Recording
The process of recording only during studio downtime—late evenings or overnight—lasted from April to July 1972. and "Now That I'm Here" (also by May, later reworked into "Feelings, Feelings" for the News of the World sessions). Other unconfirmed songs claimed to have been recorded during these sessions are "Hangman" (alternatively "Waiting for the Hangman" or "Hangman Blues") progressive rock The album's lyrics were reflective of "mystical sword 'n' sorcerers themes" with "medieval landscapes". The band played this song as early as 1970, and it was notable as the band's first song Freddie Mercury played live on the piano. Staffell sang it when it was a Smile song, and Mercury tried to sing in the same manner when it became a Queen song. This song was played at nearly every Queen show from mid-1975 through the end of 1976, and was played occasionally during 1977.
"Great King Rat"
This song, written by Freddie Mercury, The song was written while the band were in the studio, and contains many vocal overdubbed harmonies, which Mercury was fond of. Roger Taylor also displays his high vocal range, hitting the highest notes in the composition. The vocal overdubs technique would later be used in many Queen songs, most notably "Bohemian Rhapsody".
Brian May said that after the lyric "Mother Mercury, look what they've done to me" was written, Mercury claimed he was singing about his own mother. Subsequently, Freddie Bulsara took the stage name Freddie Mercury. This was another attempt to separate him from his stage persona. As Mercury once explained, "When I'm performing I'm an extrovert, yet inside I'm a completely different man."
"My Fairy King" is the first song on the album to feature Mercury's piano skills – as the piano on "Doing All Right" was played by May, who was quite impressed by Mercury's piano playing on the track. From this point on Mercury handled most of Queen's piano parts.
Side two
"Liar"
Originally titled "Lover," the rudiments of this song were written by Freddie Mercury and guitarist Mike Bersin from Mercury's earlier group, Ibex. Queen reworked it, and Mercury took full credit since he had written the lyrics. As mentioned on the transcription on EMI Music Publishing's Off the Record sheet music, this is one of the band's few 1970s tracks to feature a Hammond organ. "Liar" was a staple of early concerts, but its inclusion was intermittent in later years, before returning in a shortened form for The Works Tour. For the Magic Tour, it was shortened to just the opening guitar section as a segue into "Tear It Up".
"The Night Comes Down"
Brian May wrote this song shortly after the band's formation in 1970, following the break-up of Smile. It was first recorded at De Lane Lea Studios in January 1972, when the band were hired to test the studio's new equipment in exchange for being allowed to record proper demos for their attempt to find a label.
In 1972, Trident Studios signed Queen to a recording contract, but limited them to work only during studio down-time. They began working with Roy Thomas Baker who, along with owners/management Norman and Barry Sheffield, insisted on re-recording the five De Lane Lea demos. A new version of "The Night Comes Down" was recorded, but the band were unsatisfied with the results and the original demo was used on the album. With the release of the original De Lane Lea demos as bonus tracks in 2011, the difference in the mix of "The Night Comes Down" is quite noticeable when compared to the original LP and digital remasters. The demo is roughly the same mix that appeared on the album except for a distinct difference in the drum sound.
The song follows what would become trademark May themes such as coming-of-age, nostalgia over the loss of childhood, and the difficulties of adult life. There is also what could be an ambiguous reference to the Beatles song "Lucy in the Sky with Diamonds", in the lyric: "When I was young it came to me; And I could see the sun breaking; Lucy was high and so was I; Dazzling, holding the world inside." May is a Beatles fan and has commented in numerous interviews on their impact on him.
"Modern Times Rock 'n' Roll"
Roger Taylor wrote and sang the song, which was re-recorded on two occasions for the BBC. The first dates from December 1973 and was broadcast on John Peel's show. This version was eventually released on the 1989 Queen album At The Beeb, and sounds similar to the album version. The second re-recording dates from April 1974 and was first broadcast on Bob Harris's show. The later version, only available on bootleg recordings prior to the release of On Air, differs from the original album version in its slower tempo and additional vocals from Mercury.
In the concert versions included in Live at the Rainbow '74, Mercury handled lead vocals.
"Son and Daughter"
"Son and Daughter" was written by Brian May and was the B-side for the single "Keep Yourself Alive". The song was played in the very first concert under the name of Queen in 1970. It was a regular feature in Queen's live set until well into 1976. The song originally housed his famous guitar solo, but the album version does not feature the solo. The solo would not be properly recorded until 1974, with "Brighton Rock" from Sheer Heart Attack. Until this time, and occasionally afterward, the guitar solo would take over the middle of "Son and Daughter" during concerts, allowing the rest of the band a bit of a rest and costume change.
Unlike other songs from Queen's early period which crept back into circulation in the live set of their 1984–86 tours, such as "Liar", "Keep Yourself Alive", "Seven Seas of Rhye" and "In the Lap of the Gods...Revisited", "Son and Daughter" stayed off the setlists after Queen's hit singles began to dominate their live show. The song is indicative of their very earliest sound, influenced by blues rock and heavy metal.
"Jesus"
The lyrics tell part of the story of Jesus of Nazareth. Freddie Mercury, credited with writing the song, was a Parsi Zoroastrian. The track features a two-chord rhythm section during the verses with a long instrumental break toward the end of the song. Because of the effects created by May's Red Special guitar, among other things, many early followers of Queen viewed the band as something of a psychedelic rock band.
"Seven Seas of Rhye"
Mercury had only half-written "Seven Seas of Rhye" when they were recording the first album. They intended to use it as an outro here and start Queen II with the finished version. This idea was later abandoned, but the song would become Queen's first hit single.
Release
Though the album was completed and fully mixed by 1972, Trident Studios spent months trying to get a record company to release it. After eight months of failing that, they took the initiative and released it themselves in a license deal with EMI Records on 13 July 1973. During this time, Queen had begun writing material for their next album, but they were disheartened by the album's delay, feeling they had grown past that stage, even though the record-buying public was just getting wind of them. They recorded two BBC sessions during the interim. The first single, "Keep Yourself Alive" (the Mike Stone mix, now considered the standard album version), was released a week before the album
| rev3 = Classic Rock
| rev3score =
| rev4 = Collector's Guide to Heavy Metal
| rev4Score = 10/10
| rev5 = Encyclopedia of Popular Music
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| rev6 = MusicHound Rock
| rev6Score =
| rev7 = Pitchfork Media
| rev7score = 6.7/10
| rev8 = PopMatters
| rev8score = 7/10
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Rolling Stone wrote, "There's no doubt that this funky, energetic English quartet has all the tools they'll need to lay claim to the Zep's abdicated heavy-metal throne, and beyond that to become a truly influential force in the rock world. Their debut album is superb." The Winnipeg Free Press opined that Queen borrowed from other artists, but also compared the album favourably to Led Zeppelin, writing, "the band manages to inject such a fresh, energetic touch to most of it that I don't mind a bit... With its first album, Queen has produced a driving, high energy set which in time may be looked upon with the same reverence Led Zep 1 now receives." Illinois' Daily Herald also commended the record, writing "Good listening is guaranteed in songs like 'Keep Yourself Alive', 'Great King Rat' and 'Doing All Right'."
In later years, AllMusic awarded the album three out of five stars, calling it a "patchy but promising debut from a classic rock group". The album placed at number 54 in NMEs "100 Greatest Albums You've Never Heard" in 2011. In 2008, Rolling Stone ranked "Keep Yourself Alive" number 31 in the "100 Greatest Guitar Songs of All Time", describing it as "an entire album's worth of riffs crammed into a single song". It has also been cited as heavy metal journalist Martin Popoff's favorite record of all time.
Writing for Classic Rock in 2016, Malcolm Dome ranked Queen as the band's second greatest album. He described it as a "glorious hard rock marathon unlike anything else around at the time", and commented on the "unmistakably unique sound of Brian May's home-made guitar", the "panoramic production of Roy Thomas Baker" and the "soaring voice of Freddie Mercury", adding "the record was just too powerful, too multi-dimensional and too stunning to sit happily and contentedly in the grooves. The performances were all virtuoso."
| length11 = 3:20
| title12 = Keep Yourself Alive
| note12 = Long-lost re-take
| length12 = 4:04
| title13 = Liar
| note13 = 1991 bonus remix by John Luongo and Gary Hellman
| length13 = 6:25
| writer11 = Mercury
| writer12 = May
| writer13 = Mercury
2011 Universal Music reissue
iTunes deluxe edition (2011)
Personnel
Personnel taken from Queen liner notes.
Queen
- Freddie Mercury – vocals, piano
- Brian May – guitar, vocals, piano
- John Deacon (credited as Deacon John) – bass guitar
- Roger Taylor (credited as Roger Meddows-Taylor) – drums, percussion, vocals
Additional personnel
- John Anthony – production
- Roy Thomas Baker – production, engineering
- Queen – production
- Mike Stone – engineering
- Ted Sharpe – engineering
- Dave Hentschel – engineering
- Louie Austin – recording on "The Night Comes Down"
- Douglas Puddifoot – photography, design
- Freddie Mercury – design
- Brian May – design
Note
- The band included the comment "and nobody played synthesiser" on the album sleeve, a purist principle of May's, as some listeners had mistaken their elaborate multi-tracking and effects, produced by guitar and vocals, as synthesisers.
2024 box set reissue
On 11 September 2024, Queen announced their debut album had been remixed, remastered and expanded in a 6CD+1-LP box set titled Queen I Collector's Edition, set to be released on 25 October. This expansion contains 63 tracks with 43 brand new mixes, comprising the album with its intended running order restored, intimate fly-on-the-wall audio of Queen in the studio, alternative takes, demos, rare live tracks, and previously unheard live recordings. This is also the first time a Queen album has received a new stereo mix. A 108-page book containing handwritten lyrics and memorabilia accompanies the release. This will be the band's last reissue under Universal Music, as Sony Music acquired Queen's catalogue in 2024.
The first single of the box set, the 2024 mix of "The Night Comes Down", was released in conjunction with the announcement on 11 September, with an official music video premiering on YouTube on 13 September that year. The music video received mostly negative appraisal from the internet audience due to artificial intelligence used to generate the video. On 11 October, the new mix of "Modern Times Rock 'n' Roll" was released as a digital single. A special re-edited and restored edition of the "Keep Yourself Alive" promo video was released in conjunction with the boxset on 25 October.
The new 2024 mix includes "Mad the Swine", reinstated as the album's fourth song in-between "Great King Rat" and "My Fairy King". Previously unreleased material includes live versions of the song "Jesus", the first time a live version of the song has been heard, and a cover of the Bo Diddley written blues standard "I'm a Man", both from Queen's second ever concert in London at Imperial College on 23 August 1970, also bassist Barry Mitchell's first performance with the band. The box set also includes the first official release of the song "Hangman" in a live version from Queen's concert at the San Diego Sports Arena on 12 March 1976, in one of its final live performances. Queen says a studio version does not exist, but the song was performed live sporadically from 1970 to the Japanese A Night at the Opera tour in 1976.
Track listing
All lead vocals by Freddie Mercury unless noted.
Vinyl
CD
Disc one: Queen I – 2024 Mix
Charts
{| class="wikitable sortable plainrowheaders"
! scope="col"| Chart (1974–1976)
! scope="col"| Peak<br />position
|-
! scope="row"| Australian Albums (Kent Music Report)
| align="center"| 77
|-
!scope="row"|Japanese Albums (Oricon)
| align="center"| 52
|-
|-
|}
{| class="wikitable sortable plainrowheaders" style="text-align:center"
! scope="col"| Chart (2024)
! scope="col"| Peak<br />position
|-
|-
|-
|-
|-
|-
! scope="row"| Hungarian Physical Albums (MAHASZ)
| 10
|-
|-
|-
! scope="row"| Japanese Hot Albums (Billboard Japan)
| 40
|-
|-
! scope="row"| Swedish Physical Albums (Sverigetopplistan)
| 14
|-
|-
|}
Certifications
Notes
References
External links
- Queen official website: Discography: Queen: includes lyrics of all non-bonus tracks
- Early Queen recordings