Tom and Jerry (also known as Tom & Jerry) is an American animated media franchise and series of comedy short films created in 1940 by William Hanna and Joseph Barbera. Best known for its 161 theatrical short films produced by Metro-Goldwyn-Mayer, the series centers on the rivalry between a cat named Tom and a mouse named Jerry. Many shorts also feature several recurring characters.
Created in 1940 as the MGM cartoon studio struggled to compete with Walt Disney Productions and Leon Schlesinger Productions (Warner Bros.' Looney Tunes and Merrie Melodies), Tom and Jerrys initial short-film titled Puss Gets the Boot proved successful in theaters and garnered an Academy Award nomination for Best Short Subject (Cartoon). Hanna and Barbera later directed a total of 114 Tom and Jerry shorts for its initial MGM run from 1940 to 1958. During this time, they won seven Academy Awards for Best Animated Short Film, tying for first place with Walt Disney's Silly Symphonies with the most awards in the category. After the MGM cartoon studio closed in 1957, MGM revived the series with Gene Deitch directing an additional thirteen Tom and Jerry shorts for Rembrandt Films in Czechoslovakia, from 1961 to 1962. Tom and Jerry became the highest-grossing animated short-film series of that time, overtaking Looney Tunes. Chuck Jones produced another 34 shorts with Sib Tower 12 Productions between 1963 and 1967. Five more shorts have been produced since 2001, making a total of 166 shorts.
A number of spin-offs have been made, including the television series The Tom and Jerry Show (1975), The Tom and Jerry Comedy Show (1980–1982), Tom & Jerry Kids (1990–1993), Tom and Jerry Tales (2006–2008), and The Tom and Jerry Show (2014–2021). In 1992, the first feature-length film based on the series, Tom and Jerry: The Movie, was released. Thirteen direct-to-video films have been produced since 2002. In 2019, a musical adaptation of the series, titled Tom and Jerry: Purr-Chance to Dream, debuted in Japan, in advance of Tom and Jerrys 80th anniversary. In 2021, the live-action/animated hybrid film Tom and Jerry was released, while a Chinese-American computer-animated film, Tom and Jerry: Forbidden Compass, premiered in June 2025.
Plot
The series features comic fights between an iconic set of adversaries, a house cat (Tom) and a house mouse (Jerry). The plots of many shorts are often set in the backdrop of a house, centering on Tom (who is often enlisted by a human) trying to capture Jerry, and the mayhem and destruction that follows. Tom rarely succeeds in catching Jerry, mainly because of Jerry's cleverness, cunning abilities, and luck. However, on several occasions, they have displayed genuine friendship and concern for each other's well-being. At other times, the pair set aside their rivalry in order to pursue a common goal, such as when a baby escapes the watch of a negligent babysitter, causing Tom and Jerry to pursue the baby and keep it away from danger, in the shorts Busy Buddies and Tot Watchers respectively. Despite their endless attacks on one another, they have saved each other's lives every time they were truly in danger, with the exception of The Two Mouseketeers and Blue Cat Blues.
The cartoons are known for their violent gags. While Tom and Jerry has often been criticized as excessively violent, there is no blood or gore in any scene. Tom uses axes, hammers, firearms, firecrackers, explosives, traps and poison to kill Jerry, and Jerry's methods of retaliation are far more violent, with frequent success, including slicing Tom in half, decapitating him, shutting his head or fingers in a window or a door, stuffing Tom's tail in a waffle iron or a mangle, kicking him into a refrigerator, getting him electrocuted, pounding him with a mace, club or mallet, letting a tree or electric pole drive him into the ground, sticking matches into his feet and lighting them, etc.
Music plays a very important part in the shorts, emphasizing the action, bringing in humor, filling in for traditional sound effects, and lending emotion to the scenes. Musical director Scott Bradley created complex scores that combined elements of jazz, classical, and pop music. Bradley often used contemporary pop songs and songs from other films, including MGM films like The Wizard of Oz and Meet Me in St. Louis.
The two lead characters speak English on rare occasions. Most of the vocal effects used for Tom and Jerry are their high-pitched laughs and gasping screams. Even though Tom and Jerry almost never speak, the shorts often show other characters speaking. For example, the character Mammy Two Shoes has lines in nearly every cartoon in which she appears.
Characters
Tom and Jerry
Tom, named "Jasper" in his debut appearance, is a gray and white domestic shorthair cat. "Tom" is a generic name for a male cat. He is usually but not always, portrayed as living a comfortable, or even pampered life, while Jerry, whose name is not explicitly mentioned in his debut appearance, is a small, brown house mouse who always lives in close proximity to Tom. Despite being very energetic, determined and much larger, Tom is no match for Jerry's wits. Jerry possesses surprising strength for his size, approximately the equivalent of Tom's, lifting items such as anvils with relative ease and withstanding considerable impacts.
Although cats typically chase mice to eat them, it is quite rare for Tom to actually try to eat Jerry. He tries to hurt or compete with him just to taunt Jerry, even as revenge, or to obtain a reward from a human, including his owner(s)/master(s), for catching Jerry, or for generally doing his job well as a house cat. By the final "fade-out" of each cartoon, Jerry usually gets the best of Tom.
Other results may be reached. On rare occasions, Tom triumphs, usually when Jerry becomes the aggressor or he pushes Tom a little too far. In The Million Dollar Cat, Jerry learns that Tom will lose his newly acquired wealth if he harms any animal, especially mice. He then torments Tom a little too much until he retaliates. In Timid Tabby, Tom's look-alike cousin pushes Jerry over the edge. Occasionally and usually ironically, they both lose, usually because Jerry's last trap or attack on Tom backfires on him or he overlooks something. In Chuck Jones' Filet Meow, Jerry orders a shark from the pet store to scare Tom away from eating a goldfish. Afterward, the shark scares Jerry away as well. They occasionally end up being friends, although there is often a last-minute event that ruins the truce. One cartoon that has a friendly ending is Snowbody Loves Me.
Both characters display sadistic tendencies, in that they are equally likely to take pleasure in tormenting each other, although it is often in response to a triggering event. However, when one character appears to truly be in mortal danger from an unplanned situation or due to actions by a third party, the other will develop a conscience and save him. Occasionally, they bond over a mutual sentiment towards an unpleasant experience and their attacking each other is more play than serious attacks. Multiple shorts show the two getting along with minimal difficulty, and they are more than capable of working together when the situation calls for it, usually against a third party who manages to torture and humiliate them both.
Sometimes this partnership is forgotten quickly when an unexpected event happens, or when one character feels that the other is no longer necessary. This is the case in Posse Cat, when they agree that Jerry will allow himself to be caught if Tom agrees to share his reward dinner, but Tom then reneges. Other times, Tom keeps his promise to Jerry and the partnerships are not quickly dissolved after the problem is solved.
Tom changes his love interest many times. The first love interest is Toots who appears in Puss n' Toots, and calls him "Tommy" in The Mouse Comes to Dinner. He is interested in a cat called Toots in The Zoot Cat although she has a different appearance to the original Toots. The most frequent love interest of Tom's is Toodles Galore, who never has any dialogue in the cartoons.
Despite five shorts ending with a depiction of Tom's apparent death, his demise is never permanent. He even reads about his own death in a flashback in Jerry's Diary. He appears to die in explosions in Mouse Trouble, after which he is seen in heaven, Yankee Doodle Mouse and in Safety Second, while in The Two Mouseketeers he is guillotined offscreen. The short Blue Cat Blues ends with both Tom and Jerry sitting on the railroad tracks with the intent of suicide while the whistle of an oncoming train is heard foreshadowing their imminent death.
Tom and Jerry speaking
Although many supporting and minor characters speak, Tom and Jerry rarely do so themselves. One exception is The Lonesome Mouse where they speak several times briefly, primarily Jerry, to contrive to get Tom back into the house. Tom more often sings while wooing female cats. For example, Tom sings Louis Jordan's "Is You Is or Is You Ain't My Baby" in the 1946 short Solid Serenade. In that short and Zoot Cat, Tom woos female cats using a deep, heavily French-accented voice in imitation of then-popular leading man, actor Charles Boyer.
At the end of The Million Dollar Cat, after beginning to antagonize Jerry he says, "Gee, I'm throwin' away a million dollars... BUT I'M HAPPY!". In The Mouse Comes to Dinner, Tom speaks to his girlfriend Toots while inadvertently sitting on a stove: "Say, what's cookin'?", to which Toots replies "You are, stupid." and Jerry's nervous gulp.
The only other reasonably common vocalization is made by Tom when some external reference claims a certain scenario or eventuality to be impossible, which inevitably thwarts Tom's plans – at which point, a bedraggled and battered Tom appears and says in a haunting, echoing voice "Don't you believe it!", a reference to the then-popular 1940s radio show Don't You Believe It!. In Mouse Trouble, Tom says "Don't you believe it!" after being beaten up by Jerry, which also happens in The Missing Mouse. In the 1946 short Trap Happy, Tom hires a cat disguised as a mouse exterminator who, after several failed attempts to dispatch Jerry and suffering a lot of accidents in the process, changes profession to Cat exterminator by crossing out the "Mouse" on his title and writing "CAT", resulting in Tom spelling out the word out loud before reluctantly pointing at himself. In a 1975 article in Film Comment she was referred to as "Mammy Two Shoes", a moniker that has been inaccurately attributed to the character ever since, The name "Mammy Two-Shoes" was on the Disney model sheets for a character in a Silly Symphony cartoon, though the name was never spoken in the cartoon. A similar housekeeper then appeared in MGM Bosko cartoons by Harman and Ising, also without a name. At no time, ever, was the name used in any Tom and Jerry cartoon, The author of the 1975 article later apologized, but too much time had established the incorrect information, including on the DVD releases of the cartoons, in which the script read by Whoopi Goldberg on the Tom and Jerry Spotlight Collection: Vol. 2 DVD set, while explaining the importance of African-American representation in the cartoon series, however stereotyped, mentions the incorrect name numerous times.
History
Tom and Jerry titlecard from 1947 to 1953|thumb|upright=0.8
"Tom and Jerry" was a commonplace phrase for young men given to drinking, gambling, and riotous living in 19th-century London, England. The term comes from Life in London; or, The Day and Night Scenes of Jerry Hawthorn, Esq., and his elegant friend, Corinthian Tom (1821) by Pierce Egan, the British sports journalist who authored similar accounts compiled as Boxiana.
Hanna-Barbera era (1940–1958)
In August 1937, animator and storyman Joseph Barbera began to work at MGM, then the largest studio in Hollywood. An early thought involved a fox and a dog before they settled on a cat and mouse. The pair discussed their ideas with producer Fred Quimby, then the head of the short film department who, despite a lack of interest in it, gave them the green-light to produce one cartoon short. named Jinx in pre-production, and an African American housemaid named Mammy Two Shoes. Leonard Maltin described it as "very new and special [...] that was to change the course of MGM cartoon production" and established the successful Tom and Jerry formula of comical cat and mouse chases with slapstick gags. Puss Gets the Boot was a critical success, earning an Academy Award nomination for Best Short Subject: Cartoons in 1941 despite the credits listing Ising and omitting Hanna and Barbera. Hanna did the animation timing - planning the music and temporal beats and accents the animation action would occur on - and assigned the animators their scenes and supervised their work. The pair decided to leave and went on to focus on their own production company Hanna-Barbera Productions, which went on to produce such popular animated television series including The Flintstones, Yogi Bear, The Jetsons and Scooby-Doo. All were directed by Gene Deitch and produced by William L. Snyder.
Deitch states that, being a "UPA man", he was not a fan of the Tom and Jerry cartoons, thinking they were "needlessly violent". However, after being assigned to work on the series, he quickly realized that "nobody took [the violence] seriously", and it was merely "a parody of exaggerated human emotions". He also came to see what he perceived as the "biblical roots" in Tom and Jerrys conflict, similar to David and Goliath, stating "That's where we feel a connection to these cartoons: the little guy can win (or at least survive) to fight another day." and since the team produced their cartoons on a tighter budget of $10,000, the resulting films were considered surrealist in nature, though this was not Deitch's intention.
Whereas Hanna-Barbera's shorts generally took place in and outside of a house, Deitch's shorts opted for more exotic locations, such as a 19th-century whaling ship, the jungles of Nairobi, an Ancient Greek acropolis, or the Wild West. In addition, Mammy Two Shoes was replaced as Tom's owner by a bald, overweight, short-tempered, middle-aged white man, who bore a striking resemblance to another Deitch character, Clint Clobber. Just like Spike the Bulldog, he was also significantly more brutal and violent in punishing Tom's actions as compared to previous owners, often beating and thrashing Tom repeatedly; the character and his extreme treatment of Tom was poorly received.
To avoid being linked to Communism, Deitch modified the Czech names of his crew in the opening credits of the shorts to look more conventional to English-speaking audiences, e.g. Štěpán Koníček became "Steven Konichek" and Václav Lídl became "Victor Little". These shorts are among the few Tom and Jerry cartoons not to carry the "Made In Hollywood, U.S.A." phrase on the end title card. Due to Deitch's studio being behind the Iron Curtain, the production studio's location is omitted entirely on it. Despite the criticism, Deitch's Tom and Jerry shorts are appreciated by some fans due to their uniquely surreal nature.
Some of Jones' Tom and Jerry cartoons are reminiscent of his work with Wile E. Coyote and the Road Runner, includes the uses of blackout gags and gags involving characters falling from high places. Jones co-directed the majority of the shorts with layout artist Maurice Noble. The remaining shorts were directed by Abe Levitow and Ben Washam, with Tom Ray directing two shorts built around footage from earlier Tom and Jerry cartoons directed by Hanna and Barbera, and Jim Pabian directed a short with Maurice Noble. Various vocal characteristics were made by Mel Blanc, June Foray and even Jones himself. These shorts contain a memorable opening theme, in which Tom first replaces the MGM lion, then is trapped inside the "O" of his name. The standard Tom and Jerry opening titles were removed as well. Instead of the roaring MGM Lion sequence, an opening sequence featuring different clips of the cartoons was used instead. The title cards were also changed. A pink title card with the name written in white font was used instead.
Debuting on CBS' Saturday morning schedule on September 25, 1965, Tom and Jerry moved to CBS Sundays in 1967 and remained there until September 17, 1972.
Second Hanna-Barbera era: The Tom and Jerry Show (1975–1977)
In 1975, Tom and Jerry were reunited with Hanna and Barbera, who produced The Tom and Jerry Show for Saturday mornings. These 48 seven-minute cartoon shorts were paired with Grape Ape and Mumbly cartoons, to create The Tom and Jerry/Grape Ape Show, The Tom and Jerry/Grape Ape/Mumbly Show, and The Tom and Jerry/Mumbly Show, all of which initially ran on ABC Saturday mornings between September 6, 1975, and September 3, 1977. In these cartoons, Tom and Jerry, now with a red bow tie, who had been enemies during their formative years, became nonviolent pals who went on adventures together, as Hanna-Barbera had to meet the stringent rules against violence for children's TV. This format has not been used in newer Tom and Jerry entries.
Filmation era (1980–1982)
Filmation Studios were commissioned by MGM Television to produce a Tom and Jerry TV series, The Tom and Jerry Comedy Show, which debuted in 1980 and featured new cartoons starring Droopy, Spike, Slick Wolf, and Barney Bear, not seen since the original MGM shorts. The Filmation Tom and Jerry cartoons were noticeably different from Hanna-Barbera's efforts, as they returned Tom and Jerry to the original chase formula, with a somewhat more "slapstick" humor format. This incarnation, much like the 1975 version, was not as well received by audiences as the originals, and lasted on CBS Saturday mornings from September 6, 1980, to September 4, 1982. Tales is the first Tom and Jerry TV series that utilizes the original style of the classic shorts, along with the slapstick. Tales is the first Tom and Jerry production produced in 16:9 widescreen aspect ratio, but was cropped to 4:3 fullscreen aspect ratio when initially aired in the United States. The series was canceled in 2008, shortly before the Kids' WB block shut down.
Following Cartoon Network's 2012 reruns of Tom and Jerry Tales, the channel launched The Tom and Jerry Show (2014). Initially featuring two 11-minute segments, the series later shifted to 7-minute segments to better match the look and tone of the original theatrical shorts. Similar to other reboot works like Scooby-Doo! Mystery Incorporated and New Looney Tunes, several episodes the new series brought Tom and Jerry into contemporary environments, telling new stories and relocating the characters to more fantastic worlds, from a medieval castle to a mad scientist's lab. The series was produced by Warner Bros. Animation, with Sam Register serving as executive producer in collaboration with Darrell Van Citters and Ashley Postlewaite at Renegade Animation. Originally slated for a 2013 Cartoon Network premiere, the series was pushed back to April 9, 2014. It is the second Tom and Jerry production presented in 16:9 widescreen aspect ratio.
In November 2014, a two-minute sketch was shown as part of the Children in Need telethon in the United Kingdom. The sketch was produced as a collaboration with Warner Bros.
In May 2016, WB Kids began releasing excerpts from various Tom and Jerry works to the online platform YouTube. By January 2017, compilation videos of the Tom and Jerry franchise began to be released by WB Kids on the platform.
On February 20, 2021, Warner Bros. released two new shorts onto HBO Max titled Tom and Jerry Special Shorts to honor the 81st anniversary of Tom and Jerry, as well as to promote the 2021 film. These shorts share the style of the other HBO Max original Looney Tunes Cartoons, also produced by Warner Bros. Animation.
A new Tom and Jerry series made its debut on July 1, 2021, as a Max Original on HBO Max, called Tom and Jerry in New York, which basically served as a spin-off of The Tom and Jerry Show by having the exact same animation style and slapstick, except that the events take place in the city of New York City. It was loosely based on the 2021 film, as the humans in the series were shown with their faces intact.
On November 11, 2022, Cartoon Network in Japan premiered a new series of animated shorts, Tom and Jerry (