Mickey Rooney (born Ninnian Joseph Yule Jr.; September 23, 1920 – April 6, 2014) was an American actor. In a career spanning nearly nine decades, he appeared in more than 300 films and was among the last surviving stars of the silent-film era. He was the top box-office attraction from 1939 to 1941, He won a Golden Globe Award in 1982 and an Emmy Award in the same year for the title role in a television movie Bill and was awarded the Academy Honorary Award in 1982.

Rooney first performed in vaudeville as a child actor, and made his film debut at the age of six. He played the title character in the "Mickey McGuire" series of 78 short films, from age seven to 13. At 14 and 15, he played Puck in the play and subsequent film adaptation of A Midsummer Night's Dream. At the age of 16, he began playing Andy Hardy, and gained his first recognition at 17 as Whitey Marsh in Boys Town. At the 12th Academy Awards, when he was 19 years old, Rooney became the second-youngest Best Actor in a Leading Role nominee and the first teenager to be nominated for an Academy Award for his performance as Mickey Moran in the 1939 film adaptation of the coming-of-age Broadway musical Babes in Arms; he was awarded a special Academy Juvenile Award in 1939. Rooney received his second Academy Award nomination in the same category for his role as Homer Macauley in The Human Comedy.

Drafted into the military during World War II, Rooney served nearly two years, entertaining over two million troops on stage and radio. He was awarded a Bronze Star for performing in combat zones. Returning in 1945, he was too old for juvenile roles, but too short at for most adult roles, and was unable to gain as many starring roles. However, numerous low-budget, but critically well-received, pictures through the mid-1950s had Rooney playing lead dramatic roles in what were later regarded as films noir. Rooney's career was renewed with well-received supporting performances in films such as The Bold and the Brave (1956), Requiem for a Heavyweight (1962), It's a Mad, Mad, Mad, Mad World (1963), Pete's Dragon (1977), and The Black Stallion (1979). Rooney received Academy Award nominations for Best Actor in a Supporting Role in 1957 for The Bold and the Brave, and 1980 for The Black Stallion. In the early 1980s, he returned to Broadway in Sugar Babies, a role that earned him nominations for Tony Award and Drama Desk Award for Best Actor in a Leading Role in a Musical. He made hundreds of appearances on TV, including dramas, variety programs, and talk shows.

Early life and acting background

Rooney was born Ninnian Joseph Yule Jr., His mother was an American former chorus girl and burlesque performer from Kansas City, Missouri, while his father was a Scottish-born vaudevillian, who had emigrated to New York from Glasgow with his family at the age of three months. When Rooney was born, his parents were appearing together in a Brooklyn production of A Gaiety Girl. He later recounted in his memoirs that he began performing at the age of 17 months as part of his parents' routine, wearing a specially tailored tuxedo.

Career

1924–1926: Career beginnings as a child actor

Rooney's parents separated when he was four years old in 1924, and he and his mother moved to Hollywood the following year. He made his first film appearance at age six in 1926, in the short Not to be Trusted. Rooney got bit parts in films such as The Beast of the City (1932) and The Life of Jimmy Dolan (1933), which allowed him to work alongside stars such as Joel McCrea, Colleen Moore, Clark Gable, Douglas Fairbanks Jr., John Wayne, and Jean Harlow. He enrolled in the Hollywood Professional School and later attended Fairfax High School.

1927–1936: Mickey McGuire

His mother saw an advertisement for a child to play the role of "Mickey McGuire" in a series of short films. Rooney got the role and became "Mickey" for 78 of the films, running from 1927 to 1936, starting with Mickey's Circus (1927), his first starring role.

Fifty years later, Rooney realized in hindsight that these early confrontations with Mayer were necessary for him to develop into a leading film star: "Everybody butted heads with him, but he listened and you listened. And then you'd come to an agreement you could both live with. ... He visited the sets, he gave people talks ... What he wanted was something that was American, presented in a cosmopolitan manner."

thumb|[[Spencer Tracy and Rooney in a scene from Boys Town (1938)]]

right|thumb|Lionel Barrymore's 61st birthday in 1939, standing: Mickey Rooney, [[Robert Montgomery (actor)|Robert Montgomery, Clark Gable, Louis B. Mayer, William Powell, Robert Taylor, seated: Norma Shearer, Lionel Barrymore, and Rosalind Russell]]

In 1937, Rooney made his first film alongside Judy Garland with Thoroughbreds Don't Cry. Garland and Rooney became close friends as they co-starred in future films and became a successful song-and-dance team. Audiences delighted in seeing the "playful interactions between the two stars showcase a wonderful chemistry". Along with three of the Andy Hardy films, where she portrayed a girl attracted to Andy, they appeared together in a string of successful musicals, including coming-of-age musical Babes in Arms (1939). For his performance as Mickey Moran, 19-year-old Mickey Rooney was nominated for an Academy Award for Best Actor in a Leading Role, becoming the second-youngest Best Actor nominee. During an interview in the 1992 documentary film MGM: When the Lion Roars, Rooney describes their friendship:

In 1937, Rooney received top billing as Shockey Carter in Hoosier Schoolboy, but his breakthrough role as a dramatic actor came in 1938's Boys Town opposite Spencer Tracy as Father Flanagan, who runs a home for wayward and homeless boys. 18-year-old Rooney and 17-year-old Deanna Durbin were awarded a special Juvenile Academy Award in 1939, for "significant contribution in bringing to the screen the spirit and personification of youth". Jane Ellen Wayne describes one of the "most famous scenes" in the film, where tough young Rooney is playing poker with a cigarette in his mouth, his hat is cocked, and his feet are up on the table. "Tracy grabs him by the lapels, throws the cigarette away, and pushes him into a chair. 'That's better,' he tells Mickey." For their roles in Boys Town, Rooney and Tracy won first and second place in the Motion Picture Herald 1940 National Poll of Exhibitors, based on the box-office appeal of 200 players. A contributor to Boys' Life magazine wrote, "Congratulations to Messrs. Rooney and Tracy! Also to Metro-Goldwyn-Mayer we extend a hearty thanks for their very considerable part in this outstanding achievement." Actor Laurence Olivier once called Rooney "the greatest actor of them all". He appeared on the cover of Time magazine in 1940, timed to coincide with the release of Young Tom Edison; the cover story began:

During his long career, Rooney also worked with many of the screen's female stars, including Elizabeth Taylor in National Velvet (1944), Marilyn Monroe in The Fireball (1950), Grace Kelly in The Bridges at Toko-Ri (1954) and Audrey Hepburn in Breakfast at Tiffany's (1961). Rooney's "bumptiousness and boyish charm" as an actor developed more "smoothness and polish" over the years, writes biographer Scott Eyman. The fact that Rooney fully enjoyed his life as an actor played a large role in those changes:

Clarence Brown, who directed Rooney in his Oscar-nominated performance in The Human Comedy (1943) and again in National Velvet (1944), enjoyed working with Rooney in films:

Military service and later film career

thumb|Rooney entertains American troops in Germany, April 1945

right|thumb|Rooney with [[Tom Poston (right) circa 1940s]]

right|thumb|Rooney feeds the troops for the USO in 1952.

In June 1944, Rooney was inducted into the United States Army. He served more than 21 months (until shortly after the end of World War II), entertaining the troops in America and Europe in Special Services Jeep Shows. He spent part of the time as a radio personality on the American Forces Network, and was awarded the Bronze Star Medal for entertaining troops in combat zones. In addition, Rooney also received the Army Good Conduct Medal, American Campaign Medal, European-African-Middle Eastern Campaign Medal, and World War II Victory Medal, for his military service.

Rooney's career declined after his return to civilian life. He was now an adult with a height of only according to his 1942 draft registration (popularly reported as ), and he could no longer play the role of a teenager, but he also lacked the stature of a leading man. He appeared in the film Words and Music in 1948, which paired him for the last time with Garland on film (he appeared with her on one episode as a guest on The Judy Garland Show). He briefly starred in a CBS radio series, Shorty Bell, in the summer of 1948, and reprised his role as Andy Hardy, with most of the original cast, in a syndicated radio version of The Hardy Family in 1949 and 1950 (repeated on Mutual during 1952).

In 1949, Variety reported a renegotiation of Rooney's deal with MGM. He agreed to make one film a year for them for five years at $25,000 a movie (his fee until then had been $100,000, but Rooney wanted to enter independent production.) Rooney claimed he was unhappy with the billing MGM gave him for Words and Music, but his career was at a low point. His New York Times obituary reported, "at one point in 1950, the only job he could get was touring Southern states with the Hadacol Caravan", promoting a patent medicine that was later forced off the market.

In 1958, Rooney joined Dean Martin and Frank Sinatra in hosting an episode of NBC's short-lived Club Oasis comedy and variety show. In 1960, Rooney directed and starred in The Private Lives of Adam and Eve, an ambitious comedy known for its multiple flashbacks and many cameos. In the 1960s, Rooney returned to theatrical entertainment. He accepted film roles in undistinguished films, but still appeared in more prestigious works, such as Requiem for a Heavyweight (1962) and It's a Mad, Mad, Mad, Mad World (1963).

He portrayed a Japanese character, Mr. Yunioshi, in the 1961 film version of Truman Capote's novella Breakfast at Tiffany's. When his performance was criticized by some in subsequent years as a racist caricature, Rooney contended that he would not have taken the role if he had known it would offend people.

In 1961, Rooney appeared on television's What's My Line?, and mentioned that he had already started enrolling students in the Mickey Rooney School of Entertainment. His school venture never came to fruition. This was a period of professional distress for Rooney; as a childhood friend, director Richard Quine put it: "Let's face it. It wasn't all that easy to find roles for a 5-foot-3 man who'd passed the age of Andy Hardy." In 1962, although he had earned $12 million by that point, his debts and multiple divorces had forced him into filing for bankruptcy.

In 1966, Rooney was working on the film Ambush Bay in the Philippines when his wife Barbara Ann Thomason—a former model and aspiring actress who had won 17 straight beauty contests in Southern California—was found dead in her bed in Los Angeles. Her lover, Milos Milos—who was one of Rooney's actor-friends—was found dead beside her. Detectives ruled it a murder-suicide, which was committed with Rooney's own gun.

Francis Ford Coppola had bought the rights to make The Black Stallion (1979), and when casting it, he called Rooney and asked him if he thought he could play a jockey. Rooney replied saying, "Gee, I don't know. I never played a jockey before." He was kidding, he said, since he had played a jockey in at least three past films, including Down the Stretch, Thoroughbreds Don't Cry, and National Velvet. The film garnered excellent reviews and earned $40 million in its first run, which gave Coppola's struggling studio, American Zoetrope, a significant boost. It also gave Rooney newfound recognition, along with an Academy Award nomination for Best Supporting Actor.

In 1983, the Academy of Motion Picture Arts and Sciences gave Rooney their Academy Honorary Award for his lifetime of achievement. Rooney turned Lear down, and the role eventually went to Carroll O'Connor.

Rooney garnered a Golden Globe and an Emmy Award for Outstanding Lead Actor in a Limited Series or a Special for his role in 1981's Bill. Playing opposite Dennis Quaid, Rooney's character was a mentally handicapped man attempting to live on his own after leaving an institution. His acting quality in the film has been favorably compared to other actors who took on similar roles, including Sean Penn, Dustin Hoffman, and Tom Hanks. He reprised his role in 1983's Bill: On His Own, earning an Emmy nomination for the turn. He appeared on "The Love Boat" S6 E11 "A Christmas Presence" as Angelorum Dominicus (a guardian angel character). His wife Jan Rooney played Sister Bernadette, a nun with a beautiful singing voice. The episode aired on December 18, 1982.

Rooney did voice acting from time to time. He provided the voice of Santa Claus in four stop-motion animated Christmas TV specials: Santa Claus Is Comin' to Town (1970), The Year Without a Santa Claus (1974), Rudolph and Frosty's Christmas in July (1979) and A Miser Brothers' Christmas (2008). In 1995, he appeared as himself on The Simpsons episode "Radioactive Man".

After starring in one unsuccessful TV series and turning down an offer for a huge TV series, Rooney, now 70, starred in the Family Channel's The Adventures of the Black Stallion, where he reprised his role as Henry Dailey in the film of the same name, 11 years earlier. The series ran for three years and was an international hit.

Rooney appeared in television commercials for Garden State Life Insurance Company in 2002.

Broadway shows

A major turning point came in 1979, when Rooney made his Broadway debut in the acclaimed stage play Sugar Babies, a musical revue tribute to the burlesque era co-starring former MGM dancing star Ann Miller. Aljean Harmetz noted, "Mr. Rooney fought over every skit and argued over every song and almost always got things done his way. The show opened on Broadway on October 8, 1979, to rave reviews, and this time he did not throw success away. Rooney and Miller performed the show 1,208 times in New York and then toured with it for five years, including eight months in London. Co-star Miller recalls that Rooney "never missed a performance or a chance to ad-lib or read the lines the same way twice, if he even stuck to the script". On November 10, 2000, he starred in the Disney Channel original movie Phantom of the Megaplex.

Despite the millions of dollars that he earned over the years, such as his $65,000-a-week earnings from Sugar Babies, Rooney was plagued by financial problems late in life. His longtime gambling habit caused him to "gamble away his fortune again and again". He declared bankruptcy for the second time in 1996 and described himself as "broke" in 2005. He kept performing on stage and in the movies, but his personal property was valued at only $18,000 when he died in 2014.

Rooney and his wife Jan toured the country in 2005 through 2011 in a musical revue called Let's Put on a Show. Vanity Fair called it "a homespun affair full of dog-eared jokes" that featured Rooney singing George Gershwin songs. He returned to play the role again in the sequel Night at the Museum: Battle of the Smithsonian in 2009, in a scene that was deleted from the final film. a role he reprised at Bristol Hippodrome in 2008 and at the Milton Keynes theater in 2009.

In 2011, Rooney made a cameo appearance in The Muppets, and in 2014, at age 93, six weeks before his death, he reprised his role as Gus in Night at the Museum: Secret of the Tomb, which was dedicated to Robin Williams, who also died that year, and to him. Although reliant on a wheelchair, he was described by director Shawn Levy as "energetic and so pleased to be there. He was just happy to be invited to the party."

An October 2015 article in The Hollywood Reporter maintained that Rooney was frequently abused and financially depleted by his closest relatives in the last years of his life. The article said that it was clear that "one of the biggest stars of all time, who remained aloft longer than anyone in Hollywood history, was in the end brought down by those closest to him. He died humiliated and betrayed, nearly broke, and often broken." He had nine children and two stepchildren, as well as 19 grandchildren and several great-grandchildren.

Rooney had bipolar disorder and had attempted suicide two or three times over the years, with resulting hospitalizations reported as "nervous breakdowns".

In the late 1970s, Rooney became a born-again Christian and was a fan of Pat Robertson.

thumb|right|Rooney in 2006

On February 16, 2011, Rooney was granted a temporary restraining order against his stepson Christopher Aber and Aber's wife Christina, and they were ordered to stay 100 yards from Rooney, his stepson Mark Rooney, and Mark's wife Charlene. Rooney claimed that he was a victim of elder abuse. On March 2, 2011, Rooney appeared before a special U.S. Senate committee that was considering legislation to curb elder abuse, testifying about the abuse he claimed to have suffered at the hands of family members. who called Rooney "completely competent". Aber and Jan Rooney denied all the allegations.

In May 2013, Rooney sold his home of many years, reportedly for $1.3 million, and split the proceeds with his wife, Jan.

Marriages

Rooney was married eight times, with six of the unions ending in divorce; his eighth and final marriage lasted longer than the previous seven put together. During the 1960s and 1970s he was often the subject of comedians' jokes over his apparent inability to stay married. In 1942, he married his first wife, actress Ava Gardner, who at that time was still an obscure 20 yr old starlet. They divorced the following year, partly because of his alleged infidelity. Rooney then married Barbara's best friend, Marge Lane, though the marriage lasted only 100 days. He was married to Carolyn Hockett from 1969 to 1975; they had two children.

|-

| Elaine Devry<br/>(a.k.a. Elaine Davis)

| 1952–1958

|

|-

| rowspan="1" | Barbara Ann Thomason<br/>(a.k.a. Tara Thomas, Carolyn Mitchell)

| rowspan="1" | 1958–1966

|4, Kelly Ann, Kerry, Michael Joseph Rooney and Kimmy Sue

|-

| Marge Lane

| 1966–1967

|

|-

| rowspan="1" | Carolyn Hockett

| rowspan="1" | 1969–1975

| 2, Jimmy and Jonelle

|-

| Jan Chamberlin

| 1978–2014<br/>(separated, June 2012) at the age of 93. A group of family members and friends, including Mickey Rourke, held a memorial service on April 18. A private funeral, organized by another set of family members, was held at Hollywood Forever Cemetery, where he was interred, on April 19. His eight surviving children said that they were barred from seeing Rooney during his final years.

At his death, Vanity Fair called Rooney "the original Hollywood train wreck". Despite earning millions during his career, he had to file for bankruptcy in 1962 due to mismanagement of his finances. In his later years, Rooney had entrusted his finances to his stepson, who funneled Rooney's earnings to pay for his own lavish lifestyle. His millions in earnings had dwindled to an estate that was valued at only $18,000. He died owing medical bills and back taxes, and contributions were solicited from the public.

Legacy

thumb|right|Rooney in 1986

Rooney was one of the last surviving actors of the silent-film era. His film career spanned 88 years, from 1926 to 2014, continuing until shortly before his death. During his peak years from the late 1930s to the early 1940s, Rooney was among the top box-office stars in the United States, and in 1939 was the biggest box-office draw, followed immediately by Tyrone Power.

He made 43 films between the ages of 15 and 25. Among those, his role as Andy Hardy became one of "Hollywood's best-loved characters," with Marlon Brando calling him "the best actor in films".

"There was nothing he couldn't do," said actress Margaret O'Brien.

By the time Rooney was 20, his consistent portrayals of characters with youth and energy suggested that his future success was unlimited. Thomson also explains that Rooney's characters were able to cover a wide range of emotional types, and gives three examples where "Rooney is not just an actor of genius, but an artist able to maintain a stylized commentary on the demon impulse of the small, belligerent man:"

See also

  • List of oldest and youngest Academy Award winners and nominees – Youngest nominees for Best Lead Actor
  • List of actors with Academy Award nominations
  • List of actors with more than one Academy Award nomination in the acting categories
  • List of Golden Globe winners
  • List of Primetime Emmy Award winners
  • List of members of the American Legion

Notes

References

Bibliography

  • "Mickey Rooney on America, Christ and Judy Garland: The Hollywood Legend Speaks Out." Montreal Mirror interview 1998. Republished on a blog as Montreal Mirror has dissolved.