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thumb|Detail of clay group with mythological scene from the Theban cycle, from the area of temple A at [[Pyrgi, mid-fifth century BC.]]

The Theban Cycle () is a collection of four lost epics of ancient Greek literature which tells the mythological history of the Boeotian city of Thebes. They were composed in dactylic hexameter verse and believed to be recorded between 750 and 500 BC. The epics took place before the Trojan War and centered around the Theban royal family.

The epics of the Theban Cycle were the Oedipodea, the Thebaid, the Epigoni, and the Alcmeonis.

Overview

In the collection, the precise sequence of events and the handling of characters and plots are difficult to reconstruct. There are very few fragments for the Oedipodea. For the Epigoni there are less than ten fragments and only three verbatim fragments totaling four lines. In addition, unlike the poetry of the Trojan cycle, there is no prose summary.

  • The Oedipodea: There are a total of 6,600 verses, which different sources attribute to Cinaethon of Sparta. The poem has been attributed to Homer, but some scholars doubt this attribution. The work has also been attributed to Antimachus of Teos. There are many unresolved issues concerning the poem's origin, age, and arrangement, as well as its relationship to other epics (Thebaid, Alcmeonis, Trojan) that are now lost. This differs from Sophocles' sphinx, which simply guards the entrance to Thebes and devours anyone who is unable to answer its riddle.

Another fragment points out that while Oedipus did unknowingly have an incestuous relationship with his mother Epicaste/Jocasta like in Sophocles' play, his children were from another marriage.

There are certainly other differences between the two works as well, but no other fragments survive. As a result, it is difficult to know more about the Oedipodea.

Thebaid

It records the quarrel between the brothers Eteocles and Polynices, sons of Oedipus, which led to the war of the Seven against Thebes.

After Oedipus gave up the throne of Thebes, his sons Eteocles and Polynices reached an agreement on how to divide their inheritance from their father. Polynices took possession of the material property while Eteocles claimed the title of the royal family.

Later, the exiled Polynices and Tydeus arrive at Argos. Adrastus, king of Argos, provides troops to help Polynices regain the throne of Thebes. However, Polynices and his six commanders fail in their attack on Thebes. At the end of the poem, both Eteocles and Polynices are killed.

Epigoni

The Epigoni is a sequel to the Thebaid. Presumably it told the story of a second expedition to Thebes, led by the sons of the Seven, 10 years after the original expedition. In this story, the sons of the seven warriors capture the city and destroy it.

There is only an extremely limited fragment of the poem. In fact, only the first line is known: "But now, Muses, let us begin on the younger men."

Alcmeonis

Only seven records of Alcmeonis are found in ancient literature. It tells the story of Alcmaeon killing his mother, Eriphyle, because she arranged for the death of his father Amphiaraus, whose murder is told in Thebaid.

There is debate about whether to include the Alcmeonis in the epic cycle. However, Alcmaeon is an outstanding figure within the Theban saga. He is the son of Amphiaraus, one of the seven commanders who failed in the first campaign against Thebes, and he is one of the Epigonoi (the sons of the seven) who destroyed Thebes in the second campaign.

Dramatic adaptations

The epics of the Theban Cycle were converted into plays by ancient Greek dramatists, and those plays are still being performed today. One example is Theban Cycle (2002) presented by the Düsseldorf Schauspielhaus. It is a production of four interconnected Greek plays: The Bacchae by Euripides, Oedipus Rex by Sophocles, Seven Against Thebes by Aeschylus, and Antigone by Sophocles.

Select editions and translations

Critical editions

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Translations

  • . Greek text with facing English translation

References

Bibliography

  • Baumann, R. (n.d.). Photios, Bibliotheca, 239: Proclus' "Grammatical Chrestomathy". Retrieved December 18, 2020, from <nowiki>https://ryanfb.github.io/photios-bibliotheca/239</nowiki>
  • Cingano, E. (2015). Epigonoi. In M. Fantuzzi & C. Tsagalis (Eds.), The Greek Epic Cycle and its Ancient Reception: A Companion (pp.&nbsp;244–260). Cambridge: Cambridge University Press.
  • Cingano, E. (2015). Oedipodea. In M. Fantuzzi & C. Tsagalis (Eds.), The Greek Epic Cycle and its Ancient Reception: A Companion (pp.&nbsp;213–225). Cambridge: Cambridge University Press.
  • Debiasi, A. (2015). Alcmeonis. In M. Fantuzzi & C. Tsagalis (Eds.), The Greek Epic Cycle and its Ancient Reception: A Companion (pp.&nbsp;261–280). Cambridge: Cambridge University Press.
  • Jeffrey Henderson. (2003, January 1). Greek Epic Fragments. The Theban Cycle. Retrieved December 18, 2020, from <nowiki>https://www.loebclassics.com/search?q=theban+cycle</nowiki>
  • Malcolm, D. (2015). The Theban Epics. Chapter 4. Epigoni. Hellenic Studies Series 69. Washington, DC: Center for Hellenic Studies. Retrieved December 18, 2020, from https://chs.harvard.edu/CHS/article/display/5910.4-epigoni\
  • The Editors of Encyclopaedia Britannica. (2020, February 1). Statius. Retrieved December 18, 2020, from <nowiki>https://www.britannica.com/biography/Statius</nowiki>
  • Torres-Guerra, J. (2015). Thebaid. In M. Fantuzzi & C. Tsagalis (Eds.), The Greek Epic Cycle and its Ancient Reception: A Companion (pp.&nbsp;226–243). Cambridge: Cambridge University Press.
  • West, M.L. (2003), Greek Epic Fragments, Loeb Classical Library, no. 497, Cambridge, MA, .