Odinani

Odinani (), also known as Odinala, Omenala, Odinana, and Omenana ( ), is the traditional cultural belief and practice of the Igbo people of South East and South South Nigeria. These terms, as used here in the Igbo language, are synonymous with the traditional Igbo "religious system" which was not considered separate from the social norms of ancient or traditional Igbo societies. Theocratic in nature, spirituality played a huge role in their everyday lives. Although it has largely been syncretised with Catholicism, the indigenous belief system remains in strong effect among the rural, village and diaspora populations of the Igbo. Odinani can be found in Haitian Voodoo, Obeah, Santeria and even Candomblé. Odinani is a pantheistic and polytheistic faith, having a strong central deity at its head. All things spring from this deity. Although a pantheon of other gods and spirits, these being Ala, Amadiọha, Anyanwụ, Ekwensu, Ikenga, exists in the belief system, as it does in many other Traditional African religions, the lesser deities prevalent in Odinani serve as helpers or elements of Chukwu, the central deity.

Lesser spirits known as ágbàrà or árúsí operate below the other gods and higher spirits. These lesser spirits represent natural forces; agbara as a divine force manifests as separate arụsị in the Igbo pantheon. A concept of 'the eye of sun or God' (Anyanwu, ) exists as a masculine and feminine solar deity which forms a part of the solar veneration among the Nri-Igbo in northern Igboland. Arụsị are mediated by Dibia and other priests who do not contact the high god directly. Through áfà, 'divination', the laws and demands of the arụsị are communicated to the living. Arụsị are venerated in community shrines around roadsides and forests while smaller shrines are located in the household for ancestor veneration. Deceased ancestors live in the spirit world where they can be contacted. Below the arụsị are minor and more general spirits known as mmúọ loosely defined by their perceived malevolent or benign natures. These minor spirits are not venerated and are sometimes considered the lost souls of the dead. Ancestor worship and the worship of various gods and spirits, form the main component of the traditional Igbo religion, standing in contrast with Abrahamic religions.

The number of people practicing Igbo religion decreased drastically in the 20th century with the influx of Christian missionaries under the auspices of the British colonial government in Nigeria. In some cases, Igbo traditional religion practice known as ọdịnala was syncretised with Christianity, but in many cases indigenous rites were demonised by Christian missionaries who pointed out the practice of human sacrifice (via the Osu caste system) and some other cultural practices that were illegal under the colonial government. Earlier missionaries referred to many indigenous religious practices as juju. Igbo religion is most present today in harvest ceremonies such as new yam festival (ị́wá jí) and masquerading traditions such as mmanwụ and Ekpe.

Remnants of Igbo religious rites spread among African descendants in the Caribbean and North America in era of the Atlantic slave trade. Igbo ọ́bị̀à was transferred to the British West Indies and Guyana as obeah and aspects of Igbo masquerading traditions can be found among the festivals of the Garifuna people and jonkonnu in the West Indies and North Carolina.

Etymology

Ọdịnala in central Igbo dialect is the compound of the words ọ̀ dị̀ ('located') + n (nà, 'within') + àla (the one god) [consisting of Elu above (the heavens) and Ala, below (the earth)]. Other dialectal variants include ọdịnanị, ọdịnana, omenala, omenana, and omenanị. The word ọdịnala and all its variations is also associated with the culture and customary laws of the Igbo people. Many of the laws and culture were counterparts with religion such as taboos and laws concerning sacred spaces like a deity's sacred forest. Since customary law is recognised in Nigeria, many in Igbo society find themselves syncretising these beliefs with other beliefs and religions.

Beliefs

thumb|alt=Magic lantern Image of the entrance to the cave of the Ibini Ukpabi oracle at [[Arochukwu.|Entrance to the cave of the Ibini Ukpabi oracle at Arochukwu, 1900s]]

Ọdịnala could loosely be described as a polytheistic and panentheistic faith with a strong central spiritual force at its head from which all things are believed to spring; however, the contextual diversity of the system may encompass various theistic perspectives that derive from a variety of beliefs held within the religion. Chukwu as the central deity is classed among the , 'invisible beings', an ontological category of beings which includes Ala the divine feminine earth force, chi the 'personal deity', the ancestors, and the minor spirits. The other ontological category consists of ndi mmadu, 'visible beings', which include ánụ́ animals, ósísí plants, and the final class ùrò which consists of elements, minerals and inanimate beings. While various gods, the spirit class of Arusi, and ancestors are worshiped and prayed to; no sacrifices are given to Chukwu and no shrines and altars are erected for it. Traditional African religions also have elements of fetishism, shamanism and veneration of relics.

Nigerian American professor of indigenous African religions at Harvard University, Jacob Olupona summarized the many traditional African religions as complex animistic religious traditions and beliefs of the African people before the Christian and Islamic "colonization" of Africa. Ancestor veneration has always played a "significant" part in the traditional African cultures and may be considered as central to the African worldview. Ancestors (ancestral ghosts/spirits) are an integral part of reality. The ancestors are generally believed to reside in an ancestral realm (spiritworld), while some believe that the ancestors became equal in power to deities.Olupona rejects the western/Islamic definition of Monotheism and says that such concepts could not reflect the complex African traditions and are too simplistic. While some traditions have a supreme being (next to other deities), others have not. Monotheism does not reflect the multiplicity of ways that the traditional African spirituality has conceived of deities, gods, and spirit beings. In this respect, the concept of chi is analogous to the concept of a guardian angel in Christianity, the daemon in ancient Greek religion, and the genius in ancient Roman religion. Culturally, people are seen as the creators or makers of their own destiny. The breath of life is in the heart, óbì. Chi can be masculine and feminine. A Dibia can identify a person's chi through divination (ájà) and advise adherents of ways to placate it. Éké is one's ancestral guardian spirit but exists at the periphery of human life and remains a mystery to the people. The universe is regarded as a composite of bounded spaces in an overlapping hemispherical structure, the total spaces are referred to as élú nà àlà. The élú nà àlà space is defined by two boundaries: élú ígwé, 'sky's limit' composed of heavenly bodies under the main forces of the 'masculine' sun and 'feminine' moon, and élú àlà, 'earth or lands limit' consisting of the four material elements of fire and air (masculine), and earth and water (feminine). The Nri-Igbo claim the market days to have been introduced to the Igbo by their divine progenitor and king Eri in the 9th century after encountering the days as deities. These Arusi are venerated as the primary or as a major deity under Chineke in parts of Igboland. In terms of hierarchy, some communities recognise èké as the head of these Arusi, while others prioritise órìè and ǹkwọ́ first after the high god.

Justice

Ọfọ and ogụ́ is a law of retributive justice. It vindicates anyone that is wrongly accused of a crime as long as their "hands are clean". It is only a person who is on the righteous side of Ọfọ-na-Ogụ́ that can call its name in prayer, otherwise such a person will face the wrath of Amadiọha (the god of thunder and lightning). Kola nut is used in ceremonies honour Chukwu, chi, Arusi and ancestors and is used as a method of professing innocence when coupled with libations. The Igbo often make clay altars and shrines of their deities which are sometimes anthropomorphic, the most popular example being the wooden statues of Ikenga. Typically, only men are allowed to make representational figures of supernatural forces.

Afterlife and reincarnation

The Igbo traditionally believe in an afterlife in the spirit world or dimension, where the deceased ancestors exist, and may influence the material world and their descendants. Ancestors are protectors and guardians of ones lineage, close friends and heritage, and may become to higher spirits (semi-gods), as in the case of many other traditional religions of the world. Sometimes however, ancestors may reincarnate into families that they were part of while alive. This is called ilọ-uwa. Reincarnation is seldom, but may happen occasionally, if a deceased person cannot enter the spirit world for various reasons or may be absorbed into a new-born if it would die immediately after birth. Unlike in Hinduism, humans can only be reincarnated as humans. Other signs can be certain behaviors, physical traits, and statements by the child. A diviner can help in detecting if the child has reincarnated from an ancestor and may identify this ancestor. It is considered an insult if a male is said to have been reincarnated as a female. An ancestor (or aspects of the ancestor) may be reincarnated in multiple people, in which case the reincarnations share a mortal bond; upon the death of one person, it is believed that the others may die a sudden death if they see the corpse.

Arusi manifest in natural elements and their shrines are usually found in forests in which they are based around specific trees. At shrines, íhú mmúọ́, an object such as a hung piece of cloth or a group of statues, are placed at an Arusi's group of trees to focus worship. Deities are described as 'hot' and often capricious so that much of the public approach shrines cautiously and are advised to avoid them at most times; priests are entrusted in the maintenance of most shrines. Larger clay modelings in honor of an Arusi also exist around forests and rivers. Other Arusi figures may be found in and around peoples' homes and the shrines of Dibia. Much of these are related to personal chi, cults, and ancestral worship. is the feminine earth spirit who is responsible for morality, fertility and the dead ancestors who are stored in the underworld in her womb. Ala is at the head of the Igbo pantheon, maintaining order and carrying out justice against wrongdoers. Ala is the most prominent and worshipped Arusi, Ala is the ground itself, and for this reason taboos and crimes are known as ńsọ́ Ala ('desecration of Ala'), all land is holy as the embodiment of Ala making her the principal legal sanctioning authority.

Amadioha

Amadioha (from ámádí + ọ̀hà, 'free will of the people' in Igbo) is the Arusi of justice, thunder, lightning and the sky. He is referred to as Amadioha in southern Igboland, Kamalu, Kamanu, Kalu among the Aro and other Cross River Igbo people, Igwe among the Isuama Igbo and in northwestern Igboland, and Ofufe in certain parts of Igboland. His governing planet is the Sun. His color is red, and his symbol is a white ram. Metaphysically, Amadioha represents the collective will of the people and he is often associated with Anyanwu. He is the expression of divine justice and wrath against taboos and crimes; in oaths he is sworn by and strikes down those who swear falsely with thunder and lightning. In mbari houses Amadioha is depicted beside Ala as her consort.

Ikenga

thumb|alt=An image of a carved deity named Ikenga, the grey wooden piece has legs, a stylised but simple body, a trinagular head and shallow facial features and two horns around 1/3 its size|A miniature abstract cylindrical Ikenga figure

Ikenga (literally 'place of strength') is an Arusi and a cult figure of the right hand and success found among the northern Igbo people. He is an icon of meditation exclusive to men and owners of the sculpture dedicate and refer to it as their 'right hand' which is considered instrumental to personal power and success. Ikenga is a source of encoded knowledge unraveled through psychological principles. The image of Ikenga comprises someone's chi ('personal god'), his (ancestors), aka Ikenga (right hand), ike (power) as well as spiritual activation through prayer and sacrifice. Igbo cultures value of resourcefulness and individualism in society utilises the concept of Ikenga to regulate the relationship between individuality and family relations and obligations, as well as free will and industriousness balanced with destiny decided persons chi. Ikenga acts as a physical medium to the consciousness and emphasises individual initiative through reflection and meditation. as well as the recounting of old oral stories which depict the character of Ekwensu. Ekwensu was a bringer of violence and possessed people with anger. Ekwensu festivals are held in some Igbo towns where military success is celebrated and wealth is flaunted. Other cult deities exist around Igboland such as Njoku Ji, yam and fire deity overseeing agriculture, Idemili, 'the pillar of water', the female Arusi based in Idemili North and South who holds up the waters, and Mbatuku the 'bringer of wealth' or 'coming in of wealth'.

Okwara-afo: for Nkwerre people in Imo state is god of mercantile activities
Aju-mmiri: sea-goddess in Nkwerre is goddess of prosperity, fertility and general well-being.
Ogbuide: goddess of the water associated with the Oguta people.
Urashi and Enyija: god of the river
Ezenwaanyi/Owummiri: Female Water Spirit, Mermaid, Seductress

Practices

Dibia

thumb|alt=A black and white photo of an Igbo traditional spiritual practitioner known as dibia wearing a cloth alung round the should and sitting cross legged on an outside sand floor, tools of his practice are in front of him including what appear to be animal skins, a small carved image of Ikenga, and a bell. He has a white line of chalk over his eyes and is slightly bowing. In the background is a carved door with intricate lines carved into it, appearing to stick out the ground behind the man.|A dibia from the early 20th century with tools of his practice including bells and a miniature Ikenga figure

Dibia are the mystic mediators between the human world and the spirit world and act as healers, scribes, teachers, diviners and advisors of people in the community. They are usually consulted at the shrine of a communities major deity. Dibia is a compound of the words di ('professional, master, husband') + ọ́bị̀à ('doctoring, sciences'). The dibia or ogba afa, 'interpreter of afa', is considered a master of esoteric knowledge and wisdom and igba afa is a way in which people can find out the cause of such things as misfortunes. The diviner interprets codes from àlà mmuọ the unseen by throwing divination seeds, cowries, and beads, or observing a divination board sometimes called osho which can be used in pronouncing curses on the evil. In this way the diviner is endowed with special sight. it is related the sciences of homeopathic medicine known as ọ́gwụ̀, a practitioner consciously picks to either of these abilities. Agwu can be manifested by other alusi so that there could be images of a divination Ikenga or Ikenga Agwu for instance. In Odinani, it is believed that the dead ancestors are invisible members of the community; their role in the community, in conjunction with Ala, is to protect the community from epidemics and strife such as famine and smallpox. Female ancestors were called upon by matriarchs. At the funeral of a man's father there is a hierarchy in Igbo culture of animals that will be killed and eaten in his honor. Usually this depended on the rarity and price of the animal, so a goat or a sheep were common and relatively cheaper, and therefore carried less prestige, while a cow is considered a great honor, and a horse the most exceptional. Horses cannot be given for women. Horses were more common among the northeastern Igbo due to tsetse fly zone that Igboland is situated in and renders it an unsuitable climate for horses. Horse heads are traditionally decorated and kept in a reliquary and at shrines.

A number of major masking institutions exist around Igboland that honour ancestors and reflect the spirit world in the land of the living. Young women, for example, are incarnated in the society through the àgbọ́ghọ̀ mmúọ́ masking tradition in which mean represent ideal and benevolent spirits of maidens of the spirit world in the form of feminine masks. These masks are performed at festivals at agricultural cycles and at funerals of prominent individuals in the society.

Kola nut

thumb|alt=An image of a kola nut bowl in a museum showcase, it is wooden, round and brown and a small compartment is at the centre with a lid featuring animal faces carved on.|An ókwá ọ́jị̀ bowl in the Chazen Museum of Art, [[Wisconsin]]

Kola nut (, or ) offerings and prayers (, 'kola nut blessing', , 'kola nut breaking') can be performed personally between one and his spirit or in a group in a form of a prayer or chant. The saluter addresses their personal god or chi as well as alusi and their ancestors. After the prayer, the ceremony ends with the saluter sharing pieces of the kola with the group, known as . The kola is supposed to cut by hand, but more recently knives have become acceptable. When the cola has three cotyledons, or parts, it is considered an in some northern communities (going by other names in communities Ikenga does not operate) and is considered a sign of great luck, bravery and nobility. — 'one who brings kola brings life' is a popular saying that points to the auspiciousness of the kola rite.

Folktales

The Igbos have been known to pass down their culture from generation to generation with the use of verbal (largely undocumented) stories. Examples include:

Architecture

Mbari

thumb|alt=An image of modelled figure in an mbari house|Scene in an mbari house, 1904

Among a small area of the Urata-Igbo cultural area, near Owerri, there is a tradition of building votive monument houses called ḿbàrí primarily dedicated to the ágbàrà Àlà specific to the community and sometimes other community deities. The name joins the word ḿbà ('nation, town, society') + rí ('eat') in reference to the 'festival of life' held after its completion. These votive shrines are typically designed with four columns and a central volt, around the columns are modelled deities, spirits, and depictions of human life, the entire building built out of clay from termite mounds symbolically named jí ('yam') by the initiated spirit workers called ńdí m̀gbè. Ndi mgbe are secluded from the community for a couple of months during the rites of building the mbari to a deity. Mbari are requested by a deity who the diviner tells the community feels neglected and cannot feel pride in the face of other deities in the spirit world. A string of unusual and unfortunate events befalling the community is linked to the aggrieved deity. An mbari is commissioned and artists are chosen. After the completion of the mbari the spirit workers are reincorporated into the community and a feast is held for the opening of the mbari house where elders and the community come to exhibit the critique the expensive mbari. The mbari house is not a source of worship and is left to dilapidate, being reabsorbed by nature in symbolic sense related to Ala.

Uto pyramids

Before the twentieth century, circular stepped pyramids were built in reverence of Ala at the town of Nsude in northern Igboland. In total ten clay/mud pyramidal structures were still existing in 1935. The base section of a pyramid was in circumference and in height. The next stack was in circumference. Circular stacks continued, till it reached the top. The structures were temples for the god Ala/Uto who was believed to live at the top. A stick was placed at the top to represent the god's residence. The structures were laid in groups of five parallel to each other. Because it was built of clay/mud like the Deffufa of Nubia, time has taken its toll requiring periodic reconstruction.