Stand Up, released in 1969, is the second studio album by British rock band Jethro Tull. It was the first Jethro Tull album to feature guitarist Martin Barre, who would go on to become the band's longtime guitarist until its initial dissolution in 2011. Before recording sessions for the album began, the band's original guitarist Mick Abrahams departed from the band as a result of musical differences with frontman and primary songwriter Ian Anderson; Abrahams wanted to stay with the blues rock sound of their 1968 debut, This Was, while Anderson wished to add other musical influences such as folk rock.

As a result of Abrahams' departure, Anderson was the sole songwriter on all of the album's tracks, with the exception of the jazz fusion cover of J.S. Bach's Bourrée in E minor. Anderson's songwriting sees the album shift musically away from the blues rock of This Was, instead favoring more layered and poignant songs drawing influences from folk artists such as Roy Harper, Pentangle and Bert Jansch. However, the album does retain some blues rock influences on tracks such as side openers "A New Day Yesterday" and "Nothing Is Easy".

The album was released 25 July, and was No. 1 on the UK albums chart the following week, 3 August, following up on the success of the non-album single "Living in the Past", which had reached No. 3 in the UK singles chart on the day the album was released. The album was Jethro Tull's first success in the United States, reaching No. 20 on the Billboard 200.

Background

Jethro Tull released their debut album This Was in October 1968. During the recording of This Was, frontman Ian Anderson began writing new material which differed from the straight blues/jazz fusion style which the band were known for at the time. Anderson estimated that he wrote "50 percent" of Stand Up during the summer of 1968. Anderson wrote the album's songs on an acoustic guitar in his bedsit in Kentish Town, London, and cited Roy Harper, Ornette Coleman, Charlie Parker, Bert Jansch, Pentangle, Blind Faith and Jimi Hendrix as inspirations. The new material's departure from the band's blues-based style caused conflict with guitarist Mick Abrahams, who was a blues purist: Anderson recalled "running some of [the new songs] by Mick Abrahams, and coming to the conclusion that they weren't going up to be up his street at all" while drummer Clive Bunker stated that "when Ian started to write new and different stuff, that's when we realised we were going to have serious problems, because Mick just didn't want to do it." The stylistic clash resulted in Abrahams' departure from the band in December 1968. The band initially began rehearsals for Stand Up with Black Sabbath guitarist Tony Iommi, however Iommi left the band after only a few weeks as he felt he did not fit in well with the group. The general routine was that the band would arrive at the studio at 9:00 am to work on one or two songs which would be finished by 4:00 or 5:00 pm.

The majority of the album was recorded live with the entire band, with minimal overdubs, however primarily acoustic songs such as "Look Into the Sun" and "Fat Man" were recorded mostly solo by Anderson. Bass guitar on "Look Into the Sun" was recorded by Johns, as bassist Glenn Cornick was not present at the session (Johns' performance was uncredited on the album). However Don Felder, who wrote the music for "Hotel California", did not join the Eagles until 1974. In a 2016 interview, Anderson stated that the chord progression had likely been used in earlier songs and also called "Hotel California" a "much better song" than "We Used to Know".

Themes

Anderson has described the album's lyrics as composing of a mixture of made up scenarios, occasionally mixed with biographical anecdotes or experiences from his personal life. Songs like "Back to the Family" and "For a Thousand Mothers" were influenced by Anderson's rocky relationship with his parents at the time, while "We Used to Know" describes the band's difficult life of financial hardship before finding success. Anderson has denied that songs concerning relationships such as "A New Day Yesterday", "Look Into the Sun" and "Reasons for Waiting" were inspired by real life experiences, saying that "I've always had a feeling that you don't talk about real stuff when it comes to that, and that you shouldn't betray real relationships in songs."

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Stand Up received mixed reviews upon its release, but more recent evaluations praised the album as a whole, for the production and musicianship.

The 1969 Rolling Stone review was quite positive, stating that the album "has a fairly low raunch quotient, true to form, but it is quite marvellous" and also that "the album is not really funky; rather, it is a meticulously crafted work (no sterility implied) which deserves careful listening. At a time when many of the established stars are faltering, it is a particular pleasure to hear an important new voice." The contemporary Disc and Music Echo review was less favourable; it considered the expensive cover the "most impressive" part of the album and Jethro Tull a good live band but still incapable of producing a "musically interesting" release. American critic Robert Christgau reiterated his dislike of the band, but judged the album "adequate" in his Village Voice review.

A retrospective AllMusic review was positive, saying that the band had "solidified their sound" with the album, bringing an "English folk music" influence to several of the songs, atop an overall blues rock foundation. Sean Murphy of PopMatters more emphatically wrote that Stand Up was a "meaningful document from what turned out to be a very transitional moment in rock history... a document created in a rapidly closing artistic window, pre-prog but post-British blues and psychedelic rock." He praised the musicianship of the players and remarked the first examples of "the first-rate lyricist Anderson would quickly become." The Record Collector review highlights how "the album captured the band on a vertiginous upswing, jubilant with confidence following the drafting in of guitarist Martin Barre" and contained "a fresh batch of diverse but uniformly strong compositions".

A variety of rock artists have cited Stand Up as an all-time favourite album, including Pearl Jam's Eddie Vedder, Aerosmith's Tom Hamilton, Joe Bonamassa, Black Francis of Pixies also spoke glowingly of the album, commenting, "Stand Up is the [Jethro Tull] record that moves me the most. It's only their second album and they're still kind of scruffy. There's a heavy rock influence but they had that English thing going on, you know, university dudes who were really into folk music. It didn't seem like an affectation to me – it still seems real". During an interview with BraveWords in 2015, Anderson selected Stand Up as his favourite Tull album: "I suppose if you were to really twist my arm, I would probably go back to 1969, with the Stand Up album, because that was my first album of first really original music. It has a special place in my heart."

Releases

The album was reissued in 1973 by Chrysalis Records.

In 1989 a MFSL remaster was released, with catalogue number UDCD 524. The booklet featured the pop-up woodcut band.

The album was reissued again in 2001 as a digital remaster, this time with 4 bonus tracks.

It was reissued on 5 October 2010 as a deluxe edition, including six bonus tracks on disc one, and two additional discs: a CD of live material recorded at Carnegie Hall on 4 November 1970, and a DVD with a DTS surround mix of the concert as well as an Interview with Ian Anderson. The material was mixed by Peter Mew at the Abbey Road studios.

It was released again in November 2016 in a box set with two CDs and one DVD, named Stand Up – The Elevated Edition. The box contains rare and previously unreleased music (such as an alternate take of "Bourée", BBC tracks, radio spots and vintage stereo promo mixes of "Living in the Past" and "Driving Song" previously unreleased on CD) including new stereo and 5.1 mixes of the album and bonus tracks by Steven Wilson, and a live presentation, from a concert in Sweden in 1969 (original mono mix). It also includes a 112-page booklet featuring track-by-track annotations by Ian Anderson, an extensive history of the album, rare and unseen photographs and a reproduction of the original pop-up book artwork designed by James Grashow.

It was re-released again on 180-gram vinyl with the original tracks in February 2017. This time it came with the gatefold cover and the "pop up" band inside.

Reissued on 2 LPs at 45 rpm in October 2022 by Analogue Productions. Mastered and cut by Kevin gray from the original U.K. Island analog tape. Plated at QRP with Initial press run at RTI. Gatefold "tip on" jacket manufactured by Stoughton Printing, faithfully reproducing the original pop-up of the band members from the initial release.

Track listings

All songs written by Ian Anderson, unless otherwise indicated. (Original LP album states "All titles written by Ian Anderson").

1969 original release

  • 1973 cassette version has same track order, but on opposite sides.
  • Sides one and two were combined as tracks 1–10 on CD reissues.

2010 collector's edition (2 CD discs + 1 DVD)

2016 The Elevated Edition

Personnel

Jethro Tull

  • Ian Anderson – vocals, flute, acoustic guitar, Hammond organ (tracks 9 and 10), piano (tracks 5 and 9), mandolin (tracks 7 and 9), balalaika (tracks 7 and 9), harmonica (tracks 1 and 9), production
  • Martin Barre – electric guitar, additional flute (on tracks 2 and 9)
  • Glenn Cornick – bass guitar (all tracks but 5 and 7)
  • Clive Bunker – drums, percussion

Production

  • Terry Ellis – production, cover concept
  • Andy Johns – engineer, bass guitar on track 5 (uncredited)

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Certifications

References

Citations

Sources

  • Stand Up at the Jethro Tull official website
  • Jethro Tull - Stand Up (1969) album releases & credits at Discogs.com