Taj Mahal - WikiHQ

The Taj Mahal ( ; ; ) is an ivory-white marble mausoleum on the right bank of the river Yamuna in Agra, Uttar Pradesh, India. It was commissioned in 1631 by the fifth Mughal emperor, Shah Jahan (), to house the tomb of his beloved wife, Mumtaz Mahal; it also houses the tomb of Shah Jahan himself. The tomb is the centrepiece of a complex, which includes a mosque and a guest house, and is set in formal gardens bounded on three sides by a crenellated wall.

Construction of the mausoleum was completed in 1648, but work continued on other phases of the project for another five years. The first ceremony held at the mausoleum was an observance by Shah Jahan, on 6 February 1643, of the 12th anniversary of the death of Mumtaz Mahal. The Taj Mahal complex is believed to have been completed in its entirety in 1653 at a cost estimated at the time to be around 32 million, which in 2015 would be approximately 52.8 billion (827 million).

The building complex incorporates the design traditions of Indo-Islamic and Mughal architecture. It employs symmetrical constructions with the usage of various shapes and symbols. While the mausoleum is constructed of white marble inlaid with semi-precious stones, red sandstone was used for other buildings in the complex similar to the Mughal era buildings of the time. The construction project employed more than 20,000 workers and artisans under the guidance of a board of architects led by Ustad Ahmad Lahori, the emperor's court architect. The complex was designed and executed by a multinational board of artisans and supervisors, including Ottoman dome designer Ismail Afandi; Persian architects Ustad Isa, Isa Muhammad Effendi, and Puru; chief calligrapher Amanat Khan Shirazi; finial caster Qazim Khan; and masonry supervisors Muhammad Hanif, Mir Abdul Karim, and Mukkarimat.

The Taj Mahal was designated as a UNESCO World Heritage Site in 1983 for being "the jewel of Islamic art in India and one of the universally admired masterpieces of the world's heritage". It is regarded as one of the best examples of Mughal architecture and a symbol of Indian history. The Taj Mahal is a major tourist attraction and attracts more than five million visitors a year. In 2007, it was declared a winner of the New 7 Wonders of the World initiative. The Taj Mahal and its setting, surrounding grounds, and structures are a Monument of National Importance, administered by the Archaeological Survey of India.

Etymology

The name "Taj Mahal" is of Urdu origin, and believed to be derived from Arabic and Persian, with the words tāj mahall meaning "crown" (tāj) "palace" (mahall). An alternative derivation of "taj" is that it was a corruption of the second syllable of "Mumtaz".

Abdul Hamid Lahori, in his 1636 book Padshahnama, refers to the Taj Mahal as rauza-i munawwara (Perso-Arabic: , rawdah-i munawwarah), meaning the illumined or illustrious tomb.

Inspiration

The Taj Mahal was commissioned by Shah Jahan in 1631, to be built in the memory of his wife Mumtaz Mahal, who died on 17 June that year while giving birth to their 14th child, Gauhara Begum. Construction started in 1632, and the mausoleum was completed in 1648, while the surrounding buildings and garden were finished five years later.

The imperial court documenting Shah Jahan's grief after the death of Mumtaz Mahal illustrates the love story held as the inspiration for the Taj Mahal. According to contemporary historians Muhammad Amin Qazvini, Abdul Hamid Lahori and Muhammad Saleh Kamboh, Shah Jahan did not show the same level of affection for others as he had shown Mumtaz while she was alive. After her death, he avoided royal affairs for a week due to his grief and gave up listening to music and lavish dressing for two years. Shah Jahan was enamoured by the beauty of the land at the south side of Agra on which a mansion belonging to Raja Jai Singh I stood. He chose the place for the construction of Mumtaz's tomb after which Jai Singh agreed to give it to emperor Shah Jahan in exchange for a large palace in the centre of Agra.

Architecture and design

thumb|upright=1.2|The Taj Mahal complex is situated on a platform on the banks of the [[Yamuna River.]]

The Taj Mahal incorporates and expands on design traditions of Indo-Islamic and Mughal architecture. Inspirations for the building came from Timurid and Mughal buildings including the Gur-e Amir in Samarkand (the tomb of Timur, progenitor of the Mughal dynasty) and Humayun's Tomb in Delhi which inspired the Charbagh gardens and hasht-behesht plan of the site. The building complex employs symmetrical constructions with the usage of various shapes and symbols.

The building has four identical sides with iwans (arch-shaped doorways), topped by a large dome and finial. Each side of the iwan is framed with a high pishtaq (vaulted archway) with two similarly shaped arched balconies stacked on either side. This motif of archways is replicated on a smaller scale on the chamfered corner areas, making the design completely symmetrical. At the southern side of the platform, facing the garden, there are two flights of stairs on either side which are partly covered and provide the only access from ground level up to the mausoleum building. The dome is slightly asymmetrical and is topped by a high gilded finial. The domes are topped by decorative finials which uses Persian and Indian design elements. The main finial was originally made of gold but was replaced by a copy made of gilded bronze in the early 19th century. At the base of the interior dome is the inscription, "Written by the insignificant being, Amanat Khan Shirazi".

Interior

The main inner chamber is an octagon with sides, with the design allowing for entry from each face with the main door facing the garden to the south. Two tiers of eight pishtaq arches are located along the walls, similar to the exterior. The four central upper arches form balconies or viewing areas, and each balcony's exterior window has an intricate jali. The inner wall is open along the axes where jali screens are fitted which transmit light from the exterior to the interior of the main chamber. Except the south side, other three sides consist of an open elongated room flanked by two square cells covered with decorated ceilings set on the platform. The central room has arched openings on three sides fitted with jalis filled with panes of glass and a small rectangular window cut into the central jali. On Mumtaz's sarcophagus on the top, the decoration consists of natural plum fruits, buds and flower blossoms inlaid with Qur'anic inscriptions with the epitaph reading "The illumined grave of Arjumand Bano Begam, entided Mumtaz Mahal, who died in the year 1631". The original tomb in the lower level is largely undecorated, with Ninety Nine Names of God inscribed on the side. In the north-western quadrant, is a place that marks the site where Mumtaz Mahal was first buried, before her body was moved to its final resting place inside the main chamber of the mausoleum.

The charbagh garden, a design inspired by Persian gardens, was introduced to India by Babur, the first Mughal emperor and symbolises the Paradise garden (Jannah) with four rivers flowing from a central spring or mountain, separating the garden into north, west, south and east. While most gardens of the era are rectangular with a tomb or pavilion in the centre, the Taj gardens is unusual in that the main element, the tomb, is located at the end of the garden. With the discovery of Mahtab Bagh ("Moonlight Garden") on the other side of the Yamuna river, the Archaeological Survey of India has hypothesised that the Yamuna river itself was incorporated into the garden's design and was meant to be seen as one of the rivers of Paradise. Similarities in layout and architectural features with the Shalimar Gardens suggest that both gardens may have been designed by the same architect, Ali Mardan. Early accounts of the garden describe its profusion of vegetation, including abundant roses, daffodils, and fruit trees. As the Mughal Empire declined, the gardens were not maintained, and when the British Raj assumed management of the gardens, they changed the landscaping to resemble the formal lawns of London in the 19th century.

The water supply for the gardens were derived from the Yamuna River, where a water channel transported the water into an underground reservoir along the eastern wall of a storage building containing multiple storage tanks. The water from the reservoir was lifted by means of a system of pulleys and wheels, turned by animals, to a tank that supplied an aqueduct which ran south carrying water up to the western wall before turning east. The water was later distributed throughout the garden through earthenware pipes embedded underground. The fountains in the central tank consisted of large vessels made of copper and inter-connected through copper pipes and the drop from the high walls created the necessary water for the fountains.

When the structure was partially completed, the first ceremony was held at the mausoleum by Shah Jahan on 6 February 1643, of the 12th anniversary of the death of Mumtaz Mahal. Construction of the mausoleum was completed in 1648, but work continued on other phases of the project for another five years. The Taj Mahal complex is believed to have been completed in its entirety in 1653 at a cost estimated at the time to be around 32 million, which in 2015 would be approximately 52.8 billion (827 million). In 1658, Shah Jahan was deposed by Aurangzeb and put under house arrest at the nearby Agra Fort from where he could see the Taj Mahal. Upon Shah Jahan's death in 1666, Aurangzeb buried him in the mausoleum next to his wife. In the 18th century, the Jat rulers of Bharatpur attacked the Taj Mahal while invading Agra and took away two chandeliers, one of agate and another of silver, which had hung over the main cenotaph and the gold and silver screen. Kanbo, a Mughal historian, said the gold shield which covered the finial at the top of the main dome was also removed during the Jat despoliation.

By the late 19th century, parts of the buildings had fallen into disrepair. At the end of the century, British viceroy Lord Curzon ordered a restoration project, which was completed in 1908. He also commissioned the large lamp in the interior chamber and replaced the gardens with European-style lawns that are still in place today.

thumb|Protective wartime scaffolding,

In 1942, the government erected scaffolding to disguise the building in anticipation of air attacks by the Japanese Air Force. Since Indian independence in 1947, the Archaeological Survey of India has been responsible for the maintenance of the monument. During the India-Pakistan wars of 1965 and 1971, scaffolding was again erected to mislead bomber pilots.

In 1983, the Taj Mahal was designated as a UNESCO World Heritage Site for being "the jewel of Islamic art in India and one of the universally admired masterpieces of the world's heritage". Acid rain and pollution affecting the Yamuna River including the presence of Mathura Oil Refinery, have contributed to the same. After directives by the Supreme Court of India pursuant to M. C. Mehta v. Union of India & Ors. case in 1997, the Indian government set up the "Taj Trapezium Zone (TTZ)", a area around the monument where strict emissions standards are in place.

Concerns for the tomb's structural integrity have recently been raised because of a decline in the groundwater level in the Yamuna river basin, with cracks appearing in parts of the tomb in 2010 and the minarets surrounding the monument showing signs of tilting. Minor damage was reported due to storms on 11 April 2018 and 31 May 2020. In the 2020s, the Government of India has undertaken various restoration measures, including placing mud packs to restore the white color and replacing broken marble.

Symbolism

thumb|Taj Mahal has become a prominent image that is associated with India.

Due to the global attention that it has received and the millions of visitors it attracts, the Taj Mahal has become a prominent image that is associated with India, and in this way has become a symbol of India itself.

Along with being a renowned symbol of love, the Taj Mahal is also a symbol of Shah Jahan's wealth and power, and the fact that the empire had prospered under his rule. Bilateral symmetry, dominated by a central axis, has historically been used by rulers as a symbol of a ruling force that brings balance and harmony, and Shah Jahan applied that concept in the making of the Taj Mahal. Additionally, the plan is aligned in the cardinal north–south direction and the corners have been placed so that when seen from the centre of the plan, the sun can be seen rising and setting on the north and south corners on the summer and winter solstices respectively. This makes the Taj a symbolic horizon.

The planning and structure of the Taj Mahal, from the building itself to the gardens and beyond, is symbolic of Mumtaz Mahal's mansion in the garden of Paradise. The concept of gardens of paradise is extended into the building of the mausoleum as well. The structure is decorated with colorful relief and semi-precious stones using a technique called parchin kari, symbolizing grandeur. The building appears to slightly change colour depending on the time of day and the weather. The white marble reflects varying hues—pinkish in the morning, milky white during the day, golden in the moonlight, and sometimes even a bluish hue under certain lighting conditions. This effect is due to the marble's surface reacting to light and moisture, creating a magical and ever-changing visual experience. The sky has not only been incorporated in the design through the reflecting pools but also through the surface of the building itself. This is another way to imply the presence of Allah at the site.

According to Ebba Koch, art historian and international expert in the understanding and interpretation of Mughal architecture and the Taj Mahal, the planning of the entire compound symbolises earthly life and the afterlife, a subset of the symbolisation of the divine. The plan was split into twoone half is the white marble mausoleum itself and the gardens, and the other half is the red sandstone side, meant for worldly markets. Only the mausoleum is white so as to represent the enlightenment, spirituality and faith of Mumtaz Mahal. Koch has deciphered that symbolic of Islamic teachings, the plan of the worldly side is a mirror image of the otherworldly side, and the grand gate in the middle represents the transition between the two worlds.

Tourism

thumb|Visitors at the Taj Mahal

The Taj Mahal is a major tourist attraction and attracts a large number of domestic and foreign visitors. About five million visitors visited Taj Mahal in the financial year 2022–23. The complex is open for limited night viewing on the day of the full moon, excluding the month of Ramadan. In 2019, to address overtourism, the site instituted fines for visitors who stayed longer than three hours. According to a 2025 government report, the Taj Mahal earned over five years, making it the highest-earning ASI monument.

The small town to the south of the Taj, known as Taj Ganji or Mumtazabad, was initially constructed with caravanserais, bazaars and markets to serve the needs of visitors and workers. Lists of recommended travel destinations often feature the Taj Mahal, which also appears in several listings of seven wonders of the modern world, including the New Seven Wonders of the World, a poll conducted in 2007. Foreign dignitaries often visit the Taj Mahal on trips to India.

Myths

thumb|upright|[[Jean-Baptiste Tavernier, one of the first European writers about the Taj Mahal]]

Ever since its construction, the building has been the source of an admiration transcending culture and geography, and so personal and emotional responses have consistently eclipsed scholastic appraisals of the monument. A longstanding myth holds that Shah Jahan planned a mausoleum to be built in black marble as a Black Taj Mahal across the Yamuna river. The idea originates from fanciful writings of Jean-Baptiste Tavernier, a European traveler and gem merchant, who visited Agra in 1665. It was suggested that his son Aurangzeb overthrew Shah Jahan before it could be built. Ruins of blackened marble across the river in the Mehtab Bagh seeming to support the argument were, however, proven false after excavations carried out in the 1990s found that they were discolored white stones that had turned black. A more credible theory for the origins of the black mausoleum was demonstrated in 2006 by archaeologists who reconstructed part of the pool in the Mehtab Bagh. A dark reflection of the white mausoleum could clearly be seen, befitting Shah Jahan's obsession with symmetry and the positioning of the pool itself.

No concrete evidence exists for claims that describe, often in horrific detail, the deaths, dismemberment and mutilations which Shah Jahan supposedly inflicted on various architects and craftsmen associated with the tomb. Some stories claim that those involved in construction signed contracts committing themselves to have no part in any similar design. No evidence exists for claims that Lord William Bentinck, governor-general of India in the 1830s, supposedly planned to demolish the Taj Mahal and auction off the marble. Bentinck's biographer John Rosselli says that the story arose from Bentinck's fund-raising sale of discarded marble from Agra Fort. Another myth suggests that beating the silhouette of the finial will cause water to come forth. To this day, officials find broken bangles surrounding the silhouette.

Several myths, none of which are supported by the archaeological record, have appeared asserting that people other than Shah Jahan and the original architects were responsible for the construction of the Taj Mahal. For instance, in 2000, India's Supreme Court dismissed P. N. Oak's petition to declare that a Hindu king built the Taj Mahal. In 2005, a similar petition brought by Amar Nath Mishra, a social worker and preacher claiming that the Taj Mahal was built by the Hindu king Paramardi in 1196, was dismissed by the Allahabad High Court. Several court cases and statements by right-wing politicians about Taj Mahal being a Hindu temple have been inspired by P. N. Oak's 1989 book Taj Mahal: The True Story, in which he claimed it was built in 1155 AD and not in the 17th century. In November 2015, the Union Minister of Culture stated in the Indian Parliament that there was no evidence that it was ever a temple. In August 2017, the Archaeological Survey of India declared that there was no evidence to suggest the monument ever housed a temple.

Another such unsupported theory, that the Taj Mahal was designed by an Italian, Geronimo Vereneo, held sway for a brief period after it was first promoted by Henry George Keene in 1879. Keene went by a translation of a Spanish work, Itinerario (The Travels of Fray Sebastian Manrique, 1629–1643). Another theory, that a Frenchman named Austin of Bordeaux designed the Taj, was promoted by William Henry Sleeman based on the work of Jean-Baptiste Tavernier. These ideas were revived by Father Hosten and discussed again by E. B. Havell and served as the basis for subsequent theories and controversies.

Notes

References

Citations

General sources

Havell, E.B. (1913). Indian Architecture: Its Psychology, Structure and History, John Murray.

External links

of the Taj Mahal
Description of the Taj Mahal at the Archaeological Survey of India
Profile of the Taj Mahal at UNESCO