Peter Bogdanovich (July 30, 1939 – January 6, 2022) was an American director, writer, actor, producer, critic, and film historian. He started out his career as a young actor studying under Stella Adler before working as a film critic for Film Culture and Esquire and finally becoming a prominent filmmaker of the New Hollywood movement. He received accolades including a BAFTA Award and Grammy Award, as well as nominations for two Academy Awards and two Golden Globe Awards.
Bogdanovich worked as a film journalist until he was hired to work on Roger Corman's The Wild Angels (1966). His credited feature film debut came with Targets (1968), before his career breakthrough with the drama The Last Picture Show (1971) which earned him Academy Award nominations for Best Director and Best Adapted Screenplay, and the acclaimed films What's Up, Doc? (1972) and Paper Moon (1973). Other films include Saint Jack (1979), They All Laughed (1981), Mask (1985), Noises Off (1992), The Cat's Meow (2001), and She's Funny That Way (2014).
As an actor, Bogdanovich was known for his roles in the HBO series The Sopranos and Orson Welles' last film, The Other Side of the Wind (2018), which he also helped finish.
Bogdanovich directed documentaries such as Directed by John Ford (1971) and The Great Buster: A Celebration (2018). He received a Grammy Award for Best Music Film for directing Runnin' Down a Dream (2007), a documentary about Tom Petty and the Heartbreakers. He also published numerous books, some of which include in-depth interviews with friends Howard Hawks, Alfred Hitchcock, and Orson Welles. Bogdanovich's works have been cited as important influences by many major filmmakers.
Early life
Peter Bogdanovich () was born in Kingston, New York, the son of Herma (née Robinson) and Borislav Bogdanovich, a pianist and painter. His father was of Serbian descent and his mother was of Austrian Jewish descent. Bogdanovich was fluent in Serbian, having learned it before English. He had an older brother who died in an accident in 1938, at eighteen months of age, after a pot of boiling soup fell on him, though Bogdanovich did not learn about his brother until he was seven and did not know the circumstances of his death until he was an adult. His parents both arrived in the U.S. in May 1939 on visitors' visas, along with his mother's immediate family, three months before the onset of World War II. In 1952, when he was twelve, Bogdanovich began keeping a record of every film he saw on index cards, complete with reviews; he continued to do so until 1970. He saw up to four hundred films a year. He graduated from New York City's Collegiate School in 1957 and studied acting at the Stella Adler Conservatory. Bogdanovich also brought attention to Allan Dwan, a pioneer of American film who had fallen into obscurity by then, in a 1971 retrospective Dwan attended. He also programmed for New Yorker Theater.
In 1966, following the example of Cahiers du Cinéma critics François Truffaut, Jean-Luc Godard, Claude Chabrol, and Éric Rohmer, who had created the Nouvelle Vague ("New Wave") by making their own films, Bogdanovich decided to become a director. Encouraged by director Frank Tashlin, whom he would interview in his book Who the Devil Made It, Bogdanovich headed for Los Angeles with his wife Polly Platt and in so doing, left his rent unpaid.
Intent on breaking into the industry, Bogdanovich would ask publicists for movie premiere and industry party invitations. At one screening, Bogdanovich was viewing a film and director Roger Corman was sitting behind him. The two struck up a conversation when Corman mentioned he liked a cinema piece Bogdanovich wrote for Esquire. Corman offered him a directing job, which Bogdanovich accepted immediately. He worked with Corman on Targets, which starred Boris Karloff, and Voyage to the Planet of Prehistoric Women, under the pseudonym Derek Thomas. Bogdanovich later said of the Corman school of filmmaking, "I went from getting the laundry to directing the picture in three weeks. Altogether, I worked 22 weeks – preproduction, shooting, second unit, cutting, dubbing – I haven't learned as much since."
1970s
Returning to journalism, Bogdanovich struck up a lifelong friendship with Orson Welles while interviewing him on the set of Mike Nichols' Catch-22. Bogdanovich played a major role in reviving Welles and his career with his writings on the actor-director, particularly through his rebuttal, in the pages of Esquire, of Pauline Kael's book The Citizen Kane Book: Raising Kane, a 1971 attack on the centrality of Welles' contribution to the film. (Bogdanovich's book-length interview with Welles, This Is Orson Welles, was not released until 1992.) In the early 1970s, when Welles was having financial problems, Bogdanovich let him stay at his Bel Air mansion for a couple of years.
Much of the inspiration that led Bogdanovich to his cinematic creations came from early viewings of the film Citizen Kane. In an interview with Robert K. Elder, author of The Film That Changed My Life, Bogdanovich explains his appreciation of Orson Welles' work:<blockquote>It's just not like any other movie you know. It's the first modern film: fragmented, not told straight ahead, jumping around. It anticipates everything that's being done now, and which is thought to be so modern. It's all become really decadent now, but it was certainly fresh then.</blockquote>
The 32-year-old Bogdanovich was hailed by critics as a "Wellesian" wunderkind when his best-received film, The Last Picture Show, was released in 1971. The film earned eight Academy Award nominations, including Best Director, and won two statues, for Cloris Leachman and Ben Johnson in the supporting acting categories. Bogdanovich co-wrote the screenplay with Larry McMurtry, and it won the 1971 BAFTA Award for Best Screenplay. Bogdanovich cast the 21-year-old model Cybill Shepherd in a major role in the film and fell in love with her, an affair leading to his divorce from Polly Platt, his longtime artistic collaborator and the mother of his two daughters.
Bogdanovich followed up The Last Picture Show with the screwball comedy What's Up, Doc?, starring Barbra Streisand and Ryan O'Neal. Paramount allowed the directors to make a minimum of twelve films with a budget of $3 million each. It was through this entity that Bogdanovich's Paper Moon was produced.
Paper Moon, a Depression-era comedy starring Ryan O'Neal that won his 10-year-old daughter Tatum O'Neal an Oscar as Best Supporting Actress, proved the high-water mark of Bogdanovich's career. Forced to share the profits with his fellow directors, Bogdanovich became dissatisfied with the arrangement. The Directors Company subsequently produced only two more pictures, Coppola's The Conversation (1974, which was nominated for Best Picture in 1974 alongside The Godfather Part II), and Bogdanovich's Cybill Shepherd vehicle, Daisy Miller, which had a lackluster critical reception and was a disappointment at the box office.
In 1975, he sued Universal for breaching a contract to produce and direct Bugsy. He then took a few years off, then returned to directing with a lower-budgeted film, Saint Jack, which was filmed in Singapore and starred Ben Gazzara in the title role. The film earned critical praise, although was not a box-office hit. The making of this film marked the end of his romantic relationship with Cybill Shepherd.
1980s
Bogdanovich's next film was the romantic comedy They All Laughed which featured Dorothy Stratten, a former model and Playboy Playmate of the Month for August 1979 and Playmate of the Year in 1980, who began a romantic relationship with Bogdanovich. He took over distribution of They All Laughed himself. Bogdanovich later blamed this for his filing for bankruptcy in 1985. He declared he had a monthly income of $75,000 and monthly expenses of $200,000.
Shortly after the film finished shooting, Stratten was murdered by her estranged husband Paul Snider, who then killed himself.
Stratten's murder was highly publicized, with Teresa Carpenter's "Death of a Playmate" article even claiming that she was as much a victim of Bogdanovich and Playboy mogul Hugh Hefner as she was Snider's victim. Shortly after, Hefner accused Bogdanovich of seducing Stratten's younger sister Louise when she was 13. On December 30, 1988, the 49-year-old Bogdanovich married 20-year-old Louise, sparking a tabloid frenzy.
After Stratten's murder, Bogdanovich said he "didn't go out much", but one day got a call from his friend John Cassavetes who asked him to direct Diahnne Abbott in a scene from his film Love Streams to help get him out of the house. Despite Bogdanovich's contribution to the film, which even he himself admitted was minor, Cassavetes tried to get the Directors Guild to give him a shared credit.
Bogdanovich had wanted to make I'll Remember April with Cassavetes and The Lady in the Moon written with Larry McMurtry, but returned to directing officially with Mask, which was released in 1985 to critical acclaim and strong box office returns. The film was released with a song score by Bob Seger against Bogdanovich's wishes (he favored Bruce Springsteen). A director's cut of the film, slightly longer and with Springsteen's songs, was belatedly released on DVD in 2004.
Bogdanovich directed the comedy Illegally Yours in 1988, starring Rob Lowe. Bogdanovich later disowned the film, saying he had "high hopes for it", but that it had been completely re-cut by Dino De Laurentiis, the film's distributor.
1990s
In 1990, Bogdanovich adapted Larry McMurtry's novel Texasville, a sequel to The Last Picture Show, into a film. It is set 32 years after the events of The Last Picture Show, and Jeff Bridges and Cybill Shepherd both reprised their roles as Duane and Jacy. It was a critical and box office disappointment relative to the first film. After the release of Texasville, Bogdanovich revisited The Last Picture Show and produced a modified director's cut for The Criterion Collection which includes seven minutes of previously unseen footage and re-edited scenes.
In 1991, Bogdanovich developed an alternative calendar, titled A Year and a Day: Goddess Engagement Calendar. The calendar consisted of 13 months of 28 days and a bonus day to equal 365 days. Each month was named after a different species of tree. Bogdanovich attributed his inspiration for the calendar to the works of Robert Graves.
Bogdanovich directed two more theatrical films in 1992 and 1993, but neither film recaptured the success of his early career. One, Noises Off, was based on a stage play by Michael Frayn, In 1997, he declared bankruptcy again. Drawing from his encyclopedic knowledge of film history, he wrote several critically lauded books, including Who the Devil Made It, featuring archival interviews that Bogdanovich had held with famous Hollywood directors, and Peter Bogdanovich's Movie of the Week, which offered the lifelong cinephile's commentary on 52 of his favorite films.
In addition to directing some television work, Bogdanovich returned to acting with a recurring guest role on the cable television series The Sopranos, playing Dr. Melfi's psychotherapist, and appeared as himself in the "Robots Versus Wrestlers" episode of How I Met Your Mother. Quentin Tarantino cast Bogdanovich as a disc jockey in Kill Bill: Volume 1 and Kill Bill: Volume 2. "Quentin knows, because he's such a movie buff, that when you hear a disc jockey's voice in my pictures, it's always me, sometimes doing different voices", said Bogdanovich. "So he called me and he said, 'I stole your voice from The Last Picture Show for the rough cut, but I need you to come down and do that voice again for my picture ... '" He hosted The Essentials on Turner Classic Movies, but was replaced in May 2006 by TCM host Robert Osborne and film critic Molly Haskell. Bogdanovich hosted introductions to movies on Criterion Collection DVDs, and had a supporting role in the critically praised mini-series Out of Order.
thumb|Bogdanovich at the [[Castro Theatre, 2008]]
In 2006, Bogdanovich joined forces with ClickStar, where he hosted a classic film channel, Peter Bogdanovich's Golden Age of Movies. Bogdanovich also wrote a blog for the site. In 2003, he appeared in the BBC documentary Easy Riders, Raging Bulls, and in 2006 he appeared in the documentary Wanderlust. The following year, Bogdanovich was presented with an award for outstanding contribution to film preservation by the International Federation of Film Archives (FIAF) at the Toronto International Film Festival.
2010s
In 2010, Bogdanovich joined the directing faculty at the School of Filmmaking at the University of North Carolina School of the Arts. On April 17, 2010, he was awarded the Master of Cinema Award at the 12th Annual RiverRun International Film Festival. In 2011, he was given the Auteur Award by the International Press Academy, which is awarded to filmmakers whose singular vision and unique artistic control over the elements of production give a personal and signature style to their films.
In 2012, Bogdanovich made news with an essay in The Hollywood Reporter, published in the aftermath of the Aurora, Colorado, theater shooting, in which he argued against excessive violence in the movies:
In 2014, Bogdanovich's last narrative film, She's Funny That Way, was released in theaters and on-demand, albeit not in the version that he intended, as 29 minutes were removed from the release. His director's cut, with the original intended title Squirrels to the Nuts, resurfaced in 2020 and was released digitally in 2025. Bogdanovich directed once more with the documentary, The Great Buster: A Celebration in 2018. In 2018, Orson Welles' long-delayed film The Other Side of the Wind, which was filmed in the 1970s and featured a prominent supporting role by Bogdanovich, who had long hoped to complete it, was released by Netflix to critical acclaim.
One of his final hopes was to direct a personal passion project he had worked on since the 1980s titled Wait for Me which Bogdanovich had described as a "ghost picture", the likes of The Ghost Goes West, that was directly inspired by his relationship with Dorothy Stratten. In a July 2015 interview for Entertainment Weekly, Bogdanovich revealed that Brett Ratner was going to produce the film, and that they were currently in the process of attaching actors. The plot, as described by Bogdanovich, would have followed a washed-up Hollywood director/star (someone like Orson Welles or Charlie Chaplin), who is visited by the ghost of his last wife, who was killed six years earlier in a plane crash.
2020s
Bogdanovich collaborated with Turner Classic Movies, and host Ben Mankiewicz, to create a documentary podcast about his life, which premiered in 2020. That same year, a copy of his original cut of She's Funny That Way, originally titled Squirrels to the Nuts, was found on eBay. In the wake of the director's death, the cut was shown at New York's Museum of Modern Art beginning on March 28, 2022.
Weeks before his death, Bogdanovich collaborated with Kim Basinger to create LIT Project 2: Flux, a first of its kind short film made available on the Ethereum blockchain as a non-fungible token. The project was scheduled to be released on January 25, 2022. He also wrote an as-yet unreleased book called Five American Icons featuring long interviews with Arthur Miller, Lauren Bacall, Kirk Douglas, Jack Nicholson and Clint Eastwood, According to Louise Stratten, after they had finished the script, Guillermo del Toro was involved to produce the film at Netflix. Stratten also noted that, prior to his death, Bogdanovich had completed his memoirs, which he wanted to call All I Wanna Do is Direct. Since his death, many directors, actors, and other public figures have paid tribute to him, including Martin Scorsese, Francis Ford Coppola, Jennifer Aniston, Barbra Streisand, Cher, William Friedkin, Guillermo del Toro, James Gunn, Ellen Burstyn, Laura Dern, Joe Dante, Bryan Adams, Ben Stiller, Jeff Bridges, Michael Imperioli, Paul Feig and Viola Davis. Peter Bradshaw of The Guardian described him as "a loving cineaste and fearless genius of cinema." The New York Times described Bogdanovich as "[a genius] of the Hollywood system who, with great success and frustration, worked to transform it in the same era."
His work has been cited as an influence by such filmmakers as Quentin Tarantino, David Fincher, Sofia Coppola, Wes Anderson, Noah Baumbach, Richard Linklater, Edgar Wright, Brett Ratner, M. Night Shyamalan, David O. Russell, James Mangold, Jon Watts, Rian Johnson, and the Safdie brothers.
On September 29, 2022, Louise Stratten announced that she was seeking a publisher for Bogdanovich's memoirs,
Frequent collaborators
Cast
{| class="wikitable unsortable" style="text-align:center;font-size:90%;"
!rowspan=2
! !! !! !! !! !! !! !! !! !! !! !! !! !! !! !! !!
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! Total
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|Earl Poole Ball
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|4
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|Timothy Bottoms
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|2
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|Eileen Brennan
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|4
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|Jeff Bridges
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|2
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|Jeffrey Byron
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|2
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|Colleen Camp
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|3
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|Harry Carey Jr.
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|3
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|Duilio Del Prete
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|2
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|Liam Dunn
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|2
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|Denholm Elliott
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|2
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|Ben Gazzara
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|2
|-
|Burton Gilliam
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|2
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|James Harrell
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|2
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|John Hillerman
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|4
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|Madeline Kahn
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|3
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|Cloris Leachman
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|3
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|Joanna Lumley
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|2
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|Kenneth Mars
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|2
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|Frank Marshall
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|3
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|Micole Mercurio
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|2
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|George Morfogen
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|4
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|Mildred Natwick
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|2
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|Ryan O'Neal
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|3
|-
|Tatum O'Neal
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|3
|-
|Austin Pendleton
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|2
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|Arthur Peterson
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|2
|-
|Burt Reynolds
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|2
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|John Ritter
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|3
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|Cybill Shepherd
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|5
|-
|Randy Quaid
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|4
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|M. Emmet Walsh
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|3
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|Noble Willingham
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|2
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Crew
Cinematographer László Kovács worked with Bogdanovich on several of his films, those of which are Targets, the documentary Directed by John Ford, What's Up, Doc?, Paper Moon, At Long Last Love, Nickelodeon and Mask. Robby Müller however, shot only two films for Bogdanovich, Saint Jack and They All Laughed back-to-back. Editors who have collaborated with Bogdanovich include Verna Fields (What's Up, Doc?, Paper Moon and Daisy Miller), William C. Carruth (Nickelodeon, Saint Jack and They All Laughed) and Richard Fields (Illegally Yours and Texasville). Polly Platt, Bogdanovich's former wife, served as production designer and also as costume designer (uncredited) on Targets, The Last Picture Show, What's Up, Doc? and Paper Moon. Filmmaker Frank Marshall operated in several crew positions throughout Bogdanovich's filmography, such as location manager on The Last Picture Show and What's Up, Doc?, associate producer on Paper Moon and Daisy Miller, and producer on At Long Last Love, Nickelodeon, and Noises Off (also serving as second unit director on the last project).
Filmography
{| class="wikitable"
|- style="background:#b0c4de; text-align:center;"
! Year
! Title
! Distributor
|-
| 1968
| Targets
| Paramount Pictures
|-
| 1971
| The Last Picture Show
| Columbia Pictures
|-
| 1972
| What's Up, Doc?
| Warner Bros.
|-
| 1973
| Paper Moon
| rowspan="2" | Paramount Pictures
|-
| 1974
| Daisy Miller
|-
| 1975
| At Long Last Love
| 20th Century Fox
|-
| 1976
| Nickelodeon
| Columbia Pictures / EMI Films
|-
| 1979
| Saint Jack
| New World Pictures
|-
| 1981
| They All Laughed
| Moon Pictures / PSO
|-
| 1985
| Mask
| Universal Pictures
|-
| 1988
| Illegally Yours
| United Artists / De Laurentiis Entertainment Group
|-
| 1990
| Texasville
| Columbia Pictures
|-
| 1992
| Noises Off
| Buena Vista Pictures Distribution
|-
| 1993
| The Thing Called Love
| Paramount Pictures
|-
| 2001
| The Cat's Meow
| Swipe Films / Lions Gate Films
|-
| 2014
| She's Funny That Way
| Lionsgate Premiere / Wild Bunch
|}
Bibliography
- 1961: The Cinema of Orson Welles. New York: Museum of Modern Art Film Library. .
- 1962: The Cinema of Howard Hawks. New York: Museum of Modern Art Film Library. .
- 1963: The Cinema of Alfred Hitchcock. New York: Museum of Modern Art Film Library. .
- 1967: John Ford. London: Studio Vista. . Expanded edition: Berkeley: University of California, 1978. .
- 1967: Fritz Lang in America. London: Studio Vista. ; New York: Praeger. .
- 1970: Allan Dwan: The Last Pioneer. Inglaterra: Studio Vista. .
- 1973: Pieces of Time. New York: Arbor House. . Expanded edition, 1985: Pieces of Time: Peter Bogdanovich on the Movies, 1961–1985. .
- 1974: Movies: Conversations with Peter Bogdanovich. Editor: Paul McCluskey. New York: Harcourt Brace Jovanovich.
- 1984: The Killing of the Unicorn: Dorothy Stratten 1960–1980. William Morrow and Company. .
- 1991: A Year and a Day Engagement Calendar 1992: A Desk Diary Adapted From the Works of Robert Graves. New York: Overlook Books. .
- 1992: This Is Orson Welles. HarperPerennial. .
- 1995: A Moment with Miss Gish. Santa Barbara: Santa Teresa Press. .
- 1997: Who the Devil Made It: Conversations with Legendary Film Directors. New York: Alfred A. Knopf. .
- 1999: The Best American Movie Writing 1999. Editor. New York: St. Martin's Griffin. .
- 1999: Peter Bogdanovich's Movie of the Week. New York: Ballantine Books. .
- 2004: Who the Hell's in It: Conversations with Hollywood's Legendary Actors. New York: Alfred A. Knopf. .
- 2015: Peter Bogdanovich: Interviews. ed. Peter Tonguette. University Press of Mississippi.
- 2024: All I Wanna Do is Direct: My First Picture Shows 1965–1971. New York: Alfred A. Knopf. (upcoming)
Audio commentaries
Bogdanovich appeared in dozens of film documentaries and featurettes, and recorded many home video audio commentaries for his own films and others.
- M (1931) – with others, and Fritz Lang interview excerpts
- Fury (1936) – with Lang interview excerpts
- Bringing Up Baby (1938)
- The Rules of the Game (1939) – reads; written by film scholar Alexander Sesonske
- Citizen Kane (1941)
- The Lady from Shanghai (1947)
- Wagon Master (1950) – with Harry Carey Jr., and John Ford interview excerpts
- Strangers on a Train (1951) – with others
- Othello (1951) – with Welles scholar Myron Meise
- Clash by Night (1952) – with Lang interview excerpts
- Land of the Pharaohs (1955) – with Howard Hawks interview excerpts
- To Catch a Thief (1955) – with Laurent Bouzereau
- The Searchers (1956)
- The Man Who Shot Liberty Valance (1962) – with John Ford and James Stewart interview excerpts
- El Dorado (1966)
- Targets (1968)
- The Last Picture Show (1971) – one solo, one with others
- What's Up, Doc? (1972)
- Paper Moon (1973)
- Saint Jack (1979)
- Daisy Miller (1974)
- The Killing of a Chinese Bookie (1976) – on selected scenes only
- They All Laughed (1981)
- The Sopranos: "Sentimental Education" (2004)
Awards and nominations
{|class="wikitable unsortable"
|-
!Year
!Award
!Category
!Nominated work
!Result
|-
|rowspan="2"|1972 || rowspan="2"|Academy Awards || Best Director || rowspan="6"|The Last Picture Show ||
|-
|Best Screenplay – Based on Material from Another Medium||
|-
|rowspan="2"|1973 || rowspan="2"|BAFTA Film Awards || Best Direction ||
|-
|Best Screenplay ||
|-
|1972 || Directors Guild of America Awards || Outstanding Directorial Achievement in Motion Pictures||
|-
|1972 || rowspan="2"|Golden Globe Awards || rowspan="2"|Best Director – Motion Picture ||
|-
|1974 || Paper Moon ||
|-
|}
{| class="wikitable"
|+Accolades earned by Bogdanovich's theatrical features
|-
!rowspan="2"|Year
!rowspan="2"|Feature
!colspan="2"|Academy Awards
!colspan="2"|BAFTAs
!colspan="2"|Golden Globes
|-
!Nominations
!Wins
!Nominations
!Wins
!Nominations
!Wins
|-
|1971
|The Last Picture Show
|align=center|8
|align=center|2
|align=center|6
|align=center|3
|align=center|6
|align=center|1
|-
|1972
|What's Up, Doc?
|
|
|
|
|align=center|1
|
|-
|1973
|Paper Moon
|align=center|4
|align=center|1
|
|
|align=center|6
|align=center|1
|-
|1974
|Daisy Miller
|align=center|1
|
|
|
|
|
|-
|1979
|Saint Jack
|
|
|align=center|1
|
|
|
|-
|1985
|Mask
|align=center|1
|align=center|1
|align=center|1
|
|align=center|2
|
|-
!colspan="2"|Total
!13
!4
!8
!3
!15
!2
|}
Directed Academy Award performances<br />Under Bogdanovich's direction, these actors have received Academy Award wins and nominations for their performances in their respective roles.
{| class="wikitable"
|+
!Year
!Performer
!Film
!Result
|-
! colspan="4" |Academy Award for Best Supporting Actor
|-
|rowspan="2" |1971
|Jeff Bridges
|rowspan="2" |The Last Picture Show
|
|-
|Ben Johnson
|
|-
! colspan="4" |Academy Award for Best Supporting Actress
|-
|rowspan="2" |1971
|Ellen Burstyn
|rowspan="2" |The Last Picture Show
|
|-
|Cloris Leachman
|
|-
|rowspan="2" |1973
|Madeline Kahn
|rowspan="2" |Paper Moon
|
|-
|Tatum O'Neal
|
|}
Notes
References
External links
- Peter Bogdanovich at the BFI (archived)
- Peter Bogdanovich at Senses of Cinema
- Peter Bogdanovich at IndieWire (archived)
- The Plot Thickens: "I'm Still Peter Bogdanovich" TCM podcast
- One Handshake Away: Peter Bogdanovich and the Icons of Cinema podcast
- ; jazz album by Bogdanovich and Raymond De Felitta