Splendor in the Grass is a 1961 American period drama film produced and directed by Elia Kazan, from a screenplay written by William Inge. It stars Natalie Wood and Warren Beatty (in his film debut) as two high school sweethearts, navigating feelings of sexual repression, love, and heartbreak. Pat Hingle, Audrey Christie, Barbara Loden, Zohra Lampert, and Joanna Roos are featured in supporting roles.
Splendor in the Grass was released theatrically on October 10, 1961, by Warner Bros. to critical and commercial success. It grossed $4 million, and received two nominations at the 34th Academy Awards for Best Actress (for Wood) and Best Original Screenplay, winning the latter.
Plot
thumb|Original release trailer of the film Splendor in the Grass (1961)
In 1928 Kansas, teenagers Wilma Dean "Deanie" Loomis and her boyfriend, Bud Stamper, want a more physically intimate relationship, but heed the advice of their parents not to become more involved for the sake of Deanie's reputation and Bud's future plans for college. Bud's sister, Ginny, a flapper, is more worldly, having returned from Chicago after an annulment and rumors of an abortion to the disappointment and shame of her parents, Mr. and Mrs. Ace Stamper. Soon, Bud rescues Ginny from an attempted rape at a New Year's Eve party. Disturbed by what he has seen, he tells Deanie they should stop fooling around, and they break up.
Bud has a liaison with a friend, Juanita. Shortly afterward, Deanie explodes in anger when her mother asks if she is still a virgin. Allen "Toots" Tuttle takes Deanie to a school dance where she sees Bud, and tries to entice him into having sex. Bud rebuffs her and Deanie runs back to Toots, who drives her to a private spot. While there, Deanie realizes that she can't go through with sex, at which point she is almost raped. Escaping from Toots and driven close to madness, she attempts suicide by jumping in the pond, but is rescued just before reaching the waterfalls. Her parents sell their oil stock to pay for her institutionalization, and fortuitously turn a profit prior to the Crash of 1929 that leads to the Great Depression.
While Deanie is in the institution, she meets patient Johnny Masterson, who has anger issues targeted at his parents, who want him to be a surgeon. The two form a bond. Meanwhile, Bud is sent to Yale, where he fails practically all his courses but meets Angelina, the daughter of Italian immigrants who run a local restaurant in New Haven. In October 1929, Bud's father Ace travels to New Haven in an attempt to persuade the dean not to expel Bud from school. Bud tells the dean he only aspires to own a ranch. The stock market crashes while Ace is in New Haven, and he loses almost everything. He takes Bud to New York for a weekend, including to a cabaret nightclub, and has a prostitute sent to Bud's room. Bud rebuffs her. Ace commits suicide by jumping from a building – something he was joking about a short time earlier.
Deanie returns from the asylum after two years and six months, "almost to the day." Ace's widow has gone to live with relatives, and Bud's sister has died in a car crash. Deanie's mother wants to shield her from any potential anguish from meeting Bud, so she pretends to not know where he is. When Deanie's friends from high school come over, her mother gets them to agree to feign ignorance about Bud's whereabouts. However, Deanie's father refuses to coddle his daughter and tells her that Bud has taken up ranching and lives on the old family farm. Her friends drive Deanie to meet Bud at an old farmhouse. He is dressed in plain clothes and married to Angelina; they have an infant son named Bud Jr. and another child on the way. Deanie lets Bud know she is going to marry John (who is now a doctor in Cincinnati). During their brief reunion, Deanie and Bud realize that both must accept what life has thrown at them. Bud says, "What's the point? You gotta take what comes." They each relate that they "don't think about happiness very much anymore."
As Deanie leaves with her friends, Bud only seems partially satisfied by the direction his life has taken. After the others are gone, he reassures Angelina, who has realized that Deanie was once the love of his life. Exterior scenes of the high school campus were shot at Horace Mann School in the Bronx. The gothic buildings of the North Campus of The City College of New York stand in for Yale University in New Haven. The scenes at the waterfall were shot in High Falls, New York, summer home of director Kazan.
Inge also made his screen debut in the film, as did Sandy Dennis who appeared in a small role as a classmate of Deanie.
Writing in Esquire magazine, however, Dwight Macdonald confirmed the notion that Elia Kazan was "as vulgar a director as has come along since Cecil B. De Mille." He further commented:
As for the performances, Variety stated that Wood and Beatty "deliver convincing, appealing performances" and Christie and Hingle were "truly exceptional", but also found "something awkward about the picture's mechanical rhythm. There are missing links and blind alleys within the story. Several times it segues abruptly from a climax to a point much later in time at which is encountered revelations and eventualities the auditor cannot take for granted. Too much time is spent focusing attention on characters of minor significance in themselves." Philip K. Scheuer of the Los Angeles Times wrote, "The picture does have its theatrical excesses and falls short idealistically in that its morality remains unresolved; nevertheless, it is film-making of the first order and one of the few significant American dramas we have had this year." Richard L. Coe of The Washington Post found "beauty and truth" in the story but thought "the parents' incessant nagging and unlistening ears are not convincing" and that Christie and Hingle's characters "could do all that they do in far less footage." Harrison's Reports awarded a grade of "Very Good" and wrote that the adult themes "do not blow up the story into a soap-opera bubble. The emotional cheapness and the sordid crudeness that are evidencing themselves in so many of the yarns being spun, these days, out of the sexual pattern of young, immoral behavior is not to be found here. Instead, you find a poignantly appealing and warmly touching performance of lovely Natalie Wood that gives the story meaning." Brendan Gill of The New Yorker disagreed and slammed the film for being "as phony a picture as I can remember seeing," explaining that Inge and Kazan "must know perfectly well that the young people whom they cause to go thrashing about in 'Splendor in the Grass' bear practically no relation to young people in real life ... one has no choice but to suppose that this unwholesome sally into adolescent sexology was devised neither to instruct our minds nor to move our hearts but to arouse a prurient interest and produce a box-office smasheroo. I can't help hoping they have overplayed their hand."
Time magazine said "the script, on the whole, is the weakest element of the picture, but scriptwriter Inge can hardly be blamed for it" because it had been "heavily edited" by Kazan; the unidentified reviewer called the film a "relatively simple story of adolescent love and frustration" that has been "jargoned-up and chaptered-out till it sounds like an angry psychosociological monograph describing the sexual mores of the heartless heartland."
The film holds a score of 72% on Rotten Tomatoes based on 29 reviews.
Awards and nominations
{| class="wikitable plainrowheaders"
|-
! Award
! Category
! Nominee(s)
! Result
! Ref.
|-
| rowspan="2"| Academy Awards
| Best Actress
| Natalie Wood
|
| align="center" rowspan="2"|
|-
| Best Story and Screenplay – Written Directly for the Screen
| William Inge
|
|-
| British Academy Film Awards
| Best Foreign Actress
| Natalie Wood
|
| align="center"|
|-
| Directors Guild of America Awards
| Outstanding Directorial Achievement in Motion Pictures
| Elia Kazan
|
| align="center"|
|-
| rowspan="4"| Golden Globe Awards
| colspan="2"| Best Motion Picture – Drama
|
| align="center" rowspan="4"| <br> In 2002, the American Film Institute ranked Splendor in the Grass number 47 on its list of the Top 100 Greatest Love Stories of All Time.
Remake
Splendor in the Grass was re-made as the 1981 television film Splendor in the Grass with Melissa Gilbert, Cyril O'Reilly, and Michelle Pfeiffer.
In popular culture
The movie's story line and main character inspired a hit song by Shaun Cassidy entitled "Hey Deanie". It was written by Eric Carmen, who also later recorded the song. Cassidy's rendition reached No. 7 on the US Billboard Hot 100 during the winter of 1978. "Hey Deanie" was the second of two songs directly inspired by the movie, the first being Jackie DeShannon's 1966 song, "Splendor in the Grass".
In 1973 Judy Blume published a young adult novel entitled Deenie. The first few lines of the book have the central character introduce herself and explain that shortly before she was born her mother saw a movie about a beautiful girl named Wilmadeene whom everybody called Deenie for short, and that the first time that she held her baby daughter she knew the baby would turn out beautiful and so named her Deenie too. Blume's Deenie goes on to explain that it took her almost 13 years to find out that the girl in the movie went crazy and "ended up on the funny farm", and that her mother advised her to forget that part of the story.
In True Detective season 2 episode 7 the movie is featured and watched.
The band Splendora named their debut studio album, In The Grass, in reference to the film.
See also
- List of American films of 1961