Stefano della Bella (18 May 1610 – 12 July 1664) was an Italian draughtsman and printmaker known for etchings of a great variety of subjects, including military and court scenes, landscapes, and lively genre scenes. He left 1052 prints, and several thousand drawings, but only one known painting. He was born and later died in Florence, Italy.

Early life in Florence

Della Bella was born at Florence to a family of artists, and was apprenticed to a goldsmith, but became an engraver working briefly under Orazio Vanni and then Cesare Dandini. He studied etching under Remigio Cantagallina, who had also been the instructor of Jacques Callot. Della Bella's early prints are very similar to those of Callot. When he was seventeen years of age, he presented an etching depicting a banquet in the Palazzo Pitti to the young Giancarlo de' Medici following which della Bella would receive official commissions by the Medici family. By 1632 or 1633 he was the recipient of direct patronage from Lorenzo de' Medici (brother to Cosimo II and uncle to Giancarlo de' Medici). At this time Della Bella requested from his patron permission to go to Rome "to perfect himself as an artist." Della Bella created a series of six prints forming a long, 2.5-meter panel, showing the Polish Ambassador’s Ceremonial Entry into Rome in 1633. He also created a number of prints of views of Rome.

The majority of della Bella's prints date from the years in Paris; he had arrived four years after the death of Callot, and was already known to important French publishers. In 1641 Cardinal Richelieu sent him to Arras to make drawings for prints of the siege and taking of that town by the royal army, In 1661 he appears to have suffered a stroke, after which he produced little work.

Antonio Francesco Lucini was one of his pupils in Florence.

See also

  • Decoration for a Thesis in Honor of Saint Francis Solano

Notes

Bibliography

  • De Vesme, Alexandre (1906). "Étienne Della Bella", pp. 66–79 and "Oeuvre d'Étienne Della Bella", pp. 79–332", in Le Peintre-Graveur italien (at Internet Archive). Milan: Ulrico Hoepli.
  • Massar, Phyllis Dearborn (1968). "Presenting Stefano della Bella." The Metropolitan Museum of Art Bulletin, vol. 27 (New Series), no. 3 (November, 1968), pp. 159–176. . .
  • Massar, Phyllis D. (1971). Stefano Della Bella, Catalogue Raisonné. Alexandre De Vesme with Introduction and Additions by Phyllis Dearborn Massar. New York: Collectors Editions.
  • Massar, Phyllis D. (1996). "Bella, Stefano della", vol. 3, pp. 631–634, in The Dictionary of Art (34 vols.), edited by Jane Turner. New York: Grove. . Also at Oxford Art Online, subscription required (accessed 22 November 2010).
  • Reed, Sue Welsh & Wallace, Richard, editors (1989). Italian Etchers of the Renaissance and Baroque, Museum of Fine Arts, Boston. or 304-4 (pb)
  • Works by Stefano della Bella at the Museum of New Zealand Te Papa Tongarewa
  • Stefano della Bella Etchings, Getty Research Institute, Los Angeles, Accession No. P830003. The collection includes four suites of etchings by Stefano della Bella, comprising 35 prints. Primarily decorative, they depict genre scenes of people and animals (in rural settings), fantastic vases, panels of grotesques, and the Medici Villa Demidoff and its gardens near Florence.