Sadie T. Benning (born April 11, 1973) is an American artist, who has worked primarily in video, painting, drawing, sculpture, photography and sound. Benning creates experimental films and explores a variety of themes including surveillance, gender, ambiguity, transgression, play, intimacy, and identity. They became a known artist as a teenager, with their short films made with a PixelVision camera that have been described as "video diaries."
Benning was a co-founder and a former member of the American electronic rock band Le Tigre from 1998 until 2001.
Early life
Sadie Benning was born April 11, 1973, in Madison, Wisconsin. Benning was raised by their mother in inner-city Milwaukee. Their parents divorced before they were born; their father is film director James Benning. Benning left high school at age 16 due to homophobia.
Work
Early work
Benning began creating visual works at age 15, they started filming with the "toy" video camera they received as a Christmas gift from their father, the experimental filmmaker James Benning. Benning used a Fisher-Price PXL-2000 camera, also known as PixelVision, which created pixelated black and white video on standard audio cassette tapes.
Benning's earlier videos – A New Year, Living Inside, Me and Rubyfruit, Jollies, and If Every Girl Had a Diary - used Benning's isolated surroundings and the effect this had on Benning as a focus for their theme. In Benning's earliest work, A New Year, Benning shied away from being in front of the camera, instead focusing on their surroundings – primarily the confines of their room and bedroom window – to portray their feelings of angst, confusion and alienation. "I don't talk, I'm not physically in it, it's all handwritten text, music; I wanted to substitute objects, things that were around me, to illustrate the events. I used objects in the closest proximity – the television, toys, my dog, whatever."
The themes of sexual identity and the challenges of growing up are repeated throughout the body of Benning's work, who self-identified as a lesbian in 2014. Benning uses pop culture, such as music, television or newspapers, to amplify their message while simultaneously parodying the same pop culture. Benning also draws inspiration from images on television or in movies, observing: "They're totally fake and constructed to entertain and oppress at the same time – they're meaningless to women, and not just to gay women. I got started partly because I needed different images and I never wanted to wait for someone to do it for me".
As their work has progressed, Benning has increasingly used images of their own body and voice.
Later work
Benning received their M.F.A from Milton Avery Graduate School of the Arts at Bard College in 1997.
Their work is in various public museum collections including the Museum of Modern Art (MoMA), among others.
Music
In 1998, Benning co-founded Le Tigre, the feminist post-punk band whose members include ex-Bikini Kill singer/guitarist Kathleen Hanna and zinester Johanna Fateman. Benning left the band in 2001 and JD Samson joined Le Tigre after Benning's departure.
Exhibitions
{| class="wikitable sortable"
!Year
!Exhibition name
!Location
!Notes
|-
|1990
|
|Artists' Television Access, San Francisco, California
|
|-
|1991
|Film in the Cities
|St. Paul, Minnesota
|
|-
|1991
|
|Randolph Street Gallery, Chicago, Illinois
|
|-
|2008
|7th Gwangju Biennale
|Gwangju, South Jeolla province, South Korea
|
|-
|2012
|VHS the Exhibition
|Franklin Street Works, Stamford, Connecticut
|
|-
|2012
|Raw/Cooked: Ulrike Müller
|Brooklyn Museum, Brooklyn, New York
|
|-
|2013–2014
|2013 Carnegie International
|Pittsburgh, Pennsylvania
|
|-
|2016
|Off-Site Exhibition: A Shape That Stands Up
|Hammer Museum, Los Angeles, California
|
|-
|2017
|Shared Eye
|Kunsthalle Basel, Basel, Switzerland
|
|-
|1989
|Me & Rubyfruit
|black & white video, Pixelvision
|5:31
|This piece is included in the art collection at the Smithsonian American Art Museum, the Museum of Modern Art.
|-
|1989
|Living Inside
|black & white video, Pixelvision
|5:06
|This piece is included in the art collection at the Smithsonian American Art Museum, the Museum of Modern Art.
|-
|1990
|Welcome to Normal
|color video, Hi 8
|20:00
|
|-
|1990
|Jollies
|black & white video, Pixelvision
|11:18
|This piece is included in the art collection at the Smithsonian American Art Museum, the Museum of Modern Art. This piece is in the art collection at the Museum of Modern Art.
|-
|2006
|Play Pause
|two channel video installation from hard drive, color digital video/ drawings on paper
|29:21
|Directed by Sadie Benning in collaboration with Solveig Nelson, drawings and sound by Sadie Benning. Influenced by the book, Ulysses by James Joyce. This piece is included in the art collection at the Whitney Museum of American Art.
|}
{| class="wikitable"
|+Music work by Benning
!Year
!Name
!Type
!Notes
|-
|1999
|Le Tigre
|compact disc and vinyl
|Music album recorded with Kathleen Hanna and Johanna Fateman.
|}
Awards, recognition, and honors
In 1991, the first article about Benning's work, written by Ellen Spiro, appeared in the national gay magazine The Advocate. In 2004, Bill Horrigan curated a retrospective of Benning's works on video. In 2009, Chloe Hope Johnson contributed a chapter in the book There She Goes: Feminist Filmmaking and Beyond (Contemporary Approaches to Film and Media Series) entitled Becoming-Grrrl The Voice and Videos of Sadie Benning.
Benning has received grants and fellowships from Guggenheim Fellowship (2005) by the John Simon Guggenheim Memorial Foundation, Rockefeller Foundation grant (1992),
Publications
References
External links
- Sadie Benning in the Video Data Bank.
- Senses of Cinema: Great Directors Critical Database
- Sadie Benning by Lia Gangitano Bomb