In tonal languages, tone names are the names given to the tones these languages use.
Chinese
thumb|115px|Pitch contours of the four Mandarin tones
In contemporary standard Chinese (Mandarin), the tones are numbered from 1 to 4. They are descended from but not identical to the historical four tones of Middle Chinese, namely level (), rising (), departing (), and entering (), each split into yin () and yang () registers, and the categories of high and low syllables.
Vietnamese
thumb|250px|Northern Vietnamese (non-Hanoi) tones as uttered by a male speaker in isolation.|class=skin-invert-image
Standard Vietnamese has six tones, known as ngang, sắc, huyền, hỏi, ngã, and nặng tones.
Thai
Thai has five phonemic tones: mid, low, falling, high and rising, sometimes referred to in older reference works as rectus, gravis, circumflexus, altus and demissus, respectively. The table shows an example of both the phonemic tones and their phonetic realization, in the IPA.
<!-- The whole point of this table is to illustrate phonetic detail of the tones. This doesn't occur anywhere else, and is from the IPA Handbook. -->
thumb|250px|Thai language tone chart|class=skin-invert-image
{| class=wikitable
!Tone!!Thai!!Example!!Phonemic!!Phonetic!!Example meaning in English
|-
|mid||สามัญ|| นา ||||||paddy field
|-
|low||เอก|| หน่า |||| or ||(a nickname)
|-
|falling||โท|| หน้า ||||||face, front
|-
|high||ตรี|| น้า |||| or ||maternal aunt or uncle younger than one's mother
|-
|rising||จัตวา|| หนา |||| or ||thick
|}
See also
- Tone letter
- Tone number
- Archaic & modern four tones in Chinese