The Seeds of Love is the third studio album by the English pop rock band Tears for Fears, released on 25 September 1989 by Fontana Records. It retained the band's epic sound while incorporating influences ranging from jazz and soul to Beatlesque pop. Its lengthy production and scrapped recording sessions cost over £1 million. The album spawned the title hit single "Sowing the Seeds of Love", as well as "Woman in Chains", and "Advice for the Young at Heart", both of which reached the top 40 in several countries.
The Seeds of Love was an international success, entering the UK Albums Chart at number one, and top ten in other countries including the United States. It has been certified Gold or Platinum in several territories including the United Kingdom, the US, France, Germany, Canada, and the Netherlands. Despite its success, personal tensions during recording led to band members Curt Smith and Roland Orzabal splitting up at the conclusion of their 1990 world tour, with Orzabal remaining as the band's sole official member until the two reunited in the early 2000s.
In October 2020, the remastered reissue of The Seeds of Love was released in several formats including a super deluxe edition, with B-sides, remixes, and a 5.1 surround sound mix.
Production
The first song composed for The Seeds of Love was "Badman's Song" (originally titled "The Bad Man Song"), written during the band's 1985 world tour after Roland Orzabal overheard two members of the tour personnel maligning him in a hotel room one night. The song was co-written by Orzabal with keyboardist Nicky Holland, who was touring with the band throughout 1985. Holland would go on to play an integral part in the writing and recording of The Seeds of Love, much as keyboardist Ian Stanley had on the band's previous album Songs from the Big Chair.
Recording sessions for the album began in late 1986 with producers Clive Langer and Alan Winstanley, but Orzabal and Curt Smith were unhappy with the results and so the recordings were scrapped in early 1987. Chris Hughes (who had produced both the previous Tears for Fears albums) was then brought back into the fold, but again conflicts arose over the direction of the new material. Orzabal in particular had grown weary of composing and playing music using machines and sequencers, as the majority of Tears for Fears' music had been up to that point, and was striving for something more organic and a different way of working.