Spawn (1997 film)

Spawn is a 1997 American superhero film based on the Image Comics character of the same name. Directed by Mark A.Z. Dippé (in his directorial debut) from a script by Alan B. McElroy, the film stars Michael Jai White as the titular character, alongside John Leguizamo, Martin Sheen, Theresa Randle, D. B. Sweeney and Nicol Williamson in his final film role. Spawn is one of the first films to feature an African-American actor portraying a major comic book superhero. He eventually sold the film rights to New Line Cinema for $1 in exchange for creative input and merchandising rights. New Line president Michael De Luca, a comic book collector himself, expressed interest in having "a character that has as established an audience as Spawn", while declaring that success hinged on an adaptation that "maintains a PG-13 rating but retains its darkness." Dippé and Williams, who at the time was the only one of the three still attached to ILM, called the film opportunity "our ticket out of the company". The script would be written by Alan B. McElroy, who, along with writing the Spawn comic book, also wrote many episodes of the Todd McFarlane's Spawn animated series. He said that his long-time experience with martial arts helped him to endure the uncomfortable prosthetics, giving him "strong will and unbreakable concentration."

Spawn was originally green-lit with a budget of $20 million. The scale of the visual effects led New Line to continually increase the project's budget, which grew to $40–45 million — a third of which was spent on the effects. The shooting schedule was only 63 days. To cut production time by a week, Goldman lent $1 million to engage John Grower's Santa Barbara Studios to develop the digitally produced Hell sequences.

Differences from the comic

Terry Fitzgerald, Al Simmons' best friend before his death, is black in the comics. In the film, he is white, portrayed by D. B. Sweeney. Todd McFarlane explained that this change was made by the studio to avoid having too many black leads, as they believed this would give the false impression that film's target audience was the African American demographic.

In the comics, Al Simmons' murderer is Chapel, a character created by Rob Liefeld for the comic Youngblood. Jessica Priest, a character created for the film, took Chapel's place in the movie. The comic book's storyline was later retconned so that original character, Jessica Priest, would take his place while Al's killer was Jason Wynn. Chapel's involvement was forgotten.

Release

Theatrical

The original cut of Spawn earned an R rating from the Motion Picture Association of America resulting in the producers toning down the violence in the film to get a PG-13 rating. The Director's Cut version was released on DVD on January 9, 1998 and on Blu-ray on July 10, 2012. For its second weekend, the film dropped to number three in the box office, reflecting a decreased earnings of 54.7% and a gross of $8,949,953. The film grossed $54.9 million in the United States and Canada and $32.9 million internationally, grossing $87.9 million worldwide On Metacritic it has a weighted average score of 34 out of 100 based on 17 critics, indicating "generally unfavorable reviews". Audiences polled by CinemaScore gave the film an average grade of "C+" on an A+ to F scale.

One of the few positive reviews was from Roger Ebert of The Chicago Sun-Times, who awarded the film 3½ out of 4 stars. He wrote that the film's plot was "sappy" and little more than a set-up for some of the most innovative effects of the era, so much that Spawn verged on surrealistic art film. Ebert ended his review with, "As a visual experience, Spawn is unforgettable." Gene Siskel, his At the Movies co-host disagreed, and said the film lost him a mere two minutes after its introduction. Ebert praised the hellscape imagery and accused Siskel of being dismissive because of the genre, but having liked Batman, Siskel was unconvinced. David Kaplan of Newsweek called the film "the summer's most spectacular concoction of visual effects and color" but said that those unfamiliar with the comics might find the story difficult to follow.

Mick LaSalle of the San Francisco Chronicle criticized the weak story, and called the film a visual assault, "is all about style, which will appeal to some viewers and overwhelm most others". Of the cast LaSalle says only John Leguizamo stands out, his "zaniness seems in tune with the action" and he is "lucky enough to have a flashy part".

Rita Kempley of The Washington Post calls the film a "muddled revenge fantasy" and criticizes the "nonsensical screenplay" and complains about the "thicket of narrative, punctuated by repetitive action sequences." Todd McCarthy writing for Variety magazine criticized the film for its over-reliance on special effects. He called it "narratively knuckleheaded", and disliked the scatological humor, and found the action sequences numbingly repetitive with "no compensatory narrative or thematic balance". McCarthy expected the younger male target-audience would enjoy the film, but that as the film is "loaded with effects at the expense of character or narrative coherence" it would be a turn-off for other viewers.

Laura Miller of Salon.com called Spawn "a witless exercise in reheating leftovers". Miller called the comic character "a rehash of Spiderman " and the film a poor man's Batman. She declares "This movie sucks" and criticizes the special effects, compounded by the film taking itself too seriously. She is critical of the lack of dramatic structure, calling Spawn "a film helmed by technicians" and concludes that it is a film by "smart people pretending to be stupid".

Michael Jai White is not a fan of the film: "There is no footage of me ever saying that I liked Spawn. I have never said that I thought that was a good movie". John Leguizamo commented on the film: "The thing that Todd McFarlane brought to the comic book industry, which he saved in the early 1990s, was the edge. The darkness, the vulgarity, the violence. I think the movie would have profited for more violence, more vulgarity and being darker. Let it be truer to the comics."

Accolades

At the Saturn Awards, Spawn was nominated for Best Make-up. The film was also nominated for three Blockbuster Entertainment Awards for Favorite Male Newcomer (Michael Jai White), Favorite Horror Supporting Actor (John Leguizamo) and Favorite Horror Supporting Actress (Theresa Randle). At the Sitges - Catalan International Film Festival, Spawn was nominated for Best Film; the film was also nominated for & won the Best Special Effects award.

In January 2018, Complex magazine listed Spawn at number 2 out of 22, on its list of "The Best Black Superheroes In Movies".

Soundtrack

Spawn: The Album was released in July 1997 and featured popular rock and metal group of bands at the time including: Metallica, Korn, Slayer, Marilyn Manson, Stabbing Westward, Filter, Soul Coughing, Silverchair and Mansun in collaborations with well-known electronica / techno producers such as The Crystal Method, Roni Size, The Prodigy, DJ Greyboy, Atari Teenage Riot, Moby, Orbital and 808 State. and later, on the Blade II soundtrack, forming a trilogy of genre-blending soundtrack collections produced by Happy Walters.

The album debuted at #7 on the U.S. Billboard 200 and stayed on the chart for 25 weeks. The Japanese version contains a third disk with three remixes. The McFarlane Collector's Club made an LP release available to its members, featuring the standard album art and a translucent red vinyl disc. In 2017 a 20th Anniversary edition was released with a translucent blue vinyl disc.

"It was a bit rushed," declared The Prodigy's Liam Howlett of their collaboration with Rage Against the Machine guitarist Tom Morello. "I did it in three days when I usually need a week." In addition, Moby was originally slated to collaborate with industrial rock band Gravity Kills (titled "Suffocating"). Although he only contributed some samples and keyboard lines to the song, ultimately, he instead chose the final track with Butthole Surfers. The Gravity Kills recording would later be leaked online.

Track listing

Charts

{| class="wikitable sortable"

|+ Weekly charts

! Chart (1997)

! Peak <br />position

|US Billboard 200

|align="center"|7

! Chart (2024)

! Peak <br />position

{| class="wikitable"

|+Year-end charts

! Chart (1997)

! Position

|Australian Albums (ARIA)

| style="text-align:center"|95

Legacy

Spawn is one of the first films to feature an African American actor portraying a major comic book superhero.

Although preceded by other black superhero films such as The Meteor Man (1993), Spawn was the first to be based on a major comic book. Steel, starring basketball player Shaquille O'Neal based on a DC character, was also released later in the same month as Spawn. Writing in 2018, Barry Hertz of The Globe and Mail was critical of the fact that Michael Jai White was barely seen, and his face hidden by a mask or prosthetics.

Unlike Blade (1998) which came later and was promoted based on the popularity of action star Wesley Snipes and happened to be based on a comic, Spawn was promoted based on the popularity of the McFarlane comic. Film critic Scott Mendelson says that Spawn and other films not only paved the way for films such as Black Panther but that success of Black Panther represents a return to the status quo.

Unproduced sequel and reboot

A sequel, tentatively titled Spawn 2, has been in development hell since 1998. Producer Don Murphy maintained that he was part of the project in 2001. McFarlane stated that the film would have centered primarily on the detective characters Sam and Twitch, with Spawn only as a background character.

In 2007, McFarlane Funding announced development of a new feature film adaptation of the character, titled Spawn, scheduled for release in 2008.  During an interview on the Scott Ferrall show on Sirius radio, McFarlane said: "It's coming out no matter what. Even if I have to produce, direct and finance it myself, it's going to come out."

On August 23, 2009, McFarlane announced that he had begun writing the screenplay for a new movie based on the character, saying that "The story has been in my head for 7 or 8 years", that "The movie idea is neither a recap or continuation. It is a standalone story that will be R-rated. Creepy and scary", and that "the tone of this Spawn movie will be for a more older audience. Like the film The Departed." In July 2011, Michael Jai White said that he was interested in returning to the role, expressing his support for McFarlane's film. In July 2013, Jamie Foxx said he was "aggressively pursuing" the Spawn reboot. In August 2013, McFarlane discussed his progress with the script, stating that the film would be "more of a horror movie and a thriller movie, not a superhero one".

In February 2016, McFarlane announced he had completed the film's script. In July 2017, Blumhouse Productions confirmed their involvement with the film, while announcing that McFarlane had also signed on to direct the project. The movie was expected to begin production by February 2018. In May 2018, it was announced that Jamie Foxx would portray the titular character. In July 2018, it was reported that Jeremy Renner would be starring alongside Foxx as Detective Twitch. On October 25, 2018, the filming start date was delayed to June 2019. The film ended up missing its start date. In November 2019, the film restarted development due to the financial success of the R-rated comic book film Joker. In December 2019, McFarlane hired an additional writer to help polish the script, before presenting it to a major Hollywood studio. In March 2020, McFarlane stated Spawn will go into production sometime in 2020 with the intention for him to direct and Jamie Foxx still attached for the lead role. In May 2020, producer Jason Blum stated that "There has been an enormous amount of activity on Spawn......But, suffice to say, it is a very active development." In August 2021, it was revealed that Broken City screenwriter Brian Tucker had been hired to rewrite McFarlane's screenplay. In October 2022, Scott Silver, Malcolm Spellman, and Matthew Mixon had been hired to rewrite the screenplay.