Thomas Goffe (1591–1629) was a minor Jacobean dramatist.
Life
Thomas Goffe was born in Essex in 1591. He first studied at Westminster School where he had the status of a Queen's Scholar. Goffe received a scholarship on 3 November 1609 to attend Christ Church, Oxford. Here he received his bachelor of arts (B.A.) on 17 June 1613 and continued to get his master of arts (M.A.), on 20 June 1616. While involved with acting and writing plays at Christ Church, Goffe continued school. On 3 July 1623, he acquired his bachelor of divinity and became licensed to preach shortly after on 11 July 1623. Goffe was asked to be a rector of the church in East Clandon, Surrey after receiving his B.D., an offer worth about eight pounds a year.(1) However, Goffe began delivering Latin orations and writing poems in tribute to Sir Thomas Bodley and Queen Anne of Denmark as well as to the dean of Christ Church, William Godwin.
There is no evidence available to verify the dates of these three plays. However, the structure, crude dialogue, and the use of, Richard Knolles's The General Historie of the Turkes as a source of inspiration, suggest that The Raging Turk is Goffe's first play. Furthermore, Goffe's The Courageous Turk, contains a few lines from the prologue that imply this was the third play to be acted in front of Christ Church.
The Raging Turk is a tragedy of Emperor Bajazet II, who is desperately trying to hold onto his power. However, plotting sons, and a usurping brother prevent him from doing so. While trying to prevent his successor, confusion consumes the people, and leads to the death of at least 16 lives. The end of the play resolves with Bajazet being poisoned, and his grandson Solyman is crowned emperor.
The Courageous Turk breaks into two parts. The first part is concerned with Amurath’s passion for his concubine Eumorphe, his officers’ discontent with Amurath’s affair, and death of Eumorphe. The second part contains a series of events consisting of Amurath’s various war exploits in Serbia (Battle of Kosovo), the Christians' martial confusion, the marriage of Amurath's son Bajazet to Hatam, Amurath's conflict with his son-in-law Aladin, the mutual stabbing deaths of Amurath and the Christian Capitan Cobelitz, and the raising of Bajazet to Emperor with the subsequent death of his brother Jacup. In addition, unlike many writers and producers of academic drama in the Jacobean era, Goffe was not contemptuous of popular theatre, and included many scenes and lines that were influenced by Hamlet and Antonio's Revenge in his tragedy, Orestes. Phoenissae has also been attributed to Goffe. It was probably performed at Christ Church in 1619 but is now lost.