Miriam Beatrice Hyde (15 January 191311 January 2005) was an Australian composer, classical pianist, music educator, and poet.

She composed over 150 works for piano, 50 songs, other instrumental and orchestral works and performed as a concert pianist with eminent conductors including Sir Malcolm Sargent, Constant Lambert, Georg Schnéevoigt, Sir Bernard Heinze and Geoffrey Simon. She also had books of poetry published, and wrote an autobiography.

Life

Hyde was born in Adelaide, a daughter of Clarence and Muriel Hyde (née Gmeiner) of Torrens Park.

Music was an important part of her family life: her mother played and taught piano; her aunt, Clarice Gmeiner, played violin, viola and harp with the South Australian Symphony Orchestra; and her younger sister, Pauline, played violin and sang. Her early music lessons were provided by her mother, but in 1925 she won a scholarship to attend the Elder Conservatorium of Music in Adelaide.

After graduating with her Bachelor of Music degree in 1931, she won an Elder Overseas Scholarship to the Royal College of Music in London, which she attended from 1932 to 1935. In 1935, she performed Beethoven's Piano Concerto No. 4 under Malcolm Sargent, and her own Piano Concerto No. 2 with the London Symphony Orchestra conducted by Constant Lambert. She saw many of the great musicians of the time, including Rachmaninoff, Stravinsky, Prokofiev, Yehudi Menuhin and Elisabeth Schumann. where she worked for several decades as a composer, recitalist, teacher, examiner and lecturer. It was here that she also met her husband, Marcus Edwards, whom she married in 1939 and with whom she had two children, Christine (1950) and Robert (1951). and in 1991 was made an Officer of the Order of Australia (AO). She was awarded an honorary doctorate by Macquarie University in 1993, and in 2004 she received an award for Distinguished Services to Australian Music at the Australasian Performing Right Association and Australian Music Centre Classical Music Awards.

She was appointed Patron of the Music Teachers' Association of South Australia (MTASA) and established the Miriam Hyde Award for the Association.

In 1991 her autobiography was published, titled Complete Accord.

She celebrated her 80th birthday in 1993 by giving a series of recitals throughout the country. At the age of 89, she gave her last performance of her Piano Concerto No. 2, with the Strathfield Symphony Orchestra conducted by Solomon Bard. Her 90th birthday in 2003 was marked with concerts and broadcasts throughout Australia.

From the mid-1990s onwards, continuing after her death in 2005, The Keys Press (Perth) and Wirripang Pty Ltd (Wollongong) published more than 100 of her manuscripts for piano, chamber music and voice.

Hyde died on 11 January 2005, a few days before her 92nd birthday.

Music

Hyde's compositions include works for orchestra, piano concertos, art songs, chamber music, many piano solos, flute solos and more. She wrote in an early 20th-century pastoral style, achieving a highly effective combination of impressionism with post-romanticism.

One well-known piece is the piano solo Valley of Rocks, written in 1975. The Piano Concerto No. 1 in E-flat minor (1933), Piano Concerto No. 2 in C-sharp minor (1935) and Village Fair (1943) for orchestra are the most broadcast of her works. Her Sonata in G minor (1944) is another notable work.

One of her lesser known pieces is the mystical Reflected Reeds (1956) with its rippling chords sketching the Sydney landscape on a brooding afternoon.

Her husband died in 1995 and she ceased writing music at that time.

Recording – Romantic Piano Trios – Trio Anima Mundi (Divine Art dda25102) (2013)

  • feat. Fantasy for piano trio

Writing

The expression of words in a poetic form meant as much to Hyde as the expression of music. In an interview filmed in 1992 she revealed that it was often a matter of chance whether her impressions would be embodied in words or in music.

Three selections of her poetry were published by the Economy Press, Adelaide: The Bliss of Solitude (1941), A Few Poems (1942) and Dawn to Dusk (1947?). She also wrote her autobiography, Complete Accord (1991, Currency Press) and donated the royalties to the Elder Scholarship that she won in 1931.