("Ghosts") of the BBC series My Family. It was used in a television advertisement for the Volkswagen Golf Diesel in 2002 and in various films.
Computer tie-ins
With the aid of the software house CRL and distributor Nu Wave, Mike Oldfield released an interactive Commodore 64 version in 1986, which used the SID sound chip to play back a simplified re-arrangement, accompanied by some simple 2D visual effects. The interactivity was limited to controlling the speed and quantity of the visual effects, tuning the sound's volume and filtering, and skipping to any part of the album.
In 2004, Oldfield launched a virtual reality project, Maestro, which contains music from Tubular Bells 2003. The original title was The Tube World. This was the second game which was released under the MusicVR banner, the first being Tres Lunas. MusicVR set out to be a real-time virtual reality experience combining imagery and music, as a non-violent and essentially a non-goal driven game.
In 2012 Universal and Indaba Music created a Tubular Bells remix contest, where users could download original stem recordings to create their own pieces and the winner of the $1,000 prize was judged by Oldfield.
2012 Olympic Games
On 27 July 2012 at the 2012 Summer Olympics opening ceremony Mike Oldfield performed during a segment about the NHS and children’s literature. 600 dancers, all of whom were NHS staff, along with 1,200 volunteers recruited from British hospitals, along with people from the Great Ormond Street Hospital, entered along with children on 320 hospital beds, some of which functioned as trampolines. The show's director Danny Boyle stated that he had wanted to make Tubular Bells a "cornerstone" of a 20-minute sequence of the ceremony. A studio version of Oldfield's performance appears on the soundtrack album Isles of Wonder. Although listed as "Tubular Bells"/"In Dulci Jubilo", the track consists of a number of parts, the first being the introduction piece to his Tubular Bells in its normal arrangement, then this is followed by a rearranged version of that same theme that during interviews Oldfield has called "swingular bells". The piece that is used when children's literature villains appear features two arrangements of "Far Above the Clouds" (from Tubular Bells III), and finally as the Mary Poppins characters appear to drive off the villains, there is a rendition of "In Dulci Jubilo" followed by a short coda.
The Olympics version was released as a 500-copy limited edition pink/blue vinyl single on 8 October 2012. This was also released on iTunes as "Tubular Bells/In Dulci Julio (Music from the Opening Ceremony of the London 2012 Olympic Games)" as well as on the official 2012 Olympics album. In 2023, this rendition appeared on the 50th anniversary release of Tubular Bells.
This lists the movements as:
- "Tubular Bells (Part One Excerpt)"
- "Tubular Bells (Part One Swing)"
- "Tubular Bells (Part Two Excerpt)"
- "Tubular Bells III (Far Above the Clouds)"
- "Mary Poppins Arrival"
- "Fanfare for the Isles of Wonder"
- "In Dulci Jubilo"
- "Olympic Tubular Bells Coda"
Adaptations
American artist Tori Amos has frequently used the opening Tubular Bells theme in her live shows. It began during the 1996 Dew Drop Inn Tour where she let "Father Lucifer" segue into Tubular Bells on the piano while singing words from Bronski Beat's "Smalltown Boy" as well as playing it on the harpsichord during songs "Love Song" (a Cure cover) and "Bells for Her" (from the album Under the Pink), usually while mixing in lyrics from a third song such as Björk's "Hyperballad" or "Blue Skies". It appeared again in 2005 as part of "Yes, Anastasia", and on the 2007 tour promoting her album American Doll Posse where it was performed with full band as an intro to "Devils and Gods". On the 2011 tour, promoting her album Night of Hunters it is being performed as the intro to and backing melody for "God."
Tubular Bells for Two is a music-theatre production created by two Australian multi-instrumentalists, Aidan Roberts and Daniel Holdsworth, in 2009. The two musicians perform over twenty instruments to recreate the original album 'as faithfully as physically possible'. The show won a Sydney Fringe Award for Best Musical Moment in the 2010 Festival, and has been performed at festivals around Australia and the Pacific. The show made its European debut at the Edinburgh Festival Fringe in 2012, where it won two awards.
In 2013, Oldfield invited Branson to the opening of St. Andrew's International School of The Bahamas, where two of Oldfield's children were pupils. This was the occasion of the debut of Tubular Bells for Schools, a piano solo adaptation of Oldfield's work.
Track listing
All music by Mike Oldfield, except on "Tubular Bells, Part Two" which includes "The Sailor's Hornpipe" (traditional).
Side one
- "Tubular Bells, Part One" – 25:30
Side two
- "Tubular Bells, Part Two" – 23:22
Personnel
Credits are adapted from album sleeve notes.
- Mike Oldfield – grand piano, glockenspiel, Farfisa organ, bass guitar, electric guitar (including "speed guitar", "fuzz guitar", "mandolin-like guitar" and "guitars sounding like bagpipes"), taped motor drive amplifier organ chord, assorted percussion, acoustic guitar, flageolet, honky tonk piano, Lowrey organ, tubular bells, concert timpani, Hammond organ, Spanish guitar, vocals ("Piltdown Man" and "Moribund chorus")
Additional musicians
- Steve Broughton – drums
- Lindsay L. Cooper – string basses
- Jon Field – flutes
- Mundy Ellis – backing vocals ("Girlie Chorus")
- Sally Oldfield – backing vocals ("Girlie Chorus")
- Vivian Stanshall – Master of Ceremonies
- Nasal Choir (uncredited)
- Bootleg Chorus – the Manor Choir conducted by Mike Oldfield
Production
- Mike Oldfield – producer, 2009 stereo and 5.1 surround sound mix
- Simon Heyworth – producer, engineer, mastering
- Tom Newman – producer, engineer
- Trevor Key – artwork
Charts
Weekly charts
{| class="wikitable sortable plainrowheaders" style="text-align:center;"
|+Weekly chart performance for Tubular Bells
! scope="col" | Chart (1973–1975)
! scope="col" | Peak<br />position
|-
! scope="row" | Australian Albums (Kent Music Report)
| 1
|-
|-
|-
|-
|-
!scope="row"|Spanish Albums (PROMUSICAE)
|4
|-
|-
|-
! scope="row" | US Cash Box Top 100
| 1
|}
{| class="wikitable plainrowheaders" style="text-align:center;"
|+2006 weekly chart performance for Tubular Bells
! Chart (2006)
! Peak<br />position
|-
|}
{| class="wikitable sortable plainrowheaders" style="text-align:center;"
|+Weekly chart performance for Tubular Bells 50th anniversary edition
! Chart (2023)
! Peak<br />position
|-
|-
|-
|-
|-
|-
|-
|-
|}
Year-end charts
{| class="wikitable sortable plainrowheaders" style="text-align:center;"
|+1974 year-end chart performance for Tubular Bells
! scope="col" | Chart (1974)
! scope="col" | Position
|-
! scope="row" | Australian Albums (Kent Music Report)
| style="text-align:center;"| 6
|-
! scope="row" | Canada Top Albums/CDs (RPM)
| style="text-align:center;"| 36
|-
! scope="row" | UK Albums (OCC)
| style="text-align:center;"| 3
|-
! scope="row" | US Billboard Pop Albums
| style="text-align:center;"| 22
|-
! scope="row" | US Cash Box Albums
| style="text-align:center;"| 17
|}
{| class="wikitable sortable plainrowheaders" style="text-align:center;"
|+1975 year-end chart performance for Tubular Bells
! scope="col" | Chart (1975)
! scope="col" | Position
|-
! scope="row" | Dutch Charts (MegaCharts)
| style="text-align:center;"| 5
|-
! scope="row" | UK Albums (OCC)
| 7
|}
{| class="wikitable sortable plainrowheaders" style="text-align:center;"
|+1976 year-end chart performance for Tubular Bells
! scope="col" | Chart (1976)
! scope="col" | Position
|-
! scope="row" | UK Albums (OCC)
| 27
|}
{| class="wikitable sortable plainrowheaders" style="text-align:center;"
|+1977 year-end chart performance for Tubular Bells
! scope="col" | Chart (1977)
! scope="col" | Position
|-
! scope="row" | UK Albums (OCC)
| 49
|}
Decade-end charts
{| class="wikitable plainrowheaders" style="text-align:center;"
|+Decade-end chart performance for Tubular Bells
! scope="col" | Chart (1970–1979)
! scope="col" | Position
|-
! scope="row" | UK Albums (OCC)
| 3
|}