Richard Redgrave (30 April 1804 in Pimlico, London – 14 December 1888 in Kensington, London) was an English landscape artist, genre painter, author, and administrator.

Early life

He was born in Pimlico, London, at 2 Belgrave Terrace, the second son of William Redgrave, and younger brother of Samuel Redgrave. While employed in his father's manufacturing firm, he visited the British Museum to make drawings of the marble sculptures there. His work The River Brent, near Hanwell of 1825 saw him admitted to the Royal Academy schools the next year. He left his father's firm in 1830 and began to make a living teaching art.

Career

thumb|Well Spring Carafe, 1847–1851 designed by Richard Redgrave [[Victoria and Albert Museum|V&A Museum no. 4503-1901]]

He worked at first as a designer. He was elected an Associate in 1840 and an Academician in 1851 (retired, 1882). His Gulliver on the Farmer's Table (1837) made his reputation as a painter. He became an assiduous painter of landscape and genre; his best pictures being Country Cousins (1848), Olivia's Return to her Parents (1839), The Sempstress (1844) and A Well-spring in the Forest (1877). Redgrave held three important exhibitions at the Royal Academy and one at Royal Society of Painter-Etchers and Engravers.

[[File:Richard Redgrave by J. P. Mayall.jpg|left|thumb|290x290px|Richard Redgrave by J. P. Mayall from Artists at Home, photogravure, published 1884, Department of Image Collections, National Gallery of Art Library, Washington, DC]]

He began in 1847 a connection with the Government School of Design, as botanical lecturer and teacher, he became head-master in 1848, and art superintendent in 1852.

He was surveyor of crown pictures from 1856–1880, during which period he produced a 34-volume catalogue detailing the pictures at Windsor Castle, Buckingham Palace, Hampton Court, and other royal residences.

Redgrave and his brother Samuel were the co-authors of the influential A Century of Painters of the English School, published in 1866, he also wrote also An Elementary Manual of Colour, 1853.