Ruth Bernhard - WikiHQ

Ruth Bernhard (October 14, 1905 – December 18, 2006) was a German-born American photographer.

Early life and education

Bernhard was born in Berlin to Lucian Bernhard and Gertrude Hoffmann. Lucian Bernhard was known for his poster and typeface design, many of which bear his name and are still in use. Bernhard's parents divorced when she was 2 years old and she only met her mother twice after the divorce. She was raised by two schoolteacher sisters and their mother. Bernhard's father Lucian was a major proponent of Ruth's work, and advised her frequently.

Bernhard studied art history and typography at the Berlin Academy of Art from 1925 to 1927 before moving to New York City to join her father. She began teaching at the University of California in 1958, while also giving lectures, classes and workshops all over the United States.

Photography career

In 1927 Bernhard moved to New York City, where her father was already living. She worked as an assistant to Ralph Steiner in Delineator magazine, but he terminated her employment for indifferent performance. Using the severance pay, Bernhard bought her own camera equipment. By the late-1920s, while living in Manhattan, Bernhard was heavily involved in the lesbian sub-culture of the artistic community, becoming friends with photographer Berenice Abbott and her lover, critic Elizabeth McCausland. Her first realization that she was attracted to other women occurred on New Year's Eve 1928 when she met the painter Patti Light. In 1934 Bernhard began photographing women in the nude. It would be this art form for which she would eventually become best known. In 1935, she chanced to meet Edward Weston on the beach in Santa Monica. She would later say;

Bernhard was so inspired by Weston's work that, after meeting him in 1935, she moved to California (where he lived). In 1939, Bernhard moved back to New York for eight years, during which time she met photographer Alfred Stieglitz.

Bernhard was inspired by the small things in her life. In an interview from 1999 with Photographers Forum, Ruth states," I’m most interested in—the little things that nobody observes, that nobody thinks are of any value". In the same interview she stated that,"Everything is universal" and that she was "very much aware of that". Her father Lucian Bernhard set up the meeting with MoMA for her.

Life on the West Coast

By 1944 she had met and became involved with artist and designer Eveline (Evelyn) Phimister. The two moved in together, and remained together for the next ten years in Carmel, California. Here, Bernhard worked with Group f/64. Soon, finding Carmel a difficult place in which to earn a living, they moved to Hollywood where she fashioned a career as a commercial photographer. In 1953, they moved to San Francisco She worked almost exclusively in black-and-white, though there are rumours that she had done some color work as well. She also is known for her lesbian themed works, most notably Two Forms (1962). In that work, a black woman and a white woman who were real-life lovers are featured with their nude bodies pressed against one another.

In the 1980s Bernhard also started to work with Joe Folberg. Folberg bought Vision Gallery from Douglas Elliott (who founded it in 1979) in San Francisco in 1982. Bernhard and Folberg worked together until Folberg's death. The gallery split with Debra Heimerdinger taking over operations in North America and Folberg's son Neil moving the "Vision Gallery" to Jerusalem.

In 1967, Bernhard began a teaching career. This same year, Bernhard met United States Air Force Colonel Price Rice, an African American man ten years younger than her, and the two became lovers. They would remain together until his death in 1999. In her 90s, Bernhard cooperated with biographer Margaretta K. Mitchell in the book Ruth Bernhard, Between Art and Life, publicly revealing her many affairs with women and men throughout her lifetime.

In 1984 Ruth worked with filmmaker Robert Burrill on her autobiographic film entitled, Illuminations: Ruth Bernhard, Photographer. The film premièred in 1989 at the Kabuki Theater in San Francisco and on local PBS station KQED in 1991.

Bernhard was inducted into the Women's Caucus for Art in 1981. Bernhard was hailed by Ansel Adams as "the greatest photographer of the nude".

Bernhard died in San Francisco at age 101.

1987 Distinguished Career in Photography Award. Society of Photographic education. Midwest Regional Conference, Chicago, Illinois November 8, 1987

Solo exhibitions

1936: Jake Zeitlin Gallery, Los Angeles
1936: Pacific Institute of Music and Art, Los Angeles, Eye Behind the Camera
1938: P.M. Gallery, New York

Collections

Bernhard's work is held in the following permanent collections:

Indianapolis Museum of Art, Indiana
J. Paul Getty Museum, Los Angeles, California
Museum of Contemporary Photography at Columbia College Chicago, Illinois
Museum of Photographic Arts (MOPA), San Diego, California
Portland Museum of Art, Oregon
San Jose Museum of Art, California
Minneapolis Institute of Art
International Photography Hall of Fame, St.Louis, Missouri

References

General references

Ruth Bernhard Minnesota Public Radio (audio)
Samples of Bernhard's works
Various photographs at artnet
Lavender, Lisa Ann. "Ruth Bernhard." In The Oxford Companion to the Photograph, ed. Robin Lenman. Oxford: Oxford University Press, 2005.
Rosenblum, Naomi. A History of Women Photographers. New York: Abbeville, 1994.
Bernhard, Ruth, and Margaretta K. Mitchell. Ruth Bernhard: Between Art and Life. San Francisco: Chronicle, 2000.
Corinne, Tee A. "Ruth Bernhard." In An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture. 2002.
"Ruth Bernhard" at Women in Photography: an unsigned article, with photographs by Bernhard
Ruth Bernhard, Joe Folberg of meeting Bernhard
Primary documents regarding her life and career are housed at Princeton University Library's Special Collections Department. An inventory of their holding can be found in this finding aid.