Raymond Otto Stark (October 3, 1915 – January 17, 2004) was an American film producer and talent agent. Stark's background as a literary and theatrical agent prepared him to produce some of the most profitable films of the 1960s, 1970s, 1980s, and 1990s, such as The World of Suzie Wong (1960), West Side Story (1961), The Misfits (1961), Lolita (1962), The Night of the Iguana (1964), Reflections in a Golden Eye (1967), Funny Girl (1968), The Owl and the Pussycat (1970), The Goodbye Girl (1977), The Toy (1982), Annie (1982), and Steel Magnolias (1989).

In addition to his roster of films, Stark formed relationships with various directors and writers throughout his career. Stark made eight films with Herbert Ross, five with John Huston, and three with Sydney Pollack. Additionally, Stark's 18-year partnership with playwright Neil Simon yielded 11 films between the duo, including The Goodbye Girl (1977) and The Sunshine Boys (1975). before many employees start Seven Arts Productions in early 1958.

Seven Arts Productions (with Eliot Hyman)

In 1957 Ray Stark and Eliot Hyman founded Seven Arts Productions, an independent production company that made movies for release by other studios. Stark was head of production, in charge of buying film properties and supervising production, while Hyman was instrumental in forming deals and handling finances. West Side Story, Anatomy of a Murder, By Love Possessed, The Nun’s Story, and Night of the Iguana, were among some of the first works purchased by Stark with Seven Arts. However, Stark chose to produce The World of Suzie Wong first, a lesser-known play outside of Seven Arts.

The World of Suzie Wong, which originally cast the lead from the Broadway production, France Nuyen, went on to star and mark the discovery of Chinese actress Nancy Kwan. Interpersonal complications with France Nuyen interfered with shooting, and Stark replaced her with newcomer Nancy Kwan, who was later nominated for a Golden Globe Best Actress in the role.

Rastar Productions

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In 1966, Stark left Seven Arts to found his own production company, Rastar Productions. Rastar's first production was the film version of Funny Girl, starring Barbra Streisand. The company went on to produce many notable films from the 1970s to the early 2000s, including The Owl and the Pussycat (1970), The Way We Were (1973), Murder By Death (1976), The Goodbye Girl (1977), Seems Like Old Times (1980), Annie (1982), Steel Magnolias (1989), and Harriet the Spy (1996). In 1974, Rastar was acquired by Columbia Pictures, which included all Rastar property including the following Rastar property: Rastar Productions, Rastar Pictures, Rastar Features, and Rastar Television. Ray Stark then founded Rastar Films, later selling that to Columbia Pictures as well in 1980.

Stark's final film (as Rastar Television) was the 2000 TV movie Alley Cats Strike, which was co-produced by Walt Disney Television and aired on Disney Channel. Rastar was closed when Stark himself died in 2004 and all assets were folded into now Columbia Pictures.

Movies with Barbra Streisand

Although stage and film actress Anne Bancroft was the initial choice to play Fanny Brice in Funny Girl (the biopic production based on Stark's iconic mother in-law), Stark felt drawn to Barbra Streisand, an unknown singer and performer on the rise in New York City. After a long courtship with the then unknown, Stark and Jerome Robbins (the production supervisor and director of the Broadway show) decided to cast her as their lead.

After an arduous rehearsal period filled with revisions and rewrites, Funny Girl opened to rave reviews on Broadway and became a critical and commercial success. Stark had the smash hit he'd hoped for, and Streisand emerged as a full-fledged star. For both, it was the beginning of an often stormy relationship that would span four more motion pictures for eleven years. Following the Broadway show, Stark formed Rastar Productions to finance the film version of Funny Girl due to foiled deals with Columbia and Paramount Pictures. After a year of difficult negotiations, Stark signed Streisand to Rastar Productions in a lengthy contract that bound Stark and Streisand to make four more films together: The Owl and the Pussycat (1970), The Way We Were starring Robert Redford, directed by Sydney Pollack (1973), For Pete’s Sake (1974), and Funny Lady (1975).

Stark commissioned an authorized biography of Brice, based on taped recollections she had dictated, but was dissatisfied with the result. He ultimately paid $50,000 to prevent publication of the book, which the author had titled The Fabulous Fanny.

Stark then turned to Ben Hecht to write the screenplay for a biopic, but neither Hecht nor the 10 writers who succeeded him were able to produce a version that satisfied Stark. Finally, Isobel Lennart submitted My Man, which pleased both Stark and Columbia Pictures executives, who offered Stark $400,000 plus a percentage of the gross for the property. for which George Burns won the Oscar for Best Supporting Actor; Murder by Death (1976), featuring an eclectic cast of Eileen Brennan, Truman Capote, James Coco, Peter Falk, Alec Guinness, Elsa Lanchester, David Niven, Peter Sellers, and Maggie Smith; The Goodbye Girl (1977) with Richard Dreyfuss and Marsha Mason, for which Dreyfus won the Academy Award for Best Actor; and California Suite (1978), which won Maggie Smith the Academy Award for Best Supporting Actress. Other Neil Simon/ Rastar collaborations included Seems Like Old Times (1980), with Goldie Hawn and Chevy Chase; The Cheap Detective, starring Peter Falk, and Chapter Two with James Caan and Marsha Mason.

Irving G. Thalberg Memorial Award

In 1980, Stark's body of work was officially recognized when he received the Irving G. Thalberg Memorial Award, an honor given by the Academy of Motion Picture Arts and Sciences for lifetime achievement in film. Presented by Kirk Douglas, whom Stark represented at Famous Artists Agency, Douglas introduced Stark as the unseen "Oz" of Hollywood.

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