Resurrection (pre-reform Russian: ; post-reform , also translated as The Awakening), first published in December 1899, was the last novel written by Leo Tolstoy. The book is the final of his major long fiction works published in his lifetime. Tolstoy intended the novel as a panoramic view of Russia at the end of the 19th century from the highest to the lowest levels of society and as an exposition of the injustice of man-made laws and the hypocrisy of the institutionalized church. The novel also explores the economic philosophy of Georgism, of which Tolstoy had become a very strong advocate towards the end of his life, and explains the theory in detail. The publication of Resurrection led to Tolstoy's excommunication by the Holy Synod from the Russian Orthodox Church in 1901.
Background
thumb|Katusha Maslova depicted on a postcard by [[Elisabeth Boehm]]
The theme for the new novel had been supplied by Tolstoy's friend Anatoly Koni. He told Tolstoy the story of a man who had come to him for legal aid. As a youth this man had seduced a pretty orphan girl of sixteen who had been taken into the home of a relative of the young man when her parents died. Once her benefactress observed the girl's pregnant condition, she drove her away. Abandoned by her seducer, the girl, after hopeless attempts to earn an honest livelihood, became a prostitute. Caught stealing money from one of her drunken "guests" in a brothel, the girl was arrested. By accident of fate, the jury that tried the case included her seducer. His conscience awakened to the injustice of his behaviour, he decided to marry the girl, who was sentenced to four months in prison. Koni concluded his story by relating that the couple did actually marry, but shortly after her sentence expired, the girl died from typhus.
Tolstoy was moved by Koni's story, partly because it resembled an incident from his own life. For shortly before his death he told his biographer of two seductions in his life which he could never forget: "The second was the crime I committed with the servant Masha in my aunt's house. She was a virgin. I seduced her, and she was dismissed and perished."
In August 1898, after much deliberation and consulting with colleagues, Tolstoy decided to quickly finish, copyright and sell the novel to aid the emigration of persecuted pacifist Spiritual Christian Dukhobortsy from Russia to Canada. He completed it in December 1899.
The book was to be published serially simultaneously in Russia, Germany, France, England and America, to quickly raise funds and give him time to finish the story, but delayed due to contract "difficulties" requiring parts to be censored and shortened. It appeared in the popular Russian weekly magazine Niva illustrated by Leonid Pasternak, and in the American monthly magazine The Cosmopolitan as The Awakening. Many publishers printed their own editions because they assumed that Tolstoy had given up all copyrights as he had done with previous books. The complete text was not published in Russia until 1936, and in English in 1938.
Tolstoy's contribution of 34,200 rubles to the plight of Dukhobortsy (US$17,000) had been acknowledged several times in gratitude and aid to the Tolstoy Estate "Yasnaya Polyana" by the descendants of Dukhobortsy in Canada.
One of the characters, Toporov, is an obvious caricature of Konstantin Pobedonostsev, then Ober-Procurator of the Most Holy Synod.
Plot
thumb|left|An illustration by [[Leonid Pasternak.]]
The story is about a nobleman named Dmitri Ivanovich Nekhlyudov, who seeks redemption for a sin committed years earlier. When he was a younger man, at his two aunts' estate, he fell in love with their ward, Katyusha (Katerina Mikhailovna Maslova), who is goddaughter to one aunt and treated badly by the other. However, after going to the city and becoming corrupted by drink and gambling, he returns two years later to his aunts' estate and sexually assaults Katyusha, leaving her pregnant. She is then thrown out by his aunt, and proceeds to face a series of unfortunate and unpleasant events, before she ends up working as a prostitute, going by her surname, Maslova.
Ten years later, Nekhlyudov sits on a jury which sentences the girl, Maslova, to prison in Siberia for murder (poisoning a client who beat her, a crime of which she is innocent). The book narrates his attempts to help her practically, but focuses on his personal, mental, and moral struggle. He goes to visit her in prison, meets other prisoners, hears their stories, and slowly comes to realize that below his gilded aristocratic world, yet invisible to it, is a much larger world of cruelty, injustice and suffering. Story after story he hears and even sees people chained without cause, beaten without cause, immured in dungeons for life without cause, and a twelve-year-old boy sleeping in a lake of human dung from an overflowing latrine because there is no other place on the prison floor, but clinging in a vain search for love to the leg of the man next to him, until the book achieves the bizarre intensity of a horrific fever dream.
Nekhlyudov decides to give up his property and pass ownership on to his peasants, leaving them to argue over the different ways in which they can organise the estate, and he follows Katyusha into exile, planning on marrying her. On their long journey into Siberia, she falls in love with another man, and Nekhludov gives his blessing and still chooses to live as part of the penal community, seeking redemption.
Reception and criticism
thumb|left|An illustration by [[Leonid Pasternak.]]
The book was eagerly awaited. "How all of us rejoiced," one critic wrote on learning that Tolstoy had decided to make his first fiction in 25 years, not a short novella but a full-length novel. "May God grant that there will be more and more!" It outsold Anna Karenina and War and Peace.
Speaking of the Russian nation, William James has said: "I was especially struck by two books. Resurrection by Tolstoy and Karamasoff by Dostoevsky. To me the characters exhibited in them seem to come from another planet, where everything is different, and better. They have landed on earth by accident and are irritated by this, almost insulted. There is something childish, ingenuous in them, and one is reminded of the obstinacy of an honest alchemist who believes that he is capable of discovering the 'Cause of all causes'."
Despite its early success, today Resurrection is not as famous as the works that preceded it. It is usually regarded as inferior to War and Peace and Anna Karenina, although it is still marked as a very important literary achievement and a work that helps to understand the Russian Revolution. Some writers have said that Resurrection has characters that are one-dimensional and that as a whole the book lacks Tolstoy's earlier attention to detail. By this point, Tolstoy was writing in a style that favored meaning over aesthetic quality.