Nahum Tate ( ; 1652 – 30 July 1715) was an Anglo-Irish poet, hymnist, and lyricist, who became Poet Laureate in 1692. Tate is best known for The History of King Lear, his 1681 adaptation of Shakespeare's King Lear, and for his libretto for Henry Purcell's opera, Dido and Aeneas. He also wrote the lyrics to a Christmas carol, "While shepherds watched their flocks".

Life

Nahum Tate was born in Dublin and came from a family of Puritan clerics. He was the son of Faithful Teate, an Irish cleric whose father, also Faithful, had been rector of Castleterra, Ballyhaise, until his house was burnt and his family attacked during the Irish Rebellion of 1641.

After living at the provost's lodgings in Trinity College Dublin, Faithful Teate moved to England. He was the incumbent at East Greenwich around 1650, and "preacher of the gospel" at Sudbury from 1654 to 1658. He had returned to Dublin by 1660. He published a poem on the Trinity entitled Ter Tria, as well as some sermons, two of which he dedicated to Oliver and Henry Cromwell.

Nahum Teate followed his father to Trinity College Dublin in 1668, and graduated BM in 1672. By 1676, he had moved to London and was writing for a living. The following year, he had adopted the spelling "Tate", which would remain until his death. He died within the precincts of the Mint, Southwark, where he had taken refuge from his creditors, on 30 July 1715

Works

thumb|upright=.7|Title page of [[The History of King Lear|Tate's version of King Lear]]

Tate published a volume of poems in London in 1677, and became a regular writer for the stage. Brutus of Alba, or The Enchanted Lovers (1678), a tragedy dealing with Dido and Aeneas, was dedicated to Charles Sackville, 6th Earl of Dorset; Although Joseph Addison protested at this mutilation of Shakespeare, Samuel Johnson defended the poetic justice of Tate's adaptation.

Tate wrote the libretto for Henry Purcell's opera Dido and Aeneas; its first known performance was in 1689. He also wrote the text for Purcell's Birthday Ode Come Ye Sons of Art in 1694. Tate also translated Syphilis sive Morbus Gallicus, Girolamo Fracastoro's Latin pastoral poem on the subject of the disease of syphilis, into English heroic couplets.

Tate's name is connected with New Version of the Psalms of David (1696), for which he collaborated with Nicholas Brady. Some items such as "As pants the hart" (Psalm 42) rise above the general level, and are said to be Tate's work. Musical interludes were sung by cast members during the act breaks, accompanied by a harpsichord in the orchestra pit. In the summer of 2021, the Tate version of King Lear was performed by the NY Classical Theatre in four New York City outdoor locations.

Notes

References

  • Selected Writings of the Laureate Dunces, Nahum Tate (Laureate 1692–1715), Laurence Eusden (1718–1730), and Colley Cibber (1730–1757) (Studies in British Literature, V. 40): Peter Heaney, editor.
  • Dobson, Michael. The Making of the National Poet: Shakespeare, Adaptation, and Authorship, 1660-1769. Oxford: The Clarendon Press (1992).
  • Lynch, Jack (2007). Becoming Shakespeare: The Strange Afterlife That Turned a Provincial Playwright into the Bard. New York: Walker & Co.
  • Nahum Tate at the Eighteenth-Century Poetry Archive (ECPA)
  • Nahum Tate at The Literary Encyclopedia
  • Tate's King Lear, 1749 edition at Internet Archive
  • Dido's Lament – Research leading to a narrative account of how Nahum Tate contributed to Henry Purcell's opera Dido and Aeneas.