Music (Madonna album)

Music is the eighth studio album by American singer Madonna, released on September 18, 2000, by Maverick and Warner Bros. Records. Following the success of her previous album Ray of Light (1998), Madonna found herself in a music scene increasingly influenced by a younger generation of singers such as Britney Spears and Christina Aguilera. This led her to seek a distinctive sound that would set her apart in the evolving musical landscape. Her collaborations with Mirwais Ahmadzaï and William Orbit resulted in a more experimental direction for the album. Music incorporates many different genres into its overall dance-pop and electronica vibe, taking influences from funk, house, techno, rock, country, folk and R&B. With the album embracing a western motif, Madonna reimagined her image in the role of a cowgirl.

Music received acclaim from music critics, with many comparing its production to Ray of Light. The album earned a total of five Grammy Award nominations, winning one for Best Recording Package at the 43rd ceremony. The record was a commercial success, selling four million copies in its first ten days of release. Music also topped the album charts in Australia, Austria, Canada, the Czech Republic, Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Norway, Poland, Scotland, Slovakia, Sweden, Switzerland, Taiwan, the United Kingdom, and the United States. It additionally became the 19th best-selling album of 2001, and received multi-platinum certifications in Argentina, Australia, Belgium, Canada, Denmark, France, Germany, the Netherlands, New Zealand, Spain, Switzerland, the United Kingdom, and the United States. As of 2008, Music has sold more than 11 million copies worldwide.

To promote Music, Madonna embarked on a small promotional tour, consisting of televised performances at occasions such as the 2000 MTV Europe Music Awards and the 43rd Grammy Awards, and with two free concerts at Roseland Ballroom and Brixton Academy limited to contest winners. It was also supported by the Drowned World Tour in the following year, her first concert tour after eight years; the tour visited North America and Europe, grossing over US$75 million and making it the highest-grossing tour by a solo act of the year and fourth overall.

Three official singles were released from the album. The title track was the lead single, topping the charts in 25 countries worldwide and becoming Madonna's 12th and most recent number-one hit on the US Billboard Hot 100. It was followed by the top-five single "Don't Tell Me" and "What It Feels Like for a Girl", which reached the top 10 in several countries worldwide. "Impressive Instant" was released as a promotional single in the United States, topping the Dance Club Songs chart. "Amazing" was also briefly released as a promotional single in selected countries before being withdrawn shortly afterward. Retrospectively, Music has been recognized by music journalists for anticipating a number of musical trends, such as electro-house, vocal manipulation, lyrical gibberish, chopped-up acoustics, and the adoption of cowboy kitsch.

Background and development

In 1998, Madonna released her seventh studio album Ray of Light to critical and commercial success, winning four Grammy Awards at the 41st edition of the ceremony, including Best Pop Album. The Next Best Thing was released in March 2000, receiving unfavorable reviews from critics. As part of the film's soundtrack, she recorded a cover version of Don McLean's "American Pie" (1971) at the request of her co-star Rupert Everett, which garnered mixed reactions from critics and the public. However, it became a commercial success worldwide, topping the charts in several countries throughout Europe. The song also became her ninth number-one single in the United Kingdom, extending her record of most chart-topping singles by a female artist in the region. Despite not being released commercially in the United States, it was also a radio success, reaching number 29 on the Billboard Hot 100 chart. The success of "American Pie" increased the public's anticipation for Madonna's next album at the time.

Shortly after releasing "American Pie", Madonna announced she was pregnant with her son Rocco, from her relationship with director Guy Ritchie. Wanting to distract herself from the media frenzy surrounding this news, Madonna concentrated on the development of her eighth studio album, entitled Music. Buoyed by the commercial success of her previous album, she was keen on returning to the studio to record new music. Madonna was well disposed toward producer William Orbit, with whom she collaborated with on Ray of Light, but by 2000, his production and sound had become ubiquitous. Moreover, the music industry became increasingly influenced by a new generation of artists such as Britney Spears and Christina Aguilera. At the same time, contemporaries of Madonna's own generation, including Prince and Janet Jackson, were seeing a decline in their record sales, prompting Madonna to seek a distinctive sound in the music market. She was then introduced to French DJ and producer Mirwais Ahmadzaï. Madonna instantly liked his pitch-shifting, pulverizing rhythms and his use of acid bass in his songs. Ahmadzaï, known for his inclination toward musical innovation, felt inspired to collaborate with Madonna in a way that would achieve her greatest potential.

Writing and recording

Recording sessions for Music began in September 1999 at Sarm West Studios in Notting Hill, London, where she had recently moved, and were almost completed by January 2000. Madonna first began collaborating with Orbit. During his sessions with Madonna, he invited DJ Sasha to work on music for possible inclusion on the album, as they were "looking for a trancey sound". Orbit commented that the material was "a little edgier" and a follow-up "without standing still" to her previous album, and elaborated, "It's almost like we started off with a lot of slow ballad songs and she's started to kind of chuck 'em out in favor of more edgy tracks. The album is getting more kind of fast, very European sounding, very English and French sounding, naturally, 'cause everybody working on it apart from her is English or French. Pretty exciting, actually". After some recording sessions with Orbit, she felt she needed a different sound for her project and scrapped most of the material recorded up to that point. The singer revealed that they had composed nine songs and thought that they were too similar to those of her previous record, prompting her to "throw out everything and start over again." Upon hearing the tape, Madonna believed that his sound was exactly what she was seeking for her next record. Within three weeks, they met at Sarm West to begin work on the album. Madonna had long considered competition between her producers a way to get the best out of them, but Orbit later revealed that he was not at all offended with her change of mind, "as long as she uses good people. And I love what Mirwais has done." The producer felt free to work freely but within her limits, as he thought it was important to respect the artist's work ethic. According to Ahmadzaï, there were no plans at the beginning of the sessions, with Madonna only asking for something more extreme and rough. The first song they worked on was "Impressive Instant", since it was almost complete on the demo that he had sent to Madonna. The singer also wanted to sing "Paradise (Not for Me)", another track present on the demo; however, Ahmadzaï wanted it for his own album, prompting him to make slightly different versions for both records. Within the first ten days, they had recorded the backing vocals and acoustic guitars on a Sony 48-track and transferred it to a Logic Audio workstation, using the converters of TC Electronic Finalizer. Feeling that their ideas for the tracks would be difficult to create in Sarm West, Ahmadzaï wanted to return to Paris and work there alone on his own computer. She chose one of two sketches he had sent her, which was almost finished but was still kept unpolished so that Madonna could continue writing on top of it.

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Sonically, Music is predominantly a pop, dance-pop, and electronica album, with influences from a wide array of genres such as funk, house, techno, rock, country, folk, and R&B. She described the composition of Music as "funky, electronic music blended with futuristic folk", complete with "jangly guitars and moody melancholic lines". Shaad D'Souza of Pitchfork viewed the record as "an album designed to unite the disparate tastes of America and Europe, to act as a bridge between teen pop and sophisti-pop, the mainstream and the underground." For D'Souza, unlike her previous or future records, the album has no concept and relies on spontaneity. Its production features a dry sound, with heavy usage of equalization, which creates contrast within the vocal track, continuing until the first chorus. The primary hook, "Music makes the people come together, yeah / Music makes the bourgeoisie and the rebel", was deemed as having political implications, with Madonna apparently renouncing the bourgeoisie. Lyrically, the track deals with love at first sight; in it, Madonna affirms, "You're the one that I've been waiting for / I don't even know your name". It also references being seduced and losing control of oneself ("And my world is spinning; spinning, baby, out of control") with comparisons to various cosmic and celestial phenomena, in lines such as "Cosmic systems intertwine / Astral bodies drip like wine / All of nature ebbs and flows", but ultimately returns to the subject of dance. The fifth song, "Amazing", was released as a special single in Mexico only. It opens with a music-box-like combination of keyboards and strings as Madonna tells a tale of love and desire that she cannot get rid of. On the sixth track, "Nobody's Perfect", an apologetic Madonna confesses that maybe she has been unfaithful to someone, but at the same time, she recognizes that "nobody is perfect". Lyrically, Madonna urges her lover to stop controlling her actions and feelings, while conjuring up unnatural, Western-inspired imagery through the lyrics, such as "Tell the bed not to lay / Like the open mouth of a grave, yeah / Not to stare up at me / Like a calf down on its knees" and "Take the black off a crow / But don’t tell me I have to go". The feminist "What It Feels Like for a Girl" begins with Gainsbourg's monologue from the film The Cement Garden, in which a female voice opines "Girls can wear jeans and cut their hair short, because it’s okay to be a boy. But for a boy to look like a girl is degrading, because you think that being a girl is degrading. But secretly, you’d love to know what it’s like, wouldn’t you? What it feels like for a girl." This is followed by percussion, a rhythm section supported by string pads, and the chord sequence which highlights the melody. The ambient production has a number of sounds floating in and out of the track, long echos and vocals being pulled back.

The following track, "Paradise (Not for Me)", is a ballad which finds the singer "trampled and sad". It begins with the juxtaposition of a marimba and a child-like half-whispered voice, and from time to time Madonna's vocals are joined by an android. She also sings the second verse in French. "Gone", the final track on the American and Canadian versions of the album, continues the depressed mood of the previous tracks, featuring a "schizophrenic future-folk" production, contrasting acoustic guitars with electronic elements. Some international editions of Music include "American Pie" from The Next Best Thing soundtrack as a bonus track; the production combines futuristic electro-pop elements with rock from the 1970s. Madonna's co-star, actor Rupert Everett also provided backing vocals.

Artwork and release

The album artwork for Music was taken from an April 10–13, 2000 photo shoot by French fashion photographer Jean Baptiste Mondino at Smashbox Studios in Los Angeles. Madonna and Mondino had collaborated several times previously and Mondino would also go on to direct the music video for Don't Tell Me. The original concept of a cowboy-inspired aesthetic for the album was suggested by Mondino, who was commissioned to photograph the artwork. Although initially reluctant with the idea, Madonna loved the final result and was inspired to use the style as a basis for the album's design and visuals. Styling for the photo shoot was handled by Arianne Phillips, who had taken inspiration from Rodeo Girl, a photography book by Lisa Eisner and had the idea to style vintage Western clothing and cowboy hats with rhinestone-embellished cowboy shirts, jeans and high heels. The visuals and typographical style paid homage to the iconography of the American West, celebrating Americana culture while simultaneously satirizing it. Santiago Fouz-Hernández, author of Madonna's Drowned Worlds: New Approaches to Her Subcultural Transformations, described the visual as "a complete celebration of camp" and an evocation of Judy Garland. Madonna's cyber-cowgirl image would eventually become one of her most recognized reinventions. The album's packaging and design were created by Kevin Reagan.

thumb|A [[cowgirl hat and pink shades, two of the various promotional items produced to support the album's release.|alt=Image depicting a pink cowboy hat with a gold M amid two small gold stars. In front of the hat, pink sunglasses also appear.]]

On August 22, 2000, a month before the album's official release, all tracks from Music were leaked online through Napster. Maverick and Warner Bros. Records first published the album on September 18, 2000, in regions including Australia, Japan, and the United Kingdom, containing two bonus tracks, "American Pie" and "Cyber-raga", in the first two countries. It was released a day later in the United States. Additionally, the international version included "American Pie" as a bonus track, a decision Madonna later regretted, explaining it was "something a certain record company executive twisted my arm into doing". As a result, it was not added as a bonus track in the United States and Canada. The edition released in Mexico contains the bonus tracks the Spanish version of "What It Feels Like for a Girl", titled "Lo Que Siente la Mujer", and a remix of the song by Above & Beyond. In order to celebrate the album's release, she held a release party at dance emporium Catch One in Los Angeles, on September 20, 2000. The £1.4 million party was attended by 600 selected guests who received special invitations. The invitations were sent out in white leather boxes, lined with black fur. A gold necklace was inside with letters spelling out the album's title, and only those wearing the necklaces would be allowed into the club. More than a dozen strippers were in attendance as a reference to the music video for "Music". She sported a five-carat diamond ring Ritchie gave her for her birthday, and a black T-shirt that read "Snatch Coming Soon" promoting Ritchie's film, while he promoted Madonna's album wearing a T-shirt with the word Music emblazoned on it. Among those who attended the party were Sheryl Crow, Gwen Stefani, Guy Oseary, and George Clinton, who arrived with Macy Gray in a horse-drawn carriage. Ritchie was initially denied access into the VIP lounge by a security guard who did not know who he was, and reportedly got into a shoving match with him.

Promotion

Live performances

thumb|left|upright|Madonna and her dancers perform second single "[[Don't Tell Me (Madonna song)|Don't Tell Me" dressed as cowboys on one of the concerts of 2001's Drowned World Tour.|alt=Image of a blond woman dressed in cowboy gear. She's surrounded by several people in similar clothes.]]

Following the album's release, Madonna embarked on a promotional tour and appeared on several television shows to publicize the album. She gave an interview and performed "Don't Tell Me" on The Late Show with David Letterman on November 3, 2000, marking her first appearance on the show since her controversial appearance in 1994. She then traveled to Europe to further promote the album. The singer performed "Don't Tell Me" on German game show Wetten, dass..? on November 11, 2000. At the MTV Europe Music Awards 2000, Madonna performed "Music" on November 16, in Stockholm, Sweden. After being introduced by Ali G as "Maradona", she performed the song wearing a T-shirt with the name of Australian singer Kylie Minogue printed on it. She later performed "Don't Tell Me" and "Music" on British television program Top of The Pops, in an appearance aired on November 17. One week later, the singer performed the same songs live on French television program Nulle Part Ailleurs. Madonna additionally performed "Don't Tell Me" on Carràmba! Che fortuna in Italy, on December 2, 2000, hosted by Raffaella Carrà.

On February 21, 2001, she performed "Music" at the 43rd ceremony of the Grammy Awards. During the performance, the stage was equipped with five large video screens that displayed images from various moments from her career. Madonna entered onto the stage in a classic Cadillac driven by rapper Bow Wow. The singer emerged from the back seat of the car in a full-length fur coat and a hat, quickly removing the clothes to reveal a tight leather jacket and jeans. She removed her jacket to reveal a black tank top with the words "Material Girl" printed on it, a reference to her 1984 single.

Madonna also held two small promotional concerts to promote Music. The first was on November 5, 2000, at Roseland Ballroom in New York; it was a free concert for an audience of 3,000 people, exclusively for contest winners and select celebrities. Songs performed included "Impressive Instant", "Runaway Lover", "Don't Tell Me", "What It Feels Like for a Girl", and "Music". For the performance, she wore a T-shirt with "Britney Spears" written on it. The second concert was held at Brixton Academy in London, on November 29, 2000. It was broadcast via the internet through MSN's website to an estimated record-breaking 9 million viewers across the world. The setlist was the same from the Roseland Ballroom concert, with "Holiday" (1983) being added to the setlist. For the London concert, Madonna's T-shirt displayed the names of her children Rocco on the front, and Lola on the back. Another concert was planned to take place in Paris, but it did not happen.

Concert tour

To promote Music and Ray of Light, Madonna embarked on the Drowned World Tour, her fifth concert tour. Originally planned to start in 1999, it was pushed back to 2001 and was her first tour since The Girlie Show (1993). When Madonna decided to go on tour, she was met with time constraints and had only three months to prepare the show. Jamie King served as the creative director and the choreographer of the show. The concert was divided into different thematic acts: Rock 'n' Roll Punk Girl, Geisha Girl, Cyber Cowgirl, and Spanish Girl/Ghetto Girl, with each act representing a phase of Madonna's career. The tour received positive reviews and was a commercial success; with a gross of US$75 million, it was the year's highest-grossing tour by a solo artist and fourth overall. Drowned World was nominated for Major Tour of the Year and Most Creative Stage Production at the 2001 Pollstar awards, but lost them to U2. The concert was broadcast live on HBO from The Palace of Auburn Hills in Auburn Hills, Michigan on August 26, 2001. On November 13, it was released on home video under the title Drowned World Tour 2001.

Singles

thumb|Released as lead single, title track "[[Music (Madonna song)|Music" became Madonna's 12th number one on the US Billboard Hot 100. In the image, the artist sings the track on 2015-2016's Rebel Heart Tour.|alt=Image of a 1920s-inspired musical performance, with a blond woman in the middle wearing 1920s outfits surrounded by several people dressed similarly]]

"Music" was made available commercially as the lead single from the album on August 21, 2000. It had previously been leaked on internet platforms such as Napster, leading Madonna's team to respond with a statement threatening to take legal measures against them. It has been praised by contemporary critics. The single achieved international success by topping the charts in 25 countries worldwide. It became Madonna's 12th number-one single on the US Billboard Hot 100, making her tie the Supremes as the fifth artist with most Hot 100 number-ones. In the United Kingdom, "Music" also reached at number one on the UK Singles Chart, with the singer becoming the first solo female artist to collect ten number-one singles.

"Don't Tell Me" was released to radios in the United States on November 28, 2000, as the second single from the album, while "Music" was slowly descending on the charts. It reached number four on the Hot 100 chart, tying Madonna with the Beatles as the artist with the second-most top-ten singles in the chart history. In 2015, Billboard ranked "Don't Tell Me" at number 26 on their list of "Madonna's 40 Biggest Hits" on the Hot 100. The song topped the music charts in Canada, Italy, and New Zealand, while attaining top-ten positions on the charts in a number of European nations. In 2005, the song was placed at number 285 on Blender magazine's The 500 Greatest Songs Since You Were Born.

"What It Feels Like for a Girl" was released to North American contemporary hit radios as the third and final single from the album, on April 6, 2001. It received positive commentary from contemporary critics. However, "What It Feels Like for a Girl" attained the top-ten in several other countries worldwide. The music video, directed by Guy Ritchie, portrays Madonna as an angry woman on a crime spree. Reviewers criticized the video for being overly violent and graphic, and was banned from most North American and European video stations, receiving only early hours play.

"Impressive Instant" was released as a promotional single with remixes commissioned by Peter Rauhofer. It was not released commercially and was not promoted to radio, therefore it did not appear on any sales or airplay charts of Billboard. It went to number one on the Dance Club Songs chart where it stayed for two weeks, becoming Madonna's 27th number-one song on the chart. However, due to a lack of consensus, no additional singles were released.

Critical reception

Music received acclaim from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 80, based on 16 reviews, indicating "generally favorable reviews". Alex Pappademas from Spin said that the album is "a much-needed breath of fresh VapoRub", and noted that it is "the first Madonna record in years that feels as effortless as the dance-pop of her Ciccone youth".

Gary Crossing of Dotmusic described Music as "generally an upbeat dancey album which finds Madonna still ahead of the game sixteen years into her career". John Hand of the BBC News said that the melancholic tone of Ray of Light had been replaced by "real energy and a renewed sense of fun" on Music, and wrote that "the production may be breathtaking thanks to Orbit and Mirwais but at the centre of it all is Madonna, resolutely doing it her way". Classifying it as Madonna's first "headphones album", Blenders Tony Power also observed that it was "more playful and less pompous than Ray of Light." In a review for Rolling Stone, Barry Walters also compared Music to Ray of Light, stating that the former was a rough and improvised version of the latter, but lauded that Madonna had chosen to make a more "instinctive" record than her previous endeavors.

Michael Hubbard of MusicOMH stated that Orbit's work on the album was "rather too similar" to some tracks on Ray of Light, but complimented Madonna for coming back "with something else that proves she's still the best out there". In a review for Slant Magazine, Sal Cinquemani criticized Madonna's collaborations with Orbit, calling them repetitive and uninteresting, despite being catchy; he also felt the record seemed "more like a collection of songs than a cohesive album". David Browne was less enthusiastic in Entertainment Weekly, calling it "her most patchwork record since the Sean Penn years" and "frustratingly inconsistent", which "feels like a collection of sounds – clever, intriguing ones, to be sure – that seek to compensate for ordinary melodies and Madonna's stoic delivery." The Guardians Garry Mulholland dismissed it as "screamingly, amusingly, hypnotically naff [...] the sound of a bunch of middle-aged trend-watchers second-guessing what today's kids go for." The album set a record in Warner Music Group as the biggest album shipment in the company, with three million copies worldwide in its first week of release. It debuted at number one in 23 countries. Overall, the record was the 19th best-selling album of 2001 worldwide, selling 4.1 million copies.

Music debuted at number one on the US Billboard 200 with over 420,000 copies sold in its first week, becoming the first Madonna album to top the chart in more than a decade since Like a Prayer (1989). The album was certified triple platinum by the Recording Industry Association of America (RIAA) on November 21, 2005. It spent 41 weeks on the chart and was eventually certified triple platinum by the Australian Recording Industry Association (ARIA). The album was also highlighted by ARIA as one of the biggest releases in their year-end report of 2000. In New Zealand, Music also debuted at number two on October 8, 2000, only behind Robbie Williams' Sing When You're Winning; it charted for 33 weeks and was certified two times platinum by Recorded Music NZ (RMNZ).

In Europe, Music topped the European Top 100 Albums chart, selling two million units in its first 10 days, for which she broke records according to Billboards Paul Sexton. It ended as one of the highest certified albums in Europe by the International Federation of the Phonographic Industry (IFPI), being certified five times platinum. and was certified five times platinum by the British Phonographic Industry (BPI). The album was later certified two times platinum by the IFPI Danmark for sales of 100,000 units. it ended as the best-selling foreign album of 2000 in the country.

Legacy

Tom Breihan from Stereogum wrote that Music anticipated "a lot of things", and while Madonna did not invent any of them, they were "absent from mainstream pop music around the turn of the millennium". In his review, he added examples such as "thudding big-room" electro-house, "aggressive" vocal manipulation, "ecstatic" lyrical meaninglessness, acoustic guitars chopped up and refracted into unrecognizable shapes, joyous hedonism, robot voices, and the embrace of cowboy kitsch. Writing for the Grammy Awards' official website, Zel McCarthy called the album "a reminder of a less complicated time and a blueprint for our future", noting that Madonna could be analog and digital, acoustic or electronic. He particularly praised "Impressive Instant", describing it like "nothing anyone had heard before—20 years later, it still does." On the album's 20th anniversary, Joe Lynch of Billboard referred to it as "a key piece of 21st century dancefloor canon". He noted that the album was conceived during a period when American music was divided by musical genres, as well as during a time when the industry was ruled by newer artists who were adopting teen pop and urban-style oriented music.

After the release of its title track, Billboards Silvio Pietroluongo called "a move that could be considered either unusual or genius" about the decision of release various formats, maxi-CD and vinyl one week cassette and CD the next. It was described as a "phenomenal week at retail" and helped push "Music" to the number one at the Billboard Hot 100, giving Madonna her best one-week sales total of the Nielsen SoundScan era for a single at that time with 62,000 units. Pietroluongo remarked that "I'm finding it quite difficult to think of another maxi-CD that has scanned that many units in a week". In 2002, Madonna received one more nomination for "Don't Tell Me" in the category of Best Short Form Music Video. the International Pop Album of the Year at the Hungarian Music Awards, and the International Album of the Year at the NRJ Music Awards in 2001.

Music was voted the 16th and 18th best record of 2001 in the Pazz & Jop and Dean's List, both annual polls published by The Village Voice. Spin also named the record the 18th best album of 2000. On NMEs list of the 50 best albums of 2000, the album was ranked at number 47. Three editors of Billboard also chose Music in their top five of best-of albums of 2000. It was also featured in a number of the best albums of the decade; Slant Magazine included the album on their list of "The Best Albums of the Aughts" at number 31, while it was included at WFPK's 500 Albums of the 2000s at number 223. In 2003, the album was listed at number 452 on Rolling Stones The 500 Greatest Albums of All Time. It was Madonna's fourth album on the list, the most among female artists. In 2005, Music was featured in the book 1001 Albums You Must Hear Before You Die.

Track listing

Notes

"What It Feels Like for a Girl" contained a spoken word sample by actress Charlotte Gainsbourg from the 1993 British film The Cement Garden.
The Mexican edition includes the bonus tracks "Lo Que Siente La Mujer" (What It Feels Like for a Girl), and "What It Feels Like for a Girl" (Above & Beyond Club Radio Edit).

Personnel

Credits adapted from the album's liner notes.

Musicians

Madonna – vocals, guitar
Steve Sidelnyk – drums
Guy Sigsworth – guitar, keyboard, programming
William Orbit – keyboard, guitar, programming, backing vocals
Mirwais Ahmadzaï – guitar, keyboard, programming
Sean Spuehler – programming
Michel Colombier – string arrangement

Technical

Madonna – production
William Orbit – production
Guy Sigsworth – production
Mirwais Ahmadzaï – production
Mark "Spike" Stent – production ; mixing
Jake Davies – engineering
Mark Endert – engineering
Geoff Foster – engineering, string engineer
Sean Spuehler – engineering
Tim Lambert – engineering assistance
Chris Ribando – engineering assistance
Dan Vickers – engineering assistance
Tim Young – mastering

Artwork

Kevin Reagan – art direction, design
Matthew Lindauer – design
Jean-Baptiste Mondino – photography

Charts

Weekly charts

{| class="wikitable sortable plainrowheaders" style="text-align:center;"

|+Weekly chart performance for Music

! scope="col"| Chart (2000)

! scope="col"| Peak<br />position

!scope="row"|Argentine Albums (CAPIF)

|1

!scope="row"|Australian Dance Albums (ARIA)

<!--

!scope="row"|Brazilian Albums (ABPD)

|1 -->

<!--

!scope="row"|Chilean Albums (IFPI)

| 1

!scope="row"|Danish Albums (Hitlisten)

| 1

!scope="row"|European Albums (Billboard)

| 1

!scope="row"|Greek Albums (IFPI)

| 1

<!--

!scope="row"|Hong Kong Albums (IFPI)

| 7

<!--

!scope="row"|Mexican Albums (AMPROFON)

| 1

!scope="row"|Slovak Albums (IFPI)

| style="text-align:center;"|1

<!--

!scope="row"|Slovenian Albums (IFPI)

<!--

!scope="row"|Thai Albums (IFPI)

| 1

Year-end charts

{| class="wikitable sortable plainrowheaders" style="text-align:center;"

|+2000 year-end chart performance for Music

!Chart (2000)

!Position

!scope="row"| Australian Albums (ARIA)

| 23

!scope="row"| Austrian Albums (Ö3 Austria)

| 16

!scope="row"| Belgian Albums (Ultratop Flanders)

| 22

!scope="row"| Belgian Albums (Ultratop Wallonia)

| 20

! scope="row"|Canadian Albums (Nielsen SoundScan)

|28

!scope="row"| Danish Albums (Hitlisten)

| 5

!scope="row"| Dutch Albums (Album Top 100)

| 18

!scope="row"| European Top 100 Albums (Music & Media)

| 12

!scope="row"| Finnish Foreign Albums (Suomen virallinen lista)

| 55

!scope="row"| French Albums (SNEP)

| 13

!scope="row"| German Albums (Offizielle Top 100)

| 13

!scope="row"|Italian Albums (FIMI)

| 12

!scope="row"|Norwegian Spring Albums (VG-lista)

| 8

!scope="row"|Norwegian Christmas Albums (VG-lista)

| 19

!scope="row"|Swedish Albums & Compilations (Sverigetopplistan)

| 12

!scope="row"| Swiss Albums (Schweizer Hitparade)

| 8

!scope="row"| UK Albums (OCC)

| 10

!scope="row"| US Billboard 200

| 64

{| class="wikitable sortable plainrowheaders" style="text-align:center;"

|+2001 year-end chart performance for Music

!Chart (2001)

!Position

!scope="row"| Australian Albums (ARIA)

| 23

!scope="row"|Australian Dance (ARIA)

| 3

!scope="row"| Austrian Albums (Ö3 Austria)

| 32

!scope="row"| Belgian Albums (Ultratop Flanders)

| 36

!scope="row"| Belgian Albums (Ultratop Wallonia)

| 34

!scope="row"|Canadian Albums (Nielsen SoundScan)

| 83

! scope="row"| Danish Albums (Hitlisten)

| 53

!scope="row"| Dutch Albums (Album Top 100)

| 43

!scope="row"| European Top 100 Albums (Music & Media)

| 10

!scope="row"| French Albums (SNEP)

| 37

!scope="row"| German Albums (Offizielle Top 100)

| 20

! scope="row"| Hungarian Albums (MAHASZ)

| 125

!scope="row"|Italian Albums (FIMI)

| 48

!scope="row"|Norwegian Winter Albums (VG-lista)

| 6

!scope="row"|Spanish Albums (AFYVE)

|32

!scope="row"| Swiss Albums (Schweizer Hitparade)

| 20

!scope="row"| UK Albums (OCC)

| 41

!scope="row"| US Billboard 200

| 49

!scope="row"| Worldwide (IFPI)

|19

Decade-end charts

{| class="wikitable sortable plainrowheaders" style="text-align:center;"

|+2000s-end chart performance for Music

!Chart (2000–2009)

!Position

!scope="row"| UK Albums (OCC)

| 54

!scope="row"|US Billboard 200

| 159

All-time charts

{| class="wikitable sortable plainrowheaders" style="text-align:center;"

|+21st century chart performance for Music

! scope="col"| Chart (2000–2020)

! scope="col"| Position

!scope="row"|UK Albums (OCC)<br />

| 27

Background and development

Writing and recording

Artwork and release

Promotion

Live performances

Concert tour

Singles

Critical reception

Legacy

Track listing

Personnel

Musicians

Technical

Artwork

Charts

Weekly charts

Year-end charts

Decade-end charts

All-time charts

Certifications and sales