Seventh Sojourn is the eighth album by the Moody Blues, released in October 1972. The album reached No. 5 in the United Kingdom and became the band's first American chart-topper, spending five weeks at No. 1 there to close out 1972.
Background
The album is a collection of songs without a conceptual theme, continuing the style of its predecessor, Every Good Boy Deserves Favour. According to John Lodge, "The album was very loosely based on the idea of The Canterbury Tales by Chaucer… we told stories, but musically."
The sessions were an unhappy time for the group. Sojourn would prove to be the group's last album together until 1978's Octave. Drummer Graeme Edge remembers: "At the time of recording Seventh Sojourn, it was my least favourite album. But years later, after coming to it with fresh ears and away from all of the pressures of that time, I realised that it was really rather good!"
Though it's overall the eighth Moody Blues album, Seventh Sojourn is the seventh album featuring this specific line-up of musicians. The first Moody Blues LP, The Magnificent Moodies, featured a substantially different line-up and sound compared to the group's subsequent work.
Writing
Guitarist Justin Hayward recalls the inspiration behind Mike Pinder's socially conscious "Lost in a Lost World": "I think at the time, we were doing so much, so many universities and student functions, and that was our audience. I think we were just reflecting what was going on around us. [...] we were only reflecting the general conversation of young people at the time. For me, I was 21 or 22 years old, and we were reflecting a lot of that. We were lucky enough in Great Britain that what they called conscription finished, but of course so many of our friends in the U.S. were being drafted. It was a very disturbing time for young people."
Hayward's "New Horizons" was inspired by loss. He explains, "It was at a really tough time in my life. I’d not long lost my father. There was quite a lot of death around me, and I was having to cope with that and work out how you handle that and what you do and how you can get through it. It’s very poignant to me."
Ray Thomas recalls writing his longing love song "For My Lady": "That was really just after my divorce. Basically I'm saying I'd give my life for a gentle lady."
Lodge remembers the inspiration for "Isn't Life Strange": "That song wrote itself, strangely enough. I was with my wife, and a couple of friends, and I have a baby grand piano in my drawing room in my house in England. We were having dinner and I could hear this tune in my head and I excused myself. I went over to the piano and, basically, I wrote the whole song, then and there. It only had one lyric at that time, 'Isn't life strange.' I wrote the music right then and there. I remember going to bed and wondering, 'I wonder if I have written that song, or if it was something else? In the morning I am going to go downstairs and play it and see if it stands up.' It did. That next day I sat down and wrote all of the lyrics. The other thing, which is really interesting about that, and shows how things have changed, is that we did all of our vocals on that song on a Friday night, out of necessity, as we were leaving for a tour of America. We landed in New York and we took the tapes to London Records on a Saturday in New York and it was released as a single the following Friday. That was a different time then. It is unheard of today. It moved fast and it was so unbelievable."
Pinder's "When You're a Free Man" is addressed to Timothy Leary, who befriended the band after the release of their song "Legend of a Mind". At the time, Leary was imprisoned on a marijuana charge. In a later interview, Pinder defends Leary: ""He's a tremendous humanitarian with a tremendous capacity to bring people together. He's magnetic and he attracts negative energy as well as positive."
Lodge wrote "I'm Just a Singer (In a Rock and Roll Band)" as a response to fans who mistakenly read guru-like wisdom into the group's lyrics. He recounts one particular event that inspired the song: "Somehow, some of our fans attributed us with having the answer to the universe. I remember coming home from a tour of the US and when I got to my house I saw all these people camping out in the front yard. I asked what they were doing and they said, 'We've been told you're going to fly the spaceship that's going to save us all.' I actually don't like flying! I respected that young people at that time were looking for answers but like I said in the song, 'If you want the wind of change to blow about you/And you're the only other person to know, don't tell me/I'm just a singer in a rock and roll band.'"
Recording
Initial sessions took place at Mike Pinder's home studio built in the garage of his home "Beckthorns" in January 1972. Hayward reflects on the setting and the band's difficulty adjusting to their commercial success: "It was a ludicrous situation; we could afford to record anywhere in the world, and there we were in our keyboard player's garage. We were so frightened of failure that we just tried to make ourselves smaller and smaller."
Album cover
The album is the group's last to feature artwork by longtime collaborator Phil Travers. He remembers the process of designing the cover featuring a surrealistic landscape: "It is impossible for me to tell how long it took me to produce the illustrations other than to say that, in most cases, I had days rather than weeks to complete them and submit them for approval. At the first meeting we would listen to the soundtrack together and discuss the themes and ideas behind the album. It was then left to me to produce a pencil rough which was then discussed further. Eventually a consensus would be reached and the painting would begin in earnest. Time always was of the essence, and many times I was working all day and all night to meet the printer’s deadline. But I have to say it was greatly fulfilling and I thoroughly enjoyed it. As for the way I painted, I used Gouache and some watercolor, and very often I employed an airbrush."
In 2008, a remaster for standard audio CD was issued with the same bonus tracks.
Reception
Two hit singles came from this album: "Isn't Life Strange" (No. 13 UK, No. 29 US) and "I'm Just a Singer (In a Rock and Roll Band)" (No. 36 UK, No. 12 US). However, both songs were overshadowed by the re-release of "Nights in White Satin", which had been first released in 1967. Whereas both singles from Seventh Sojourn made the top 40, "Nights In White Satin" bested both, hitting No. 9 in the UK and No. 2 in the United States and gaining the highest American chart position for a Moody Blues single.
Record World rated "I'm Just a Singer" and "Land of Make-Believe" as "dynamite cuts".
Classic Rock History critic Brian Kachejian rated three songs from Seventh Sojourn as being among the Moody Blues' 10 best – "New Horizons", "Lost in a Lost World" and "For My Lady".
Track listing
Personnel
- Justin Hayward ― vocals, guitars
- John Lodge ― vocals, bass, cello, acoustic guitar
- Ray Thomas ― vocals, flute, tambourine, saxophone, oboe
- Graeme Edge ― drums, percussion, vocals
- Mike Pinder ― vocals, Chamberlin, piano, harmonium, cello
Production
Sources:
- Producer Tony Clarke
- Recording engineers - Derek Varnals and Tony Clarke ("Isn't Life Strange")
- Assistant engineer - David Baker
- Cover and liner art - Phil Travers
- Inner sleeve - The Moodies
- All instruments played by The Moody Blues
- Recorded at Tollington Park Studios, London
Charts
{| class="wikitable sortable plainrowheaders" style="text-align:center"
|-
! scope="col"| Chart (1972–1973)
! scope="col"| Peak<br /> position
|-
! scope="row"| Australian Albums (Kent Music Report)
| align="center"| 2
|-
|-
! scope="row"|Danish Albums (Hitlisten)
|align="center"|4
|-
|-
! scope="row"| Finnish Albums (The Official Finnish Charts)
| align="center"| 6
|-
|-
! scope="row"|Italian Albums (Musica e Dischi)
| align="center"| 6
|-
|-
|-
|}
{| class="wikitable sortable plainrowheaders" style="text-align:center"
! scope="col"| Chart (2025)
! scope="col"| Peak<br />position
|-
! scope="row"| Greek Albums (IFPI)
| 53
|}