thumb|260px|From left: Miff Mole, [[Dudley Fosdick, Red Nichols and Leo McConville, ca. 1926]]
Irving Milfred Mole (March 11, 1898 – April 29, 1961) known professionally as Miff Mole, was an American jazz trombonist and band leader. He is generally considered one of the greatest jazz trombonists and credited with creating "the first distinctive and influential solo jazz trombone style."
His major recordings included "Slippin' Around", "Red Hot Mama" in 1924 with Sophie Tucker on vocals, "Miff's Blues", and "There'll Come a Time (Wait and See)", which is on the film soundtrack to the 2008 movie The Curious Case of Benjamin Button.
Career
Miff Mole was born in Greenwich Point, later renamed Roosevelt, Long Island, New York. He studied violin and piano as a child and switched to trombone when he was 15. From 1918 to 1919 Mole played in the Acme Sextett with Benny Krueger (saxophone), Ernie Holst (violin), and Edwin Taylor Williams (banjo). He played in Gus Sharp's orchestra for two years and in the 1920s became a significant figure on the New York scene: he was a member of the Original Memphis Five (1922), played with Ross Gorman, Roger Wolfe Kahn, Sam Lanin, Ray Miller and many others. In 1926–29, he and trumpeter Red Nichols led a band called Miff Mole and His Little Molers. They recorded frequently until 1930.
Mole and his band backed Sophie Tucker, who was known as "The Last of the Red Hot Mammas" and who was one of the most popular singers of the 1910s and 1920s. They accompanied her on her 1927 Okeh recordings of "After You've Gone", "Fifty Million Frenchmen Can't Be Wrong", "I Ain't Got Nobody", and "One Sweet Letter from You". Mole and his band, which included Eddie Lang, Jimmy Dorsey, Red Nichols, and Vic Berton, also accompanied her for live performances.
From 1925 to 1929, Mole was identified with bands led by cornetist Red Nichols: The Red Heads, The Hottentots, The Charleston Chasers, The Six Hottentots, The Cotton Pickers, Red and Miff's Stompers, and especially Red Nichols and His Five Pennies. These bands recorded for the labels Perfect, Domino, Pathé, Edison, OKeh and Victor, though the Five Pennies name was used only for their recordings on Brunswick. The original Five Pennies band consisted of Nichols on cornet, Mole on trombone, Jimmy Dorsey on clarinet and alto sax, Eddie Lang on guitar, Arthur Schutt on piano, and Vic Berton (who came up with the name for the group) on drums, but over time the personnel changed and expanded. Among the musicians who passed through the Five Pennies were clarinetist Pee Wee Russell, violinist Joe Venuti, bass saxophonist Adrian Rollini, tuba and bass player Joe Tarto, trombonist Glenn Miller, and extra trumpeters such as Leo McConville and Charlie Teagarden.
When Jack Teagarden arrived in New York in 1928, he replaced Mole as the role model for trombonists, with a more legato, blues-oriented approach.