Samuel Dickson Selvon (20 May 1923 – 16 April 1994) was a Trinidad-born writer, who moved to London, England, in 1950. His 1956 novel The Lonely Londoners is groundbreaking in its use of creolised English, or "nation language", for narrative as well as dialogue.

Life and work

Samuel Dickson Selvon was born in San Fernando in the south of Trinidad, the sixth of seven children. His father was a first-generation Christian Tamil Indian immigrant from Madras and his mother was a Christian Anglo-Indian. His maternal grandfather was Scottish and his maternal grandmother was Indian.

Selvon was educated at Naparima College, San Fernando, before leaving at the age of 15 to work. He was a wireless operator with the local branch of the Royal Naval Reserve from 1940 to 1945 during the Second World War. Thereafter, he moved north to Port of Spain, and from 1945 to 1950, worked for the Trinidad Guardian as a reporter and for a time on its literary page. In this period, he began writing stories and descriptive pieces, mostly under a variety of pseudonyms, including Michael Wentworth, Esses, Ack-Ack, and Big Buffer. Much of this early writing is to be found in Foreday Morning (eds Kenneth Ramchand and Susheila Nasta, 1989).

In 1950, Selvon moved to London, England, where he took menial jobs, eventually working as a clerk for the Indian Embassy, while writing in his spare time.

Selvon was a fellow in creative writing at the University of Dundee from 1975 until 1977. In the late 1970s, he moved to Alberta, Canada, and found a job teaching creative writing as a visiting professor at the University of Victoria. When that job ended, he took a job as a janitor at the University of Calgary in Alberta for a few months before becoming writer-in-residence there. He was largely ignored by the Canadian literary establishment, with his works receiving no reviews during his residency.

On a return trip to Trinidad, Selvon died of respiratory failure due to extensive bronchopneumonia and chronic lung disease on 16 April 1994 at Piarco International Airport; his ashes were subsequently interred at the University of the West Indies cemetery, St Augustine, Trinidad. Selvon explained:

<blockquote>"When I wrote the novel that became The Lonely Londoners, I tried to recapture a certain quality in West Indian everyday life. I had in store a number of wonderful anecdotes and could put them into focus, but I had difficulty starting the novel in straight English. The people I wanted to describe were entertaining people indeed, but I could not really move. At that stage, I had written the narrative in English and most of the dialogues in dialect. Then I started both narrative and dialogue in dialect and the novel just shot along."</blockquote>In the late 1980s, Selvon wrote personal essays reflecting on his West Indian identity. These include "Three into one can't go – East Indian, Trinidadian or West Indian?" (1986), in which Selvon reflects on the complexities of being of East Indian heritage, born and raised in Trinidad, and of West Indian identity. He also wrote "Finding West Indian Identity in London" (1987), in which he reflects on developing a West Indian consciousness after immigrating to London in 1950.

Selvon's papers are now at the Harry Ransom Humanities Research Center at the University of Texas, Austin, USA. These consist of holograph manuscripts, typescripts, book proofs, manuscript notebooks, and correspondence. Drafts for six of his 11 novels are present, along with supporting correspondence and items relating to his career.

Awards and legacy

Selvon was awarded two Guggenheim Fellowships (in 1955 and 1968), an honorary doctorate from Warwick University in 1989, and in 1985 the honorary degree of DLitt by the University of the West Indies.

Bibliography

  • A Brighter Sun (1952)
  • A Meap Story (1954)
  • An Island is a World (1955)
  • The Lonely Londoners (1956)
  • Ways of Sunlight, short stories (1957)
  • Turn Again Tiger (1959)
  • I Hear Thunder (1963)
  • The Housing Lark (1965)
  • The Plains of Caroni (1970)
  • Those Who Eat the Cascadura (1972)
  • Moses Ascending (1975)
  • Moses Migrating (1983)
  • Foreday Morning (1989)
  • Eldorado West One, collected one-act plays (1989)
  • Highway in the Sun and Other Plays (1991)

Filmography (as writer)

  • Pressure (1976), co-written with Horace Ové

Further reading

Critical works on Selvon include:

  • Susheila Nasta (ed.), Critical Perspectives on Sam Selvon, Washington: Three Continents Press, 1988.
  • Clement Wyck, Sam Selvon's dialectal style and fictional strategy (1991).
  • Margaret Paul Joseph, "Caliban in Exile: The Outsider in Caribbean Fiction", Greenwood Press, 1992.
  • Austin Clarke, Passage Back Home: a personal reminiscence of Samuel Selvon, Toronto: Exile Editions, 1994.
  • Mark S. Looker, Atlantic Passages: History, community, and language in the fiction of Sam Selvon, New York: Peter Lang, 1996.
  • Roydon Salick, The Novels of Samuel Selvon, Greenwood Press, 2001.
  • Curdella Forbes, From Nation to Diaspora: Sam Selvon, George Lamming and the Cultural Performance of Gender, Mona, Jamaica: University of the West Indies Press, 2005.

References

Other sources

  • Bill Schwarz, "Samuel Selvon: 'The Lonely Londoners' - 1956", London Fictions.