Raymond Auguste Queneau (; ; 21 February 1903 – 25 October 1976) was a French novelist, poet, critic, editor and co-founder and president of Oulipo (), notable for his wit and cynical humour.

Biography

Queneau, the only child of Auguste Queneau and Joséphine Mignot, was born at 47, rue Thiers (now Avenue René-Coty), Le Havre, Seine-Inférieure.

From the 1920s through 1930s, Queneau took odd jobs for income, working as a bank teller, tutor, translator and hackwriting in a column entitled, ('Do you know Paris?') for the daily newspaper L'Intransigeant. Kahn was the sister-in-law of André Breton, leader of the surrealist movement.

Queneau was drafted in August 1939 and served in small provincial towns before his promotion to corporal just before demobilisation in 1940.

A later work, (1976), alludes to the mathematician David Hilbert, and attempts to explore the foundations of literature by quasi-mathematical derivations from textual axioms. Queneau claimed this final work would prove "a hidden master of the automaton." Pressed by GF, his interlocutor, Queneau confided that the text "could never appear, but had to hide to glorify that without agency."

One of Queneau's most influential works is Exercises in Style, which tells the simple story of a man's seeing the same stranger twice in one day. It tells that short story in 99 different ways, demonstrating the tremendous variety of styles in which storytelling can take place. An excerpt from this piece was published in 0 to 9 magazine, a 1960s publication which experimented with language and meaning-making.

Queneau's works are published by Gallimard in the collection Bibliothèque de la Pléiade.

Queneau and Surrealists

In 1924 Queneau met and briefly joined the Surrealists, but never fully shared their penchants for automatic writing or ultra-left politics. Like many surrealists, he entered psychoanalysis—however, not in order to stimulate his creative abilities, but for personal reasons, as with Leiris, Bataille, and Crevel.

Michel Leiris describes, in Brisées, how he first met Queneau in 1924, while vacationing in Nemours with André Masson, Armand Salacrou and Juan Gris. A common friend, Roland Tual, met Queneau on a train from Le Havre and brought him over. Queneau was a few years younger and felt less accomplished than the other men. He did not make a big impression on the young bohemians. After Queneau came back from the army, around 1926–7, he and Leiris met at the Café Certa, near L'Opera, a Surrealist hang-out. On this occasion, when conversation delved into Eastern philosophy, Queneau's comments showed a quiet superiority and erudite thoughtfulness. Leiris and Queneau became friends later while writing for Bataille's Documents.

Queneau questioned Surrealist support of the USSR in 1926. He remained on cordial terms with André Breton, He defended the Popular Front in France and the Republicans during the Spanish Civil War. has made a CD with the bilingual pun title Eggs Air Sister Steel, based on Exercices de Style (which "Eggs Air Sister Steel" sounds like when spoken).

  • A typographic interpretation of the German version of Exercices de Style, "Stilübungen – visuelle Interpretationen" by the graphic designer Marcus Kraft, was published in 2006.
  • Spanish-Canadian composer José Evangelista wrote the song cycle "Exercises de style" setting texts from Queneau's titular book in 1997.

See also

  • Georges Perec
  • Miroglyph

References

Further reading

  • Raymond Queneau by Richard Cobb (Clarendon, 1976)
  • Queneau's former website
  • Periodicals, Gallimard
  • Article
  • Université McGill: le roman selon les romanciers (French) Inventory and analysis of Raymond Queneau's essays writings about the novel
  • Letterism papers, 1946–1965. Getty Research Institute. Los Angeles, California