Supermodel of the World is the debut studio album by American singer and drag queen RuPaul, released on June 8, 1993, by Tommy Boy Records. It is his second album overall, his first release being a soundtrack album. With the release of the Supermodel of the World album, RuPaul obtained higher celebrity status, notably due to the album's first single, "Supermodel (You Better Work)". Before the release of this album, he had done some modeling work as a drag queen, hence the album title.

Background

African American actress/comedian LaWanda Page (best known as Aunt Esther on the television series Sanford and Son) is featured in spoken word clips on several album tracks, though she is heard most notably on the track "Supermodel (You Better Work)". That song's chorus also features RuPaul repeating the phrase "Sashay! Shantay!" When asked about the meaning of "shantay", RuPaul replied that the term means "to weave a friend" (from the French "enchanté" which means nice to meet you). The term had previously appeared in the 1990 drag ballroom documentary Paris Is Burning. It also sounds like the French expression "Sachez chanter!", at the imperative form, meaning "Know how to sing!"

The album was reissued on Rhino Records.

Singles

The album's first single, "Supermodel (You Better Work)", was a huge club and dance hit that peaked at number 45 on the Billboard Hot 100 and achieved Gold sales status. It also reached number 39 in the UK Singles Chart. The video for the song was put into heavy rotation on MTV; this was a huge surprise to RuPaul and his record label as, at the time, the music being heavily played on MTV was grunge, gangsta rap, and rock. In addition to the success of "Supermodel (You Better Work)", "Back to My Roots" charted at number one on the Billboard Club/Dance Play Songs Chart on July 24, 1993, and number 40 in the UK Singles Chart, where it was backed with "House of Love" as a double A-side.

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Robert Christgau wrote in his "Consumer Guide" column for The Village Voice: "I know it wouldn't be an authentic disco album without filler, but this self-creation is too blandly male a singer to put over pro forma romance. The exception is 'Supernatural,' as you'll figure out if you match title to persona and consider the possibilities. And when he cops an attitude—on five cuts by my count, culminating in the deep-dish 'A Shade Shady'—he brings off a time-warped genderfuck all his own."