Mullapudi Venkata Ramana (28 June 1931 – 24 February 2011) was an Indian writer known for his work in Telugu language. Noted for his humorous and metaphorical style of writing, Mullapudi received Raghupathi Venkaiah Award from the Government of Andhra Pradesh in 1986 for his contributions to Telugu cinema and he also won six Nandi Awards.

Mullapudi is noted for his association with Bapu, who both worked together as Bapu–Ramana. The director–writer duo went onto make many successful films such as Bangaru Pichika (1968), Andala Ramudu (1973), Sampoorna Ramayanam (1973), Mutyala Muggu (1975), Pelli Pustakam (1993), Mister Pellam (1995), and Radha Gopalam (2005). He is also an essayist and cartoonist who is known for creating Budugu, a character considered as a corner stone for Telugu children's literature.

Early life

Mullapudi Venkata Ramana was born in middle-class traditional family and his childhood mostly spent in a tiny village called Dowleswaram near Rajahmundry, Andhra Pradesh. Mullapudi had one elder sister and a younger brother. It was a happy family with no troubles until his father expired when Mullapudi was 9 years old. This turned their status upside down and they shifted to Chennai (called Madras in those days) for better opportunities. Mullapudi's mother Mrs. Adilakshmi took all the pains to raise the family in such situation. Mullapudi's education and career happened in Madras. During his study days, he had shown penchant for literature in Telugu and inclination in writing up short, effective storylines.

During the same period, he got a friend, 'Bapu'. Their friendship was mutually expanding capacities as Mullapudi did write-ups whereas Bapu painted and did caricature drawing. Later in their lives, they worked together on a number of Telugu films.

Katha Ramaneeyam' Part-1 having around 40 stories off 8 chapters each of them representing one of Navarasams (Nine emotions each human has). Some of them were made Films later viz. Seetha Kalyanam, Bhogimanta, Swayamvaram etc..

Katha Ramaneeyam' Part-2 having about 45 stories some of which representing Indian middle-class' tryst with life in hilarious way. While others pointing out the superstitions in our society, treatment of underprivileged in society which are definitely thought provoking.

Runanandalahiri is representation of average Indians, leading life in the times of inflation, joblessness, less privileged society and their tryst with their lives' problems. Mullapudi himself suffered such upsets in his life and even frank enough that some characters inspired from his own sufferings but dealt with in a humorous way.

Career

After completing SSLC in Madras, Mullapudi had to do many odd jobs before starting as a reporter for then-popular newspaper Andhra Patrika in 1953. Here he got the opportunity to interact with eminent writers of Telugu literature like Nanduri Ramamohana Rao, Pilaka Ganapati Sastri, Surampudi Seetaram etc. who were working for the same newspaper.

Sri. Mullapudi was first working for the "Daily" section of the newspaper and then shifted to "Weekly" section. While working here, his stories for children in the name of 'Budugu' (lil kid) were published and became very popular. He authored these stories to present the views of the little kids off their elders in the family. These stories are humorous, informative, knowledgeable to children and at the same time helping the elderly to know the thought process of their kids. Later, these stories were published in the form of a book, which was well received.

While writing for the "Cinema Page" section in the paper, Mullapudi's short and crisp writing helped him to gain popularity for his film reviews. That was the same time when he got introduced to film industry and befriended the famous stars of film fraternity. He got introduced to some great directors of those times, Adurthi SubbaRao and Dundi, who encouraged him to work for films. RakthaSambandam was his first break as a writer; since then he never lagged in his progress as story, screenplay, dialogue writer.

Films

Mullapudi's writing talent highlighted with his movie reviews and stories he wrote for films. Some of the initial films for story, screenplay dialogue Velugu needalu, Kanney manasulu were runaway hits, that has kept Mullapudi in good stead. Mooga manasulu, Bharya Bharthalu, Velugu Needalu and Teney manasulu have firmly established him as story writer. Some of these films had ANR (Akkineni NageswarRao) in the lead and their association brought their talent to the fore.

Soon, he became sought after film story writer and gave up his journalist job at Andhra Patrika. He partnered with his childhood friend Bapu and co-produced their first film Sakshi featuring actor Krishna which got accolades for its storyline and direction.

Bhakta Kannappa (great disciple of 'Lord Siva') with actor Krishnam Raju, who was till then doing villain roles, was a commercial success. However, the milestone in his career is Sampoorna Ramayanam (1971), featuring Shoban Babu as Lord Rama, was a commercial success.

Association with Bapu

Mullapudi's association with Bapu has a 60-year career plan. They first met in 1942 in P.S. High School, Madras where they studied V and VI level and then continued schooling at Kesari High School. Mullapudi's first short story "Amma Maata Vinakapothe" was published in 1945 in Bala, a children's magazine published by Radio Annayya (Nyayapathi Raghava Rao). He was 14 then. Bapu illustrated the story. His paintings were liked and that was the beginning of their long-standing association.

While Bapu achieved much of his fame sticking to a subtle style of artistic elegance, Mullapudi announced his entry through a bunch of talkative characters, who try to make no sense out of the sensible world around them, because of their askew point of view. Beginning as an illustrator-story writer team and then turning into a film-director-writer duo, they have contributed immensely to the enrichment of Telugu cultural ethos through literature and cinema

Mullapudi collaborated with Bapu by providing scripts and dialogue that complemented Bapu's visual style. Their long-standing professional association resulted in several social films, including Radha Kalyanam, Vamsa Vruksham, Pelli Pustakam, Mr. Pellam, Sundarakanda, and Radhaagopalam.

MuthyalaMuggu is regarded as a notable film of its time, with themes and characters that have continued to be discussed in later years. The film marked an early negative-role performance by Rao Gopal Rao, who later became known for portraying antagonistic characters. The dialogue, written by Mullapudi, received widespread attention and remained popular with audiences.

Mullapudi translated the Thiruppavai written by the Tamil Vaishnavite saint Andal into Telugu as Melupalukula Melukolupu. This translation used Bapu's illustrations for each translated verse.

  • Second Best Story Writer – Poola Rangadu (1967)
  • Best Story Writer – Kathanayakudu (1969)
  • Second Best Story Writer – Andala Ramudu (1973)
  • Best Dialogue Writer – Pelli Pusthakam (1991)
  • Second Best Feature Film – Silver – Pelli Pusthakam (1991)
  • Second Best Story Writer – Mister Pellam (1993)

Death

Mullapudi died of old-age related illness in Chennai on 24 February 2011. At the time of the death, he just completed the work for another mythological film Sri RamaRajyam.

Filmography

This is partial list of his films. Kindly help expanding it.

{| class="wikitable"

|-

! Year !! Film !! Credits

|-

| 1960 || Rakta Sambandham || Dialogues

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| 1961 || Iddaru Mitrulu || Dialogues

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| 1963 || Mooga Manasulu || Writer

|-

| 1964 || Velugu Needalu || Dialogues

|-

| 1964 || Daagudu Mootalu || Writer

|-

| 1965 || Preminchi Choodu || Dialogues

|-

| 1965 || Tene Manasulu || Story and Dialogues

|-

| 1966 || Kanne Manasulu || Story and Dialogues

|-

| 1966 || Navarathri || Dialogues

|-

| 1967 || Poola Rangadu || Story

|-

| 1967 || Prana Mitrulu || Story and Dialogues

|-

| 1967 || Saakshi || Writer

|-

| 1968 || Bangaru Pichika || Writer

|-

| 1969 || Buddhimantudu || Story and Screenplay

|-

| 1969 || Kathanayakudu || Story

|-

| 1970 || Balaraju Katha || Dialogues

|-

| 1971 || Bhale Rangadu || Story

|-

| 1971 || Sampoorna Ramayanam || Writer

|-

| 1972 || Kathanayakudu || Story

|-

| 1973 || Andala Ramudu|| Writer

|-

| 1975 || Muthyala Muggu || Writer

|-

| 1976 || Bhakta Kannappa || Writer

|-

| 1976 || Seetha Kalyanam || Writer

|-

| 1978 || Gorantha Deepam || Story, Screenplay and Dialugues

|-

| 1978 || Mana Voori Pandavulu || Dialogues

|-

| 1980 || Kaliyuga Ravanaasurudu || Writer

|-

| 1980 || Rajadhi Raju || Story, Screenplay and Dialogues

|-

| 1980 || Vamsa Vruksham || Screenplay and Dialogues

|-

| 1981 || Radha Kalyanam || Writer

|-

| 1981 || Tyagayya || Writer

|-

| 1982 || Pelleedu Pillalu || Story and Dialogues

|-

| 1983 || Manthrigari Viyyankudu || Writer

|-

| 1985 || Bullet || Story, Screenplay and Dialogues

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| 1985 || Jackie || Writer

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| 1986 || Kalyana Tamboolam || Writer

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| 1991 || Pelli Pusthakam || Dialogues, Screenplay and Dialogues

|-

| 1993 || Mr. Pellam || Writer

|-

| 1993 || Srinatha Kavi Sarvabhowmudu || Writer

|-

| 1994 || Pelli Koduku || Writer

|-

| 1996 || Rambantu || Writer

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| 1999 || Panchadara Chilaka || Writer

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| 2004 || Xtra || Music director

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| 2005 || Radha Gopalam || Story, Screenplay and Dialogues

|-

| 2008 || Sundarakanda || Story, Screenplay and Dialogues

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| 2011 || Sri Rama Rajyam || Story and Dialogues

|}

See also

  • Raghupathi Venkaiah Award

References

  • [https://www.facebook.com/pages/Bapu-ramana/134126756633596]
  • Bapu Ramana
  • Idlebrain Article
  • Kothi Kommachi