The National Museum of Women in the Arts (NMWA), located in Washington, D.C., is "the first museum in the world solely dedicated" to championing women through the arts. NMWA was incorporated in 1981 by Wallace and Wilhelmina Holladay. Since opening in 1987, the museum has acquired a collection of more than 6,000 works by more than 1,000 artists, ranging from the 16th century to today. The collection includes works by Mary Cassatt, Alma Woodsey Thomas, Élisabeth Louise Vigée-LeBrun, and Amy Sherald. NMWA also holds the only painting by Frida Kahlo in Washington, D.C., Self-Portrait Dedicated to Leon Trotsky.

The museum occupies the old Masonic Temple, a building listed on the U.S. National Register of Historic Places. In 2021 the museum temporarily closed to undergo a $66 million transformative renovation. The museum reopened to the public on October 21, 2023.

History

The museum was founded to reform traditional histories of art. It is dedicated to discovering and making known women artists who have been overlooked, erased, or unacknowledged, and assuring the place of women in contemporary art. The museum's founder, Wilhelmina Cole Holladay, and her husband Wallace F. Holladay began collecting art in the 1960s, just as scholars were beginning to discuss the under-representation of women in museum collections and major art exhibitions.

Impressed by a 17th-century Flemish still life painting by Clara Peeters that they saw in Europe, they sought out information on Peeters and found that the definitive art history texts referenced neither her nor any other woman artist. They became committed to collecting artwork by women and eventually to creating a museum and research center.

To underscore its commitment to increasing the attention given to women in all disciplines, NMWA commissioned Pulitzer Prize-winning composer Ellen Taaffe Zwilich to write Concerto for Two Pianos and Orchestra inspired by five paintings from the permanent collection, for an opening concert. As of 2022, Director Susan Fisher Sterling heads a staff of more than 50 people. The building was the headquarters of the Grand Lodge of the District of Columbia. It replaced an older building constructed in 1870 at 9th and F streets (which was still standing). Initially drafted by architect Waddy B. Wood, the main building was completed in 1908 in an effort to bring the City Beautiful movement to Washington, D.C. Wood was recognized as being especially supportive of women architects during his lifetime. The lot that was known as "Seven Oaks" was bought for $115,000 in 1899. As the building was originally designed, the upper floors were reserved for Masonic rites, the middle floors were office space, and an auditorium on the first floor was meant to be rented out as a source of income. From 1941 until 1983, the auditorium was used as a public movie theater. When it opened, the museum had over 500 pieces in its permanent collection. The permanent collection was housed on the third floor, while rotating temporary exhibits took up the second floor.

In 1994, the museum bought a site at 1220 New York Avenue Northwest for an expansion. The Elisabeth A. Kasser Wing, named for an art patron whose children donated funds for the expansion, The annex consisted of two new galleries, a larger museum shop, and a reception room. Key improvements include enlarged gallery space, a new destination for researchers and education programs, enhanced amenities and accessibility for visitors as well as infrastructure and storage upgrades to improve the long-term conservation and security of the museum's collection. The project involved adding of gallery space, a learning center, and a renovated fifth-story performance space. It is variously cited as having cost $67.5 million

Wilhelmina Cole Holladay

Wilhelmina Cole Holladay (1922–2021) was the founder and chair of the Board of the National Museum of Women in the Arts. Holladay sought to promote women's accomplishments in founding the museum. The installation (from April 28, 2010 to October 30, 2011) of de Saint Phalle's iconic pop art works was meant as a contrast to the traditional sculpture that graces the streets and squares of Washington. All five major median strips were made into "sculpture islands," as described by National Museum of Women in the Art's director Susan Fisher Sterling. Another inspiration for the project came from the lack of innovative contemporary art in Washington, encouraging the evolution of the area. The works remained up for one year.

From March 8, 2012 to April 27, 2014, for the next New York Avenue Sculpture Project Chakaia Booker created four sculptures from “recycled tires that are cut, shaped and folded, then woven into dynamic, highly textured sculptures.”

The next New York Avenue Sculpture Project was created by Magdalena Abakanowicz and was on display from September 27, 2014 to September 27, 2015.  The works were “monumentally-scaled sculptures of grouped human figures and birds in flight exemplify issues universal to humankind: the power of nature, the force of destruction and the resiliency of hope.”

The most recent New York Ave Sculpture Project was created by Betsabeé Romero and was on display from September 28, 2018 to May 2, 2021.  For the four sculptures she “assembled carved and painted tires into totemic structures that speak to themes of human migration and the natural environment.”

Collection

<gallery mode="packed" heights="200">

File:Lavinia Fontana - Ritratto di nobildonna (ca. 1580).jpg|Portrait of a Noblewoman (1580), Lavinia Fontana

File:Judith Leyster The Concert.jpg|The Concert (1631), Judith Leyster

File:Still Life with Basket of Fruit, Vase with Carnations, and Shells on a Table.jpg|Still Life with Basket of Fruit, Vase with Carnations, and Shells on a Table (1652), Giovanna Garzoni

File:Sirani Virgin and Child.jpg|Virgin and Child (1663), Elisabetta Sirani

File:Angelica Kauffman - Cumaean Sibyl after Domenichino (c.1763)FXD.jpg|Cumaean Sibyl (1763), Angelica Kauffman

File:Elisabeth Vigée-Lebrun - Portrait of a young boy (1817).jpg|Portrait of a young boy (1817), Élisabeth Vigée Le Brun

File:After the Storm by Sarah Bernhardt.jpg|After the Storm (1876), Sarah Bernhardt

File:The Cage by Berthe Morisot.jpg|The Cage (1885), Berthe Morisot

File:La Petite Modèle.jpg|The Little Model (1915–1920), Gwen John

File:La Poupée abandonnée, par Suzanne Valadon.jpg|The Abandoned Doll (1921), Suzanne Valadon

</gallery>

thumb|Two paintings of [[Lavinia Fontana exhibited at the NMWA: Portrait of Costanza Alidosi and Marriage Portrait of a Bolognese Noblewoman.]]

The collection currently contains more than 4,500 works in a variety of styles and media, spanning from the 16th century to present day. Among the earliest works is Lavinia Fontana’s Portrait of a Noblewoman, ca. 1580. There are also a number of special collections, including 18th-century botanical prints, works by British and Irish women silversmiths from the 17th–19th centuries, and more than 1,000 unique and limited edition artists’ books.

Nearly 1,000 artists are represented, including Magdalena Abakanowicz, Lynda Benglis, Rosa Bonheur, Chakaia Booker, Louise Bourgeois, Lola Alvarez Bravo, Rosalba Carriera, Mary Cassatt, Elizabeth Catlett, Judy Chicago, Camille Claudel, Louisa Courtauld, Petah Coyne, Louise Dahl-Wolfe, Elaine de Kooning, Lesley Dill, Helen Frankenthaler, Sonia Gechtoff, Marguerite Gérard, Nan Goldin, Nancy Graves, Grace Hartigan, Frida Kahlo, Angelica Kauffman, Käthe Kollwitz, Lee Krasner, Justine Kurland, Bettye Lane, Marie Laurencin, Hung Liu, Judith Leyster, Maria Martinez, Maria Sibylla Merian, Evelyn Metzger, Joan Mitchell, Gabriele Münter, Elizabeth Murray, Alice Neel, Louise Nevelson, Sarah Miriam Peale, Clara Peeters, Lilla Cabot Perry, Jaune Quick-to-See Smith, Mary Troby, Rachel Ruysch, Elisabetta Sirani, Joan Snyder, Lilly Martin Spencer, Alma Thomas, Suzanne Valadon, Amy Sherald, and Élisabeth-Louise Vigée-Le Brun.

Betty Boyd Dettre Library and Research Center

The Betty Boyd Dettre Library and Research Center (LRC) provides researchers with information about women visual artists from all time periods and nationalities. It is open to scholars, students, researchers, curators, museum professionals, and the general public. The LRC collection includes 18,500 volumes of books and exhibition catalogues, 50 periodical titles, and research files on 18,000 individual women artists. These files include resumes, correspondence, reproductions, articles, and other ephemeral materials. The Arts and Entertainment Network Media Library holds approximately 500 videos, DVDs, audio tapes, and other audiovisual materials, including examples of video art, interviews with women artists, documentaries, and films directed by women.

Also available to researchers are The Nelleke Nix and Marianne Huber Collection: The Frida Kahlo Papers consists of more than 360 unpublished letters, postcards, notes, clippings, printed matter, and drawings relating to the artist's life and work. The LRC also holds artist Judy Chicago's visual archives.

In spring 2007, the LRC launched "Clara: Database of Women Artists," a user-friendly searchable interface for biographic information on close to 18,000 historic and contemporary women artists from around the world. Since integrated within the NMWA website, Clara has been decommissioned and is in the process of being moved.

Exhibitions

Beginning in 1987 with American Women Artists, 1830–1930, NMWA has presented more than 200 exhibitions, including:

  • Women Artists from Antwerp to Amsterdam, 1600-1750 (09/26/2025-01/11/2026), curated by Virginia Treanor and Frederica Van Dam
  • Sonya Clark: Tatter, Bristle, and Mend (3/3/2021–6/27/2021)
  • Judy Chicago—The End: A Meditation on Death and Extinction (9/19/2019–1/20/2020)
  • Rodarte (11/10/2018–2/10/2019)
  • Women House (3/9/2018–5/28/2018)
  • Magnetic Fields: Expanding American Abstraction, 1960s to Today (10/13/2017–1/21/2018)
  • She Who Tells a Story: Women Photographers from Iran and the Arab World (4/8/2016–7/31/2016)
  • Picturing Mary: Woman, Mother, Idea (12/5/2014–4/12/2015)
  • Royalists to Romantics: Women Artists from the Louvre, Versailles, and Other French National Collections (2/24/2012–7/29/2012)
  • Women Who Rock: Vision, Passion, Power (9/7/2012–1/6/2013)
  • Loïs Mailou Jones: A Life in Vibrant Color (10/9/2010–1/9/2011)
  • WACK! Art and the Feminist Revolution (9/21/2007–12/16/2007)
  • Dreaming Their Way: Australian Aboriginal Women (6/30/2006–9/24/2006)
  • An Imperial Collection: Women Artists from the State Hermitage Museum (2/14/ 2003 – 6/18/2003)
  • Places of Their Own: Emily Carr, Georgia O'Keeffe, and Frida Kahlo (2/8/2002–5/12/2002)
  • Julie Taymor: Playing With Fire (11/16/2000–2/4/2001)
  • The Magic of Remedios Varo (2/10/2000–5/29/2000)
  • Women to Watch (ongoing)

The Women to Watch exhibition series is a collaboration between NMWA and its national and international committees. These exhibitions, which take place every few years, feature artists from the committees' regions and focus on a specific medium or theme chosen by NMWA's curators.

Murals

In 2020 and again in 2022, NMWA commissioned artists to paint murals on plywood covering the museum's facade while it was under construction.

  • Lookout: MISS CHELOVE, Artist: Miss Chelove (Cita Sadeli), (3/15/2022-9/15/2022)
  • Unnamed mural, Artist: Trap Bob (Tenbeete Solomon), (2020)
  • Unnamed mural, Artist: Quest Skinner, (2020)

Public programs

thumb|400px|Wikipedia edit-a-thon held at the museum in 2014

The museum presents public programs including hands-on workshops, artist conversations, gallery talks, art history lectures, and tours. NMWA offers arts-integration teacher training through its Art, Books, and Creativity (ABC) curriculum.

The museum's Women, Arts, and Social Change (WASC) initiative aims to facilitate conversations about social and political issues affecting women. The initiative's Fresh Talk series invites the public to converse with women in the arts as well as other fields.

Outreach committees

The museum created its network of national and international committees in 1984. As of 2022, there are 28 outreach committees with over 3,000 members in the United States and around the world. Admission is free to all on the first Sunday and second Wednesday of every month. The museum shop shares the same hours as the museum.

See also

  • New Hall Art Collection
  • Women artists
  • Susanna Barker
  • Elizabeth Muns

References

  • Official website
  • Virtual tour of the National Museum of Women in the Arts provided by Google Arts & Culture
  • List of NMWA exhibits 1987-2025