Neon Ballroom is the third studio album by Australian rock band Silverchair, released in March 1999 by record labels Murmur and Epic. The songs "Anthem for the Year 2000", "Ana's Song (Open Fire)" and "Miss You Love" were released as singles and a short film was released for the song "Emotion Sickness". Neon Ballroom debuted at No. 1 on the Australian albums chart and peaked at No. 50 on the US Billboard 200 chart. It was also their most successful album on the UK Albums Chart, where it peaked at No. 29. The album was nominated for 10 ARIA Awards and was certified Triple Platinum by the ARIA for selling over 210,000 copies in Australia. The album has been described as "heavy rock with orchestral flourishes and synthetic touches with powerfully emotional lyrics" that reflects the personal demons of frontman Daniel Johns due to the band's rapid international success.
Background, writing and recording
From May 1998, Silverchair worked on their third studio album, Neon Ballroom, with Nick Launay (Midnight Oil, Models, The Birthday Party) producing again. The band had originally intended to take a 12-month-break after the release of 1997's Freak Show, but instead chose to devote their time to making new music.
In 1999, Johns announced that he had developed the eating disorder, anorexia nervosa, due to anxiety. In June 2004, he revealed that his eating problems developed from the time of Freak Show and when Neon Ballroom was written he "hated music, really everything about it", but felt that he "couldn't stop doing it; I felt like a slave to it." Johns sought therapy and medication but felt "It's easier for me to express it through music and lyrics".
In June 1999, drummer Ben Gillies said about the writing process, "In our year off, [Johns] turned into a hermit, we didn't see him that much. Me and Chris were keeping normal hours, and surfing and hanging out with mates. I didn't really think about the writing, I was just thinking about having a good time. I did have a hand in two songs, though "Spawn Again" which was actually for the movie Spawn, and "Trash" which is kind of heavy, a fast, punky one, but it didn't make the album, I am going to try and be more involved with the writing on the next album. This time I was just lapping up the great atmosphere here in Newcastle."
"Spawn Again" dates back to 1996 and was originally considered for the band's Freak Show album. It was recorded under the original title "Spawn" when demoing tracks for Neon Ballroom and included, in a remixed form by hip-hop group Vitro on the 1997 soundtrack to the film Spawn, adding various electronic elements to the track. A "Pre-Vitro" mix of the same recording was also released on the Neon Ballroom Limited Edition bonus disc, Volume 1 in 2000, and the Rarities 1994–1999 compilation in 2002. The Neon Ballroom album version of the song is a complete re-recording, re-titled "Spawn Again", featuring additional lyrics, specifically an entire verse adding to the animal liberation narrative. The album recording of "Anthem for the Year 2000" is a different mix on the Australian release than the one found on other releases (including singles). "Satin Sheets" was originally called "Punk Song #3" (and was a contender for Freak Show) and "Paint Pastel Princess" was "All the Same to Me".
Johns wrote all the songs on the album except "Spawn Again" which he co-wrote with Gillies.
Release
Neon Ballroom was released on 8 March 1999 on Sony Records imprint Murmur. The album debuted at number 1 on the ARIA Albums Chart, and was certified 4× platinum by ARIA. It was also certified Gold in the United States. Neon Ballroom outsold Freak Show in North America and throughout the world. To date it has sold a total of 2 million albums worldwide. The album charted in Canada, where it peaked at No. 5. It reached the top 40 on the United Kingdom Albums Chart.
The album has also been issued in gatefold cover vinyl, limited edition cassette and 180-gram vinyl in 2010, as well as in a double pack with Freak Show. On initial release in the UK, Neon Ballroom was issued as a limited edition with a bonus enhanced CD (see track listing).
Neon Ballroom provided three Australian top 20 singles: "Anthem for the Year 2000", "Ana's Song (Open Fire)" and "Miss You Love"; a fourth single, "Paint Pastel Princess", did not reach the top 50. A vinyl version of the album was limited to 5,000 copies worldwide. In Europe and South America it became the group's most successful album to date. Rolling Stone<nowiki>'</nowiki>s Neva Chonin attributed their chart success to the album's more "mature" sound.
After the release of Neon Ballroom, Silverchair's three-album contract with Sony Music ended. The group eventually signed with Atlantic Records for North and South America, and formed their own label, Eleven: A Music Company (distributed by EMI), with their manager, John Watson for Australia and Asia.
Neon Ballroom was certified gold by the RIAA on 12 October 1999.
Critical reception
Electric Music Online, who gave it a score of 91%, wrote a highly positive review of the album, and picked "Satin Sheets" and "Miss You Love" as the record's best songs.
Australian rock music historian Ian McFarlane said "as well as being the band's best album to date, it was universally acknowledged as one of the best albums of the year."
In July 2011, music website Concrete Playground ranked Neon Ballroom the 27th best Australian album. In September 2018, Australian radio station Double J ranked the album number 7 on its ranking of "The 50 Best Australian Albums of the '90s".
In January 2019, American online magazine Loudwire included Neon Ballroom on their "15 Best Hard Rock Albums of 1999". In April 2019, Loudwire listed two songs from the album, "Anthem for the Year 2000" and "Ana's Song (Open Fire)", on its "50 Rock Songs That Defined 1999".
In May 2019, David James Young of Australian website Junkee wrote that Silverchair "rarely felt more alive than on Neon Ballroom" and that "it's not the sound of a band aping its heroes — it's the sound of a band shedding its skin; an ugly but nonetheless necessary process of evolution". Young also complimented Silverchair's use of an orchestra on the album, as it "feels vital to these moments on the record, adding further dramatic tension to a record that's already thriving off of it." About the mixed reception it received from some critics, Young wrote: "With 20 years of hindsight, however — not to mention eight full years of Silverchair being spoken of in the past tense — there's a chance for those that may not have understood exactly where Neon Ballroom was coming from to reevaluate it under a new light. Consider that, when a lot of the criticisms were made about Neon Ballroom, it was from the viewpoint of being the most recent studio album for a still-active band."
In July 2020, British magazine Kerrang! listed Neon Ballroom at number 32 on their list of "The 50 Best Albums from 1999".
Touring
Silverchair added an auxiliary keyboardist, Sam Holloway (ex-Cordrazine), for the Neon Ballroom Tour.
Following the tour, the band announced that they would be taking a 12-month-break. On 21 January 2001, the band played to 250,000 people at Rock in Rio, a show they described as the highlight of their career.
Track listing
Release history
- 8 March 1999 – Australia
- 16 March 1999 – North America
Charts
Weekly
{| class="wikitable sortable plainrowheaders" style="text-align:center;"
!Chart (1999)
!Peak <br />position
|-
|-
|-
|-
|-
!scope="row"|European Albums (European Top 100 Albums)
| 31
|-
|-
|-
|-
|-
|-
|-
|-
|-
|}
Year-end charts
{|class="wikitable plainrowheaders" style="text-align:center;"
|-
!scope="column"|Chart (1999)
!scope="column"|Position
|-
! scope="row"|Australian Albums (ARIA)
|16
|-
!scope="row"|Canadian Albums (RPM)
|55
|-
! scope="row"| German Albums (Offizielle Top 100)
| 78
|-
! scope="row"| New Zealand Albums (RMNZ)
| 29
|-
!scope="row"|US Billboard 200
|197
|}
Certifications
Personnel
;Silverchair
- Daniel Johns – vocals, guitar
- Chris Joannou – bass
- Ben Gillies – drums
;Additional personnel
- David Helfgott – piano (track 1)
- Larry Muhoberac – piano arrangement (track 1)
- Robert Woolf – piano (track 5)
- Chris Abrahams – piano (track 8)
- Jane Rosenson – harp (track 8)
- Sweep (Johns' dog) – guest vocal (track 12)
- Paul Mac – keyboards (tracks 2, 4, 10, 12)
- Jim Moginie – keyboards (tracks 2, 3, 5, 6, 7, 9, 11)
- Jane Scarpantoni – cello, string arrangements
- John Harding, Fiona Ziegler, Carl Pini, Alexandra d'Elia, Leoni Ziegler, Emma Hayes, Georges Lentz – violin
- Leah Jennings – cello
- George Torbay – conductor (track 2)
;Technical personnel
- Nick Launay – production
- Kevin Shirley – mixing (tracks 2, 5)
References
;Sources
- Note: Archived [on-line] copy has limited functionality.