thumb|Landscape is representative of Henry's style, balancing realism and modernity in reducing the landscape of western Ireland to its essential elements. Features such as the turf stacks and hills are synchronised in a technique influenced by his study with [[James Abbott McNeill Whistler|Whistler.

Biography

thumb|right|250px|Plaque to Paul Henry, University Road, Belfast, which erroneously gives his year of birth as 1877

Henry was born at 61 University Road, Belfast, Ireland, the son of the Rev Robert Mitchell Henry, a Baptist minister (who later joined the Plymouth Brethren), and Kate Ann Berry.

Henry began studying at Methodist College Belfast in 1882 where he first began drawing regularly. At the age of fifteen he moved to the Royal Belfast Academical Institution. He studied art at the Belfast School of Art before going to Paris in 1898 to study at the Académie Julian and at Whistler's Académie Carmen.

He married the painter Grace Henry in 1903 and returned to Ireland in 1910. From then until 1919 he lived on Achill Island, where he learned to capture the peculiar interplay of light and landscape specific to the West of Ireland. In 1919 he moved to Dublin and in 1920, he was one of the founders of the Society of Dublin Painters, originally a group of ten artists. Henry designed several railway posters, some of which, notably Connemara Landscape, achieved considerable sales. He lost his sight during 1945 and did not regain his vision before his death.

Work in collections

  • Model Arts and Niland Gallery, Sligo
  • Crawford Art Gallery, Cork (including Landscape; 1923)
  • Musée du Luxembourg
  • National Gallery of Ireland, Dublin
  • Ulster Museum, Belfast
  • Hunt Museum, Limerick

See also

  • List of Northern Irish artists

References

  • Raymond Keaveney (2002), National Gallery of Ireland: Essential Guide. London: Scala Publishers. .
  • Biographical note on achill247.com