Robert Hayden (August 4, 1913February 25, 1980) was an American poet, essayist, and educator. He served as Consultant in Poetry to the Library of Congress from 1976 to 1978, a role today known as U.S. Poet Laureate. He was the first African-American writer to hold the office.

Biography

Robert Hayden was born in Detroit, Michigan, to Ruth and Asa Sheffey, who separated before his birth. He was taken in by a foster family next door, Sue Ellen Westerfield and William Hayden, and grew up in the Detroit neighborhood of Paradise Valley.

His childhood traumas resulted in debilitating bouts of depression that he later called "my dark nights of the soul". Because he was nearsighted and slight of stature, he was often ostracized by his peers. In response, Hayden read voraciously, developing both an ear and an eye for transformative qualities in literature. He attended Detroit City College (later called Wayne State University) with a major in Spanish and minor in English and left in 1936 during the Great Depression, one credit short of finishing his degree, to go to work for the Works Progress Administration Federal Writers' Project, where he researched black history and folk culture.

Leaving the Federal Writers' Project in 1938, Hayden married Erma Morris in 1940 and published his first volume, Heart-Shape in the Dust (1940). He enrolled at the University of Michigan in 1941 and won a Hopwood Award there. Raised as a Baptist, he followed his wife into the Bahá'í Faith during the early 1940s, and raised a daughter, Maia, in the religion. Hayden became one of the best-known Bahá'í poets. Erma Hayden was a pianist and composer and served as supervisor of music for Nashville public schools. Concurrent with his teaching responsibilities at Fisk, he served as poet-in-residence at Indiana State University in 1967 and visiting poet at the University of Washington in 1969, the University of Connecticut in 1971, Dennison University in 1972, and Connecticut College in 1974.

As a supporter of his religion's teaching of the unity of humanity, Hayden could never embrace Black separatism. Thus, the title poem of Words in the Mourning Time ends in a stirring plea in the name of all humanity: