The Trinidad and Tobago Carnival is an annual event held on the Monday and Tuesday before Ash Wednesday in Trinidad and Tobago. This event is well known for participants' colorful costumes and exuberant celebrations. There are numerous cultural events such as "band launch" fetes running in the lead up to the street parade on Carnival Monday and Tuesday. Traditionally, the festival is associated with calypso music, developed by Afro-Trinidadians in 17th century Trinidad; however, Soca music has begun to replace calypso as the more popular musical genre for Carnival.
Carnival, as it is celebrated in Trinidad and Tobago, has spread to many other Caribbean islands as well as several cities worldwide. These celebrations include Toronto's Caribana, Miami's Miami Carnival, Houston Carifest, London's Notting Hill Carnival, as well as New York City's Labor Day Carnival.
Some of the biggest bands in Trinidad Carnival are Harts, Tribe, and Bliss.
Origin
thumb|upright|Historic Trinidadian carnival costume at the British Museum
The annual Carnival in Trinidad dates back to the 1780s, when an influx of immigrants from the French West Indies emigrated to Trinidad in response to the Cédula de Población. These immigrants included French planters and 'free coloureds' (free people of mixed race), as well as enslaved Africans.
Enslaved Africans also formed parallel celebration called "Canboulay". Canboulay (from the French cannes brulés, meaning burnt cane) The festival was characterized by drums, singing, calinda dancing, chanting, and stick-fighting. Canboulay is considered is a precursor to Trinidad and Tobago Carnival, and has played an important role in the development of the music of Trinidad and Tobago.
Calypso music was developed in Trinidad in the 17th century from the West African Kaiso and canboulay music brought by African slaves imported to that Caribbean island to work on sugar plantations. These slaves, brought to toil on sugar plantations, were stripped of all connections to their homeland and family and not allowed to talk to each other. They used calypso to mock the slave masters and to communicate with each other. Many early calypsos were sung in French Creole by an individual called a griot. As calypso developed, the role of the griot became known as a chantuelle and eventually, calypsonian. Additional traditions were introduced to Trinidad by enslaved Africans during the 18th century. These include the calinda, a form of martial art involving stick-fighting. The calinda is likely of African origin, and is accompanied by music and dancing. After Emancipation, freed Africans first celebrated their freedom on 1 August the anniversary of their emancipation, and soon began celebrating emancipation during the Carnival season. As part of this transformation, they started carrying burning sugarcane in celebration of Canboulay. The carnival soon featured dancing by men and women in masks.
During the mid- and late-1800s, the colonial government tried various ways to suppress Carnival and Carnival festivities. In 1884, the colonial government passed the Peace Preservation Act, in an attempt to prevent violence breaking out during the Carnival. The Act prohibited public carrying of torches, drumming, blowing horns, and stick-fighting (or the assembly of ten or more people with sticks).
Steelpan
Stick fighting and African percussion music were banned in 1881, in response to the Canboulay Riots. They were replaced by bamboo "Bamboo-Tamboo" sticks beaten together, which were themselves banned in turn. In 1937 they reappeared, transformed as an orchestra of frying pans, dustbin lids and oil drums. These steelpans (or pans) are now a major part of the Trinidadian music scene and are a popular section of the Canboulay music contests. In 1941, the United States Navy arrived on Trinidad, and the panmen, who were associated with lawlessness and violence, helped to popularize steel pan music among soldiers, which began its international popularization.
J'ouvert
thumb|upright|A Music Truck entertains the crowd on the streets. Trucks are an integral part of the street parade, featuring live performances or deejays
J'ouvert (translated from French as "break of day") symbolizes the start of the official two days of Carnival. Beginning early Monday, revelers parade through town in the tradition of the Canboulay celebrations. "Jouvay" (as it is commonly pronounced and spelled) The celebration involves participants dousing themselves in oil, mud, and powder, and dancing to calypso and soca music through the streets.
Carnival dates
The table shows a list of Trinidad and Tobago Carnival dates from 2009 to 2026.
{| class="wikitable" align="center"
|- style="text-align:center"
! Calendar Year
! Carnival Monday
! Carnival Tuesday
|-
| 2009
| February 23
| February 24
|-
| 2010
| February 15
| February 16
|-
| 2011
| March 7
| March 8
|-
| 2012
| February 20
| February 21
|-
| 2013
| February 11
| February 12
|-
| 2014
| March 3
| March 4
|-
| 2015
| February 16
| February 17
|-
| 2016
| February 8
| February 9
|-
| 2017
| February 27
| February 28
|-
| 2018
|February 12
|February 13
|-
| 2019
| March 4
| March 5
|-
| 2020
| February 24
| February 25
|-
| 2021
| colspan=2 | Cancelled due to COVID-19
|-
| 2022
| colspan="2" | Cancelled due to COVID-19
|-
| 2023
| February 20
| February 21
|-
| 2024
| February 12
| February 13
|-
| 2025
| March 3
| March 4
|-
| 2026
| February 16
| February 17
|}
Characters
thumb|Moko jumbie characters
A few specific characters have evolved during the history of Trinidad and Tobago's Carnival. The costume is constructed so as to give the illusion of a dancer riding a small burro or donkey.
- Dame Lorraine – A voluptuous woman. The costume parodies the dress of 18th-century French aristocratic women and is stuffed in the hips and bust. Often performed by men.
- Jab Jab – A devil character, from the French Patois diable (meaning 'devil). There are Jab Jabs of different colors, including the "Jab Molassi" (molasses devil) cover their bodies in oil from head to toe.
- Midnight Robber – A storytelling character who brags about himself and his valor. The character and costume is influenced by West African dress and storytelling as well as the American Wild West. The character wears an oversized hat, which comes in different shapes and colors. The singers would sometimes dress in whiteface, parodying the white American minstrels who dressed in blackface.
- Pierrot Grenade – A jester pretending to be a scholar. The character is a parody of the Pierrot character, which was a character from the Carnival balls held by the French planter class in late 18th century Trinidad. The Pierrot character was a well-dressed scholar who boasted about his knowledge.