Stephen Hero

Stephen Hero is a posthumously published autobiographical novel by Irish author James Joyce.

It is the early version of A Portrait of the Artist as a Young Man. Its published form reflects only a portion of the manuscript: the first 518 pages have disappeared; 383 pages remain.

Background

Work on Stephen Hero probably began in Dublin in 1903, although some scholarship suggests a date between 1904 and 1906. According to Derek Attridge, it was to be "a thinly disguised autobiography, stylistically undistinguished and immensely long." Sylvia Beach, to whom Joyce later gave the surviving pages, wrote that, "When the manuscript came back to its author, after the twentieth publisher had rejected it, he threw it in the fire, from which Mrs. Joyce, at the risk of burning her hands, rescued these pages." Biographer Herbert Gorman supported this claim which has been widely reported. It has been noted that no surviving parts of the manuscript have any signs of burning. He points to the following passage:

There’s a reference to Stephen Dedalus’s collection of epiphanies in Ulysses. Joyce himself recorded over seventy epiphanies, of which forty have survived.

William York Tindall has suggested that in Dubliners the concept is the basis of an overall narrative strategy, "the commonplace things of Dublin [becoming] embodiments or symbols . . . of paralysis".

Another critic has said of A Portrait that "in at least three instances an epiphany helps Stephen decide on the future courses of this life". She has also identified four distinct epiphany techniques in Joyce's work, noting their use in Ulysses, from the simplest device, such as the revelation of Gerty Macdowell's limp, to the more complex, such as the bowl symbolism in "Telemachus". Cited as an example of Joyce's major epiphany technique—quidditas produced directly—is the revelation of Molly Bloom as "female essence".

Australian scholar S. L. Goldberg has argued that interior monologue in Ulysses is rooted in Joyce's epiphany technique. For Goldberg, the epiphany is "the real artistic (and dramatic) unit of Joyce's 'stream-of-consciousness' writing. What he renders dramatically are minds engaged in the apprehension of epiphanies—the elements of meaning apprehended in life."

Background

References

Further reading