Ricardo Viñes y Roda (, , ; 5 February 1875 – 29 April 1943) was a Spanish pianist. He gave the premieres of various works by Ravel, Debussy, Satie, Falla and Albéniz. He was the piano teacher of the composer Francis Poulenc and the pianists Marcelle Meyer, Joaquín Nin-Culmell and Léo-Pol Morin.
Life and career
Viñes was born in Lleida, Spain. He studied the piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac.
In 1895 Viñes made his début at the Salle Pleyel, Paris. From 1900 he had an international career, touring in Russia and throughout Europe and South America. Between 1930 and 1936 he lived in Argentina, returning to Paris in 1936.
According to Charles Timbrell and Esperanza Berrocal in the Grove Dictionary of Music and Musicians, Viñes's keyboard technique was magnificent and his repertoire extensive. In addition to the established classics he championed new works by the many composers of whom he was a close friend. They included Ravel, Debussy, Satie, Falla, Granados, Albéniz and Déodat de Séverac.|group= n
Viñes composed a small number of works, the best known of which are the two Hommages, for Séverac and Satie. He also wrote several articles, mostly on Spanish music, and his diaries are much quoted by biographers of his musical contemporaries. His piano students included Marcelle Meyer, Joaquín Nin-Culmell, Léo-Pol Morin and Francis Poulenc.
Viñes was a delightful character, some kind of strange Hidalgo with an enormous moustache, a brown sombrero in true Barcelona style, and button boots with which he used to kick me in the shins whenever I was clumsy at the pedals. No one could teach the art of using the pedals, an essential feature of modern piano music, better than Viñes. He somehow managed to extract clarity precisely from the ambiguities of the pedals. His staccato playing was equally remarkable. Marcelle Meyer, his most brilliant pupil, declared that he made even Petrushka seem easy.|
Viñes died in Barcelona at the age of 68. He was unmarried.
An annual International piano competition "Ricard Viñes" has been held since 1995 in his birth town Lleida. The city council named one of the city's most popular squares the "Plaça Ricard Vinyes", and the main room of the Llotja de Lleida theatre and congress centre (opened in 2010) is also named after him.
Discography
Viñes reportedly had an intense dislike for the recording process, but nonetheless left 25 recordings dating from the 1930s. In Groves view, the playing as recorded reveals "an unforced virtuosity, charming rhythmic pointing and shimmering pedal effects."
- Arbiter Records, "Masters of the French piano tradition", 2007
- Etude No.10, "Pour les sonorités opposées" (incomplete; rec. 1938)
- Manuel de Falla
- Dance of Terror (rec. 1930)
- Récit du Pêcheur (rec. 1930)
- Introduction and Ritual Fire Dance (rec. 1930)
- Gluck-Brahms
- Gavotte in A (rec. 1930)
- Opal (Pearl), "Ricardo Viñes and Francis Planté", 1994
- Carlos López-Buchardo
- Bailecito (rec. 22 July 1936)
- Opal (Pearl), "Ricardo Viñes and Francis Planté", 1994
- Domenico Scarlatti
- Sonata in D, K.29 (L.461) (rec. 1930)
- Opal (Pearl), "Ricardo Viñes and Francis Planté", 1994
- Cayetano Troiani
- Milonga (rec. 22 July 1936)
- Opal (Pearl), "Ricardo Viñes and Francis Planté", 1994
- Joaquín Turina
- Miramar (from Chants d'Espagne) (rec. 1930)
- Opal (Pearl), "Ricardo Viñes and Francis Planté", 1994
- Dans les Jardins de Murcia (rec. 1930)
- Opal (Pearl), "Ricardo Viñes and Francis Planté", 1994