The Story of Adele H.

The Story of Adèle H. () is a 1975 French historical drama film directed by François Truffaut, and starring Isabelle Adjani, Bruce Robinson, Sylvia Marriott, Joseph Blatchley and Ivry Gitlis. Written by Truffaut, Jean Gruault and Suzanne Schiffman, the film is about Adèle Hugo, the daughter of writer Victor Hugo, whose obsessive unrequited love for a military officer leads to her downfall. The story is based on Adèle Hugo's diaries. Filming took place on location in Guernsey and Senegal.

Adjani received critical acclaim for her performance as Hugo, garnering an Academy Award nomination for Best Actress in a Leading Role, at the time making her the youngest Best Actress nominee ever at age 20. The Story of Adèle H. also won the National Board of Review Award for Best Foreign Language Film, the French Syndicate of Cinema Critics Award for Best Film, and the Cartagena Film Festival Special Critics Award.

Plot

In 1863, in the midst of the American Civil War, British troops are stationed in Halifax, Nova Scotia, carefully checking European passengers disembarking from foreign ships. Adèle Hugo, the second daughter of French writer Victor Hugo, makes it through and takes a carriage into Halifax. Traveling under the pseudonym Miss Lewly, Adèle finds accommodations at a boarding house run by Mr. and Mrs. Saunders.

Adèle finds a notary and inquires about a British officer, Lieutenant Albert Pinson, whom she deeply loves. Adèle later sees Pinson at a bookshop. When she learns that Mr. Saunders will be attending a military dinner which Pinson is likely to attend, Adèle asks him to deliver a love letter announcing her arrival. When Mr. Saunders returns from the dinner, he tells her that he gave Pinson her letter, but he did not open it.

The next day, Adèle writes to her parents, telling them that she must be with her beloved Pinson and that they are planning to marry, but she will wait for their formal consent. She spends her evenings writing in her journal about her life and her love for Pinson. Visiting the boarding house, Pinson demands that Adèle stop following him and leave Halifax, and tells her that her father would never approve their marriage. Adèle tries to persuade Pinson, threatens to expose him and ruin his military career, and even offers him money for his gambling debts, but he remains unmoved.

One night, Adèle follows Pinson to the home of his much older mistress, where she watches them having sex. Undeterred, Adèle continues writing in her journal, and her behavior becomes increasingly erratic. Mr. Whistler, the kind bookseller who provides her with writing paper, shows an interest in her. As she leaves his bookshop, she faints from exhaustion. Mr. Whistler visits her at the boarding house and brings her paper, but she refuses to see him. When Dr. Murdock visits to examine Adèle, he notices one of her letters is addressed to Victor Hugo and informs Mrs. Saunders of the true identity of her boarder.

Victor Hugo sends Adèle a letter informing her of the family's consent to her marriage to Pinson. She shows the letter to Pinson, but he still refuses to marry her. As Adèle's obsession grows stronger, she writes to her parents claiming that she has married Pinson. Upon receiving the news, Victor Hugo posts an announcement of the marriage in his local paper. The news reaches Pinson's colonel. After Pinson writes Victor Hugo to explain that he never will marry Adèle, Hugo writes to his daughter, urging her to return home to Guernsey. Adèle responds to her father's letter with more fantasy, urging her parents to accept Pinson.

Having learned of Adèle's identity, Mr. Whistler offers her a gift of her father's books; she responds in anger and paranoia. She hires a prostitute as a gift for Pinson and later considers hiring a hypnotist to force him to marry her, but realizes that the man is a charlatan. Overcome with despair, she visits the father of Pinson's fiancée and claims that he is married to her and that she is carrying his child. The father ends the engagement. She finds Pinson once more, and he again rebukes her, calling her ridiculous. After leaving the boarding house, Adèle refuses to return to her family despite her father's pleas and her mother's illness; the latter dies shortly afterwards.

In February 1864, Pinson is shipped out to Barbados, and a destitute Adèle follows him. Now married, Pinson learns that Adèle is in Barbados claiming to be his wife. Concerned for her, Pinson searches for her and finds her wandering the streets in rags. When he tries to confront her, Adèle does not acknowledge or recognize him. Helped by a kind former slave, Adèle returns to Paris, where the French Third Republic has been established. Her father places her in an asylum in Saint-Mandé, where she lives for the next 40 years. She gardens, plays the piano and writes in her journal. Adèle Hugo dies in Paris in 1915 at the age of 85.

Cast

François Truffaut has a brief, wordless cameo in the film as an officer Adele mistakes for Pinson in Halifax.

Production

Writing about the film, François Truffaut observed:

Truffaut had to get the rights from Jean Hugo, Victor Hugo's direct descendant. He gave his consent after reading a treatment on the condition that Victor Hugo did not appear on screen.

Finance was originally sought from Warner Bros but they turned it down as being too literary. The film was financed by United Artists. The original budget was five million francs so the script was simplified to focus more on Adèle.

Filming

Filming took place from 8 January to 21 March 1975. Most of the film's exterior scenes were shot on location in Guernsey, Channel Islands, and many of the film extras were well-known locals. Both Raymond Falla (who portrayed Judge Johnstone) and Sir Cecil de Sausmarez (who portrayed Lenoir, the notary) were, at the time of filming, prominent island politicians. Scenes set in Halifax were mainly interiors created in a house in St. Peter Port, Guernsey. No filming took place in Halifax.</blockquote>

The film was shot in both English and French. and was considered a box office disappointment.|author=|title=|source=

In his review in the Chicago Sun-Times, Roger Ebert gave the film four stars, calling it "a strange, moody film that belongs very much with the darker side of [Truffaut's] work." Ebert continued: