Steven Spielberg

Steven Allan Spielberg (; born December 18, 1946) is an American filmmaker. A major figure of the New Hollywood era and pioneer of the modern blockbuster, Spielberg is widely regarded as one of the greatest and most influential filmmakers in the history of cinema and is the highest-grossing film director of all time. Among other accolades, he has received three Academy Awards, four Golden Globe Awards, four BAFTA Awards, twelve Emmy Awards, a Tony Award, and a Grammy Award, as well as the AFI Life Achievement Award in 1995, an honorary knighthood in 2001, the Kennedy Center Honor in 2006, the Cecil B. DeMille Award in 2009, the Presidential Medal of Freedom in 2015, and the National Medal of Arts in 2023. According to Forbes, he is one of the world's wealthiest celebrities. He is one of 22 people to achieve EGOT status.

Spielberg was born in Cincinnati, Ohio, and grew up in Phoenix, Arizona. He moved to California and studied film in college. After directing several episodes for television, including Night Gallery and Columbo, he directed the television film Duel (1971), which was approved by Barry Diller. He made his theatrical debut with The Sugarland Express (1974), also beginning his decades-long collaboration with composer John Williams, with whom he has worked with for all but five of his theatrical releases. He became a household name with the summer blockbuster Jaws (1975), and continuously directed more acclaimed escapist box-office blockbusters with Close Encounters of the Third Kind (1977), E.T. the Extra-Terrestrial (1982) and the original Indiana Jones trilogy (1981–1989). He also explored drama in The Color Purple (1985) and Empire of the Sun (1987).

In 1993, Spielberg directed back-to-back hits with the science fiction film Jurassic Park, the highest-grossing film ever at the time, and the epic historical drama Schindler's List, which has often been listed as one of the greatest films ever made. He won the Academy Award for Best Director for the latter as well as for the World War II epic Saving Private Ryan (1998). Spielberg has since directed the science fiction films A.I. Artificial Intelligence (2001), Minority Report (2002), War of the Worlds (2005) and Ready Player One (2018); the historical dramas Amistad (1997), Munich (2005), War Horse (2011), Lincoln (2012), Bridge of Spies (2015) and The Post (2017); the comedies Catch Me If You Can (2002) and The Terminal (2004); the animated film The Adventures of Tintin (2011); the musical West Side Story (2021); and the family drama The Fabelmans (2022).

Spielberg co-founded Amblin Entertainment and DreamWorks Pictures, and he has served as a producer for many successful films and television series, among them Poltergeist (1982), Gremlins (1984), Back to the Future (1985), An American Tail (1986), Who Framed Roger Rabbit (1988), Animaniacs (1993), Freakazoid! (1995), Twister (1996), Band of Brothers (2001) and Transformers (2007–present). Several of Spielberg's works are considered among the greatest films in history, and some are among the highest-grossing films ever.

Seven of his films have been inducted into the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". and in 2023, Spielberg was the recipient of the first ever Time 100 Impact Award in the US.

Early life, education, and early career

Steven Spielberg was born on December 18, 1946, in Cincinnati, Ohio, the eldest child and only son of four children. His mother, Leah Adler (née Posner), was a concert pianist and ran a kosher dairy restaurant, and his father, Arnold, was an electrical engineer involved in the development of computers. His immediate family were Reform Jewish/Orthodox Jewish. Spielberg's paternal grandparents were Jews from Ukraine; his grandmother Rebecca (), was from Sudylkiv, and his grandfather Shmuel Spielberg was from Kamianets-Podilskyi. Spielberg has three younger sisters: Anne, Sue, and Nancy. At their home in Cincinnati, his grandmother taught English to Holocaust survivors. They, in turn, taught him numbers: <blockquote>One man in particular, I kept looking at his numbers–his number tattooed on his forearm ... he started – you know, when–during the dinner break, when everybody was eating and not learning, he would point to the numbers. And he would say, that is a two, and that is a four. And then he'd say, and this is a eight, and that's a one. And I'll never forget this. And he said, and that's a nine. And then he crooked his arm and inverted his arm and said, and see, it becomes a six. It's magic. And now it's a nine, and now it's a six, and now it's a nine and now it's a six. And that's really how I learned my numbers for the first time ... the irony of all that, and the gift of that lesson, never really dawned on me until I was much older. Spielberg had a bar mitzvah ceremony when he was thirteen. His family was involved in the synagogue and had many Jewish friends. Of the Holocaust, he said that his parents "talked about it all the time, and so it was always on my mind". His father had lost between sixteen and twenty relatives in the Holocaust. Spielberg found it difficult accepting his heritage; he said: "It isn't something I enjoy admitting... but when I was seven, eight, nine years old, God forgive me, I was embarrassed because we were Orthodox Jews. I was embarrassed by the outward perception of my parents' Jewish practices. I was never really ashamed to be Jewish, but I was uneasy at times." Spielberg was the target of antisemitism: "In high school, I got smacked and kicked around. Two bloody noses. It was horrible." He gradually followed Judaism less during adolescence, after his family had moved to various neighborhoods and found themselves to be the only Jews.

Spielberg recalls his parents taking him to see Cecil B. DeMille's The Greatest Show on Earth (1952). He had never seen a movie before, and thought they were taking him to the circus. He was terrified by the movie's train crash, and at age 12, he recreated it with his Lionel trains and filmed it. He recalls: "The trains went around and around, and after a while that got boring, and I had this eight-millimeter camera, and I staged a train wreck and filmed it. That was hard on the trains, but then I could cut the film lots of different ways and look at it over and over again." This was his first home movie. In 1958, he became a Boy Scout, eventually attaining the rank of Eagle Scout. He fulfilled a requirement for the photography merit badge by making a nine-minute 8 mm Western, The Last Gunfight. Spielberg used his father's movie camera to make amateur features, and began taking the camera along on every Scout trip. At age 13, Spielberg made a 40-minute war film, Escape to Nowhere, with a cast of classmates. The film won first prize in a statewide competition. Throughout his early teens, and after entering high school, Spielberg made about fifteen to twenty 8 mm adventure films. He recalls that <blockquote>my dad told me stories about World War II constantly... I knew, based on the stories my dad and his friends were telling about World War II, that there was no glory in war. And it was ugly, and it was cruel ... it was, you know, visually devastating. And so I thought, someday, if I ever do make a war movie for real, it's got to be something that tells the truth about what those experiences had been for those young 17-, 18-, 19-year-old boys storming Omaha Beach, let's say. Ishirō Honda's Godzilla, King of the Monsters! (1956), David Lean's Bridge on the River Kwai (1957) and Lawrence of Arabia (1962) ("the film that set me on my journey"), Alfred Hitchcock's The Birds (1963) and Stanley Kubrick's Dr. Strangelove (1964) and 2001: A Space Odyssey (1968) ("I'm still living off the adrenalin that... I experienced watching that film for the first time.") He attended Arcadia High School in 1961 for three years. In 1963, he wrote and directed a 140-minute science fiction film, Firelight, the basis of Close Encounters of the Third Kind. Firelight, funded mainly by his father, was shown in a local theater for one evening and grossed $501 against its $500 budget.

After taking a tour bus to Universal Studios, a chance conversation with an executive led to Spielberg getting a three-day pass to the premises. On the fourth day, he walked up to the studio gates without a pass, and the security guard waved him in: "I basically spent the next two months at Universal Studios ... that was how I became an unofficial apprentice that summer." His family later moved to Saratoga, California, where he attended Saratoga High School. A year later, his parents divorced. Spielberg moved to Los Angeles to stay with his father, while his three sisters and mother remained in Saratoga. He recalls: <blockquote>My parents split up when I was 15 or 16 years old, and I needed a special friend, and had to use my imagination to take me to places that felt good – that helped me move beyond the problems my parents were having, and that ended our family as a whole. And thinking about that time, I thought, an extraterrestrial character would be the perfect springboard to purge the pain of your parents' splitting up. Spielberg returned to Long Beach in 2002, where he presented Schindler's List to complete his Bachelor of Arts in Film and Electronic Media.

He recalls a formative encounter with one of his favorite filmmakers, John Ford, who said: "So they tell me you want to be a picture maker. You see those paintings around the office?" Spielberg said he did. John Ford pointed to a painting and asked, "Where's the horizon?" Spielberg said it was at the top. Ford asked him where it was in another painting. Spielberg said it was at the bottom. Ford said, "When you're able to distinguish the art of the horizon at the bottom of a frame or at the top of the frame, but not going right through the center of the frame, when you can appreciate why it's at the top and why it's at the bottom, you might make a pretty good picture maker."

Career

1969–1974: Television work and film debut

Spielberg made his professional debut with "Eyes", a segment of Night Gallery (1969) scripted by Rod Serling and starring Joan Crawford. Initially, there was skepticism from Crawford and studio executives regarding Spielberg's inexperience. Despite Spielberg's efforts to implement advanced camerawork techniques, studio executives demanded a more straightforward approach. His initial contributions received mixed responses, leading Spielberg to briefly step back from studio work. Crawford, reflecting on her collaboration with Spielberg, recognized his potential, noting his unique intuitive inspiration. She expressed her appreciation for Spielberg's talent in a note to him and communicated her approval to Serling. Crawford's endorsement highlighted Spielberg's early recognition in Hollywood despite hesitations regarding his experience.

In the early 1970s, Spielberg unsuccessfully tried to raise financing for his own low-budget films. He co-wrote and directed teleplays for Marcus Welby, M.D., The Name of the Game, Columbo, Owen Marshall, Counselor at Law and The Psychiatrist. The Columbo episode directed would be the show's inaugural, non-pilot episode "Murder by the Book". Although unsatisfied with his work, Spielberg used the opportunity to experiment with his techniques and learn about filmmaking. He earned good reviews and impressed producers; he was earning a steady income and relocated to Laurel Canyon, LA.'

Impressed, Universal signed Spielberg to do four television films. The first was Duel (1971), adapted from Richard Matheson's short story, about a salesman (Dennis Weaver) being chased down a highway by a psychotic tanker truck driver. Executives decided to promote the film on television from its quality. Reviews were positive, and Universal asked Spielberg to shoot more scenes so it could be released theatrically to international markets.' "Deservedly so" writes David Thomson, "for it stands up as one of the medium's most compelling spirals of suspense. The ordinariness of the Dennis Weaver character and the monstrous malignance of the truck confront one another with a narrative assurance that never needs to remind us of the element of fable." Duel, which would mark Spielberg's debut as a film director, would first air on Barry Diller's ABC Movie of the Week before having an international theatrical release. More TV films followed: Something Evil (1972), which aired on CBS, and Savage (1973), which aired on NBC; however, unlike Duel, neither of these would have a theatrical run.

Spielberg made his official theatrical debut with The Sugarland Express (1974), based on a true story about a married couple on the run, desperate to regain custody of their baby from foster parents.' The film starred Goldie Hawn and William Atherton and marked the first of many collaborations with composer John Williams. Although the film was awarded Best Screenplay at the 1974 Cannes Film Festival, it was not a commercial success, which Spielberg blamed on Universal's inconsistent marketing. The film opened in 400 US theaters to positive reviews; Pauline Kael wrote "Spielberg uses his gifts in a very free-and-easy, American way—for humor, and for a physical response to action. He could be that rarity among directors, a born entertainer—perhaps a new generation's Howard Hawks." The Hollywood Reporter wrote that "a major new director is on the horizon".

1975–1980: Stardom with blockbuster films

Producers Richard D. Zanuck and David Brown took a chance with Spielberg, giving him the opportunity to direct Jaws (1975), a thriller based on Peter Benchley's bestseller. In it, a great white shark attacks beachgoers at a resort town, prompting police chief Martin Brody (Roy Scheider) to hunt it down with the help of a marine biologist (Richard Dreyfuss) and a veteran shark hunter (Robert Shaw). Jaws was the first movie shot on open ocean, so shooting proved difficult, especially when the mechanical shark malfunctioned. The shooting schedule overran by a hundred days, and Universal threatened to cancel production. Against expectations, Jaws was a success, setting the domestic box-office record and making Spielberg a household name. It won Academy Awards for Best Film Editing (Verna Fields), Best Original Dramatic Score (John Williams) and Best Sound (Robert Hoyt, Roger Heman, Earl Madery and John Carter). Spielberg said the malfunctioning of the mechanical shark resulted in a better movie, as he had to find other ways to suggest the shark's presence. After seeing the unconventional camera techniques of Jaws, Alfred Hitchcock praised "young Spielberg" for thinking outside the visual dynamics of the theater: "He's the first one of us who doesn't see the proscenium arch".