Starship Troopers is a military science fiction novel by American writer Robert A. Heinlein. Written in a few weeks in reaction to the US suspending nuclear tests, Heinlein served in the US Navy for five years after graduating from the United States Naval Academy in 1929. His experience in the military profoundly influenced his fiction. At some point between 1958 and 1959, Heinlein put aside the novel that would become Stranger in a Strange Land and wrote Starship Troopers. His motivation arose partially from his anger at US President Dwight Eisenhower's decision to suspend US nuclear tests, and the Soviet tests that occurred soon afterward. Scholars have suggested that Scribner's rejection was based on ideological objections to the content of the novel, particularly in its treatment of military conflict.

The Magazine of Fantasy & Science Fiction first published Starship Troopers in October and November 1959 as a two-part serial titled Starship Soldier. The novel was eventually published by G. P. Putnam's Sons. Commentators have argued that Heinlein's portrayal of aliens, as well as being a reference to 1950s communist countries, aims to "reinscribe the ideologies of America's mythic frontier history". The concept of the frontier includes a social-Darwinist argument of constantly fighting for survival, even at the expense of indigenous people or, in the case of Starship Troopers, of aliens. Heinlein suggests that without territorial expansion involving violent conquest of other races, humans would be destroyed. Scholar Jamie King has stated that Heinlein does not address the question of what the military government and Federal Service would do in peacetime, and argues that Heinlein has set up a society designed to be continuously at war, and to keep expanding its territory.

Coming of age

Starship Troopers has been referred to as a bildungsroman or "coming-of-age" story for Rico, as he matures through his tenure in the infantry. His training, both at boot camp and at officer candidate school, involves learning the value of militarism, thus inviting the reader to learn it as well. This is especially true of the parts of his training that involve indoctrination, such as the claim by one of his instructors that rule by military veterans is the ideal form of government, because only they understand how to put collective well-being above the individual. The story traces Rico's transformation from a boy into a soldier, while exploring issues of identity and motivation, It has been acknowledged as one of the best-known and most influential works of science fiction. The novel is considered a landmark for the genre, having been described by a 1960 review as one of the ten best genre books of 1959, in a 2009 review as a key science fiction novel of the 1950s, and as the best-known example of military science fiction. The novel has been described as marking Heinlein's transition from writing juvenile fiction to a "more mature phase" as an author. Conversely, Michael Moorcock described it as Heinlein's last "straight" science fiction, before he turned to more serious writing such as Stranger in a Strange Land.

By 1980, twenty years after its release, Starship Troopers had been translated into eleven languages and was still selling strongly. Heinlein nevertheless complained that, despite this success, almost all the mail he received about it was negative and he only heard about it "when someone wants to chew me out". The novel is highly contentious. Controversy surrounded its praise of the military and approval of violence, to the extent that it has frequently been described as fascist, and its implication that militarism is superior to traditional democracy.

The writing in Starship Troopers has received varied responses, with the scenes of military training and combat receiving praise. In a 2009 retrospective, science-fiction writer Jo Walton wrote that Starship Troopers was "military SF done extremely well". She went on to argue that "Heinlein was absolutely at his peak when he wrote this in 1959. He had so much technical stylistic mastery of the craft of writing science fiction that he could [tell the story] 'backwards and in high heels' and get away with it." while the Science Fiction Handbook published in 2009 said that the novel provided "compelling images of a futuristic military" and that it raised important questions, even for those who disagree with its political ideology. However, it stated that the story was weak as a tale of an alien encounter, as it did not explore alien society in any detail, but presented the Arachnids as nameless and faceless creatures that wished to destroy humanity. Boucher, founder of The Magazine of Fantasy & Science Fiction, remarked in 1960 that Heinlein had "forgotten to insert a story". A 1979 summary said that though Heinlein's vision might verge on fascism, his tightly controlled narrative made his ideology seem "vibrantly appealing". In 1968 science fiction critic Alexei Panshin called Starship Troopers a militaristic polemic and compared it to a recruiting film, stating that it "purports to show the life of a typical soldier, with a soundtrack commentary by earnest sincere Private Jones who interprets what we see for us." Panshin stated that there was no "sustained human conflict" in the book: instead, "All the soldiers we see are tough, smart, competent, cleancut, clean-shaven, and noble." Panshin, a veteran of the peacetime military, argued that Heinlein glossed over the reality of military life, and that the Terran Federation-Arachnid conflict existed simply because, "Starship troopers are not half so glorious sitting on their butts polishing their weapons for the tenth time for lack of anything else to do." Literature scholar George Slusser, in describing the novel as "wrong-headed and retrogressive", argued that calling its ideology militarism or imperialism was inadequate, as these descriptions suggested an economic motive. Slusser instead says that Heinlein advocates for a complete "technological subjugation of nature", of which the Arachnids are a symbol, and that this subjugation itself is depicted as a sign of human advancement. In the words of science fiction scholar Darko Suvin, Starship Troopers was an "unsubtle but powerful black-and-white paean to combat life", and an example of agitprop in favor of military values.

Other writers defended Heinlein. George Price argued that "[Heinlein] implies, first, that war is something endured, not enjoyed, and second, that war is so unpleasant, so desolate, that it must at all costs be kept away from one's home." Poul Anderson also defended some of the novel's positions, arguing "Heinlein has recognized the problem of selective versus nonselective franchise, and his proposed solution does merit discussion." Complaints were made against Heinlein for the lack of conscription in Starship Troopers. When he wrote the novel, the military draft was still in effect in the US.

Allegations of fascism

The society within the book has frequently been described as fascist. Lowndes further argued that the Terran Federation could never be as idealistic as Heinlein portrays it to be because he never properly addressed "whether or not [non-citizens] have at least as full a measure of civil redress against official injustice as we have today".

Race and gender

Authors and commentators have stated that the manner in which the extraterrestrial beings are portrayed in Starship Troopers has racist aspects, arguing that the nicknames "Bugs" and "Skinnies" carry racial overtones. John Brunner compared them to calling Koreans "gooks".

Some of Heinlein's other works have also been described as racist, though Franklin argues that this was not unique to Heinlein, and that he was less racist than the US government of the time. Heinlein's early novel Sixth Column was called a "racist paean" to a white resistance movement against an Asian horde derived from the Yellow Peril. In 1978, Moorcock wrote that Starship Troopers "set the pattern for Heinlein's more ambitious paternalistic, xenophobic" stories. The prosthetically enhanced soldiers in the novel, all of whom are men, have been described as an example of the "hyper-masculinity" brought on by the proximity of these men to technology. The story portrays the Arachnids as so alien that the only response to them can be war. Feminist scholars have described this reaction as a "conventionally masculinist" one. Steffen Hantke has described the mechanized suits in the novel, which make the wearer resemble a "steel gorilla," as defining masculinity as "something intensely physical, based on animal power, instinct, and aggression". He calls this form of masculinity "all body, so to speak, and no brain". Thus, in Hantke's reading, Starship Troopers expresses fears of how masculinity may be preserved in an environment of high technology. This fear is exacerbated by the motifs of pregnancy and birth that Heinlein uses when describing how the soldiers in suits are dropped from spaceships piloted by women. Though Rico says he finds women "marvelous", he shows no desire for sexual activity; the war seems to have subsumed sex in this respect.]]

Heinlein's books, and Starship Troopers in particular, had an enormous impact on political science fiction, to the extent that author Ken MacLeod has stated that "the political strand in [science fiction] can be described as a dialogue with Heinlein," although many participants in this dialogue disagree with Heinlein. Science fiction critic Darko Suvin states that Starship Troopers is the "ancestral text of US science fiction militarism" and that it shaped the debate about the role of the military in society for many years.

In addition to his political views, Heinlein's ideas about a futuristic military as depicted in the novel were deeply influential among films, books, and television shows in later years. Roger Beaumont has suggested that Starship Troopers may some day be considered a manual for extraterrestrial warfare. Suvin refers to Juan Rico as the "archetypal Space Soldier". Starship Troopers included concepts in military engineering which have since been widely used in other fiction, and which have occasionally been paralleled by scientific research. The novel has been cited as the source of the idea of powered armor exoskeletons, which Heinlein describes in great detail.

Starship Troopers had a direct influence on many later science fiction stories. John Steakley's 1984 novel Armor was, according to the author, born out of frustration with the small amount of actual combat in Starship Troopers and because he wanted this aspect developed further. The "Mobile Suits" from the 1979 Nippon Sunrise anime series Mobile Suit Gundam were inspired by the powered armor from Starship Troopers. The 1988 Gainax OVA series Gunbuster has plot elements similar to Starship Troopers, depicting humanity arrayed against an alien military. Scholars have identified elements of Heinlein's influence in Ender's Game, by Orson Scott Card, as well. Hantke, in particular, compares the battle room in Ender's Game to Heinlein's prosthetic suits, stating that they both regulate but also enhance human agency. Suvin suggests parallels between the plots of the two novels, with human society in both stories at war against insect-like aliens, but states that the story of Ender Wiggin takes a very different direction, as Ender regrets his genocidal actions and dedicates his efforts to protecting his erstwhile targets. Haldeman said that he disagreed with Starship Troopers because it "glorifies war", but added that "it's a very well-crafted novel, and I believe Heinlein was honest with it". The Forever War contains several parallels to Starship Troopers, including its setting. Commentators have described it as a reaction to Heinlein's novel, a suggestion Haldeman denies; the two novels are very different in terms of their attitude towards the military. The Forever War does not depict war as a noble pursuit, with the sides clearly defined as good and evil; instead, the novel explores the dehumanizing effect of war, influenced by the real world context of the Vietnam War. Haldeman received a letter from Heinlein, congratulating him on his Nebula Award, which "meant more than the award itself". According to author Spider Robinson, Heinlein approached Haldeman at the awards banquet and said the book "may be the best future war story I've ever read!"

Harry Harrison's 1965 novel Bill, the Galactic Hero has also been described as a reaction to Starship Troopers, while Gordon R. Dickson's 1961 novel Naked to the Stars has been called "an obvious rejoinder" to Starship Troopers. Ring of Swords, written by Eleanor Arnason in 1993, also depicts a war between two highly aggressive species, of which humans are one. The story deliberately inverts several aspects of Starship Troopers: the story is told from the point of view of diplomats seeking to prevent war, rather than soldiers fighting it, and the conflict is the result of the two species being extremely similar, rather than different.

Adaptations

1997 film

The film rights to the novel were licensed in the 1990s, several years after Heinlein's death. The project was originally entitled Bug Hunt at Outpost Nine, and had been in production before the producers bought the rights to Starship Troopers. The film was directed by Paul Verhoeven (who found the book too boring to finish), and released in 1997. The screenplay, by Ed Neumeier, shared character names and some plot details with the novel. The film contained several elements that differed from the book, including a military that is completely integrated with respect to sex. It had the stated intention of treating its material in an ironic or sarcastic manner, to undermine the political ideology of the novel. The mechanized suits that featured prominently in the novel were absent from the film, due to budget constraints.

The film used fascist imagery throughout, including portraying the Terran Federation's personnel wearing uniforms strongly reminiscent of those worn by the SS, the Nazi paramilitary. Verhoeven stated in 1997 that the first scene of the filman advertisement for the Mobile Infantrywas adapted shot-for-shot from a scene in Leni Riefenstahl's Triumph of the Will (1935), specifically an outdoor rally for the Reichsarbeitsdienst. Other references to Nazism include the Albert Speer-style architecture and the propagandistic dialogue ("Violence is the supreme authority!"). According to Verhoeven, the references to Nazism reflected his own experience in the Nazi-occupied Netherlands during World War II.

The film reignited the debate over the nature of the Terran society in Heinlein's world, and several critics accused Verhoeven of creating a fascist universe. Others, and Verhoeven himself, have stated that the film was intended to be ironic, and to critique fascism. The film has also been described as criticizing the jingoism of US foreign policy, the military industrial complex, and the society in the film, which elevates violence over sensitivity. It received several negative critical reviews, reviewers suggesting that it was unsophisticated and targeted a juvenile audience, although some scholars and critics have also supported its description as satirical.

Four sequels, Starship Troopers 2: Hero of the Federation (2004), Starship Troopers 3: Marauder (2008), Starship Troopers: Invasion (2012) and Starship Troopers: Traitor of Mars (2017) were released as straight-to-DVD films. In December 2011, Neal H. Moritz, producer of films such as the Fast & Furious series and I Am Legend, announced plans for a remake of the film that he claims will be more faithful to the source material. In 2016 Mark Swift and Damian Shannon were reported to be writing the film.

Animated series

An animated TV series was also released based both on the novel and 1997 film called Roughnecks: Starship Troopers Chronicles, it follows the exploits of the Mobile Infantry squad, "Razak's Roughnecks", during the SICON–Bugs War between a newly united humanity and an extraterrestrial race, known as the "Bugs," also sometimes referred to as Arachnids. The show focuses mainly on the Roughnecks' missions, rather than addressing the larger war. Paul Verhoeven served as an executive producer. The show ran for one season from August 1999 to April 2000.

Other media

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From October to December 1988, Sunrise and Bandai Visual produced a six-episode Japanese original video animation locally titled Uchū no Senshi with mobile infantry power armor designs by Kazutaka Miyatake, based on Starship Troopers. Dark Horse Comics, Mongoose Publishing and Markosia hold the license to produce comic books based on Starship Troopers, written by authors including Warren Ellis, Gordon Rennie and Tony Lee. Avalon Hill published Robert Heinlein's Starship Troopers in 1976, a map-and-counter board wargame featuring a number of scenarios as written in the novel. In 1998, Mythic Entertainment released Starship Troopers: Battlespace. The web-based interactive game, in which players battled each other in overhead space combat, allowed players to assume either Klendathu or Federation roles, was developed alongside the film adaptation. Starship Troopers: The Miniatures Game was released by Mongoose Publishing in 2005, a miniature wargame which used material from the novel, film, and animated TV series. Spectre Media released Starship Troopers: Invasion Mobile Infantry, a game for PCs, in 2012. Offworld Industries developed and published the 2023 game Starship Troopers: Extermination, a cooperative multiplayer FPS available for PC.

References

Sources

  • Starship Soldier parts one and two on the Internet Archive