Michael James Aleck Snow (December 10, 1928 – January 5, 2023) was a Canadian artist who worked in a range of media including film, installation, sculpture, photography, and music. His best-known films are Wavelength (1967) and La Région Centrale (1971), with the former regarded as a milestone in avant-garde cinema.

Life

Michael James Aleck Snow was born in Toronto on December 10, 1928. He had his first solo exhibition in 1957. Snow exhibited with the Isaacs Gallery in Toronto throughout the 1960s, becoming even more involved with the gallery upon his return to Toronto in 1971. In the early 1960s, Snow moved to New York with his wife, artist Joyce Wieland, where they remained for nearly a decade. For Snow this move resulted in a proliferation of creative ideas and connections and his work increasingly gained recognition. He returned to Canada in the early 1970s "an established figure, multiply defined as a visual artist, a filmmaker, and a musician."

His work has appeared at exhibitions across Europe, North America and South America. Snow's works were included in the shows marking the reopening of both the Centre Pompidou in Paris in 2000 and the MoMA in New York in 2005. In March 2006, his works were included in the Whitney Biennial. The couple moved to New York City in 1963, but they moved back to Toronto about a decade later and divorced in 1976.

Snow died from pneumonia in Toronto on January 5, 2023, at the age of 94.

Work

Films

Snow is considered one of the most influential experimental filmmakers of all time. Annette Michelson, in writing about Snow, his 1967 film Wavelength, and his films in general, speaks of the impact of Snow's films, placing viewers in a "position to more fully understand the particular impact of Snow's filmic work from 1967 on, to discern the reasons for the large consensus given" to Wavelength when it was honoured with the Grand Prize at the 1967 Experimental Film Festival EXPRMNTL 4 in Knokke, Belgium, and that "Wavelength, [appears] as a celebration of the 'apparatus' and a confirmation of the status of the subject, and it is in those terms that we may begin to comprehend the profound effect it had upon the broadest spectrum of viewers...." Wavelength has been the subject of numerous retrospectives internationally. Film scholar Scott MacDonald says of Snow that "[f]ew filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow, whose Wavelength is probably the most frequently discussed 'structural' film."

Wavelength has been designated and preserved as a masterwork by the Audio-Visual Preservation Trust of Canada and was named #85 in the 2001 Village Voice critics' list of the 100 Best Films of the 20th Century .

Snow's films have premiered in film festivals worldwide and five of his films have premiered at the Toronto International Film Festival (TIFF). In 2000, TIFF commissioned Snow, along with Atom Egoyan and David Cronenberg, to make a series of short films collectively titled Preludes, for the 25th Anniversary of the festival.

In his Village Voice review of Snow's 2002 film *Corpus Callosum, J. Hoberman writes that Snow's films are "[r]igorously predicated on irreducible cinematic facts [and] Snow's structuralist epics—Wavelength and La Région Centrale—[announce] the imminent passing of the film era. Rich with new possibilities, *Corpus Callosum heralds the advent of the next. Whatever it is, it cannot be too highly praised." *Corpus Callossum was screened at the Toronto, Berlin, Rotterdam, and Los Angeles film festivals amongst others. In January 2003, Snow won the Los Angeles Film Critics Association's Douglas Edwards Experimental/Independent Film/Video Award for *Corpus Callosum.

Music

Originally a professional jazz musician, Snow has a long-standing interest in improvised music, as indicated by the soundtrack to his film New York Eye and Ear Control. As a pianist, he has performed solo and with other musicians in North America, Europe and Japan. Snow performed regularly in Canada and internationally, often with the improvisational music ensemble CCMC and has released more than a half dozen albums since the mid-1970s. In 1987, Snow issued The Last LP (Art Metropole), which purported to be a documentary recording of the dying gasps of ethnic musical cultures from around the globe including Tibet, Syria, India, China, Brazil, Finland and elsewhere, with thousands of words of pseudo-scholarly supplementary notes, but was, in fact, a series of multi-tracked recordings of Snow himself, who gave the joke away only in a single column of text in the disc's gatefold jacket, printed backwards and readable in a mirror. One track, purported to be a document of a coming-of-age ritual from Niger, is a pastiche of Whitney Houston's song "How Will I Know."

Snow, with Richard Serra, James Tenney and Bruce Nauman, performed Steve Reich's Pendulum Music on May 27, 1969 at the Whitney Museum of American Art.

Other media

thumb|left|Interior of the Eaton Centre showing one of Michael Snow's best known sculptures Flight Stop, which depict [[Canada goose|Canada geese in flight.]]

Before Snow moved to New York in 1963,

Snow's works have been in Canadian pavilion at world fairs since his Walking Women sculpture was exhibited at Expo 67 in Montréal. He was chosen to represent Canada at the Venice Biennale in 1970; this was the first solo exhibition held at the Biennale's Canadian Pavilion.

In 1981, he was made an Officer of the Order of Canada and was promoted to Companion in 2007 "for his contributions to international visual arts as one of Canada's greatest multidisciplinary contemporary artists". In 2000, he was one of the seven first winners of the Governor General’s Award in Visual and Media Arts.

In 2004, the Université de Paris I, Panthéon-Sorbonne awarded him an honorary doctorate.

  • Los Angeles Film Critics Association Award for Independent/Experimental Film and Video Award for "*Corpus Callosum", 2002

Major installations

  • "The Windows Suite" is a permanent installation consisting of 32 varied sequences of images, which are presented on 65" plasma screens in 7 of the windows of the façade of the Toronto Pantages Hotel and Spa and related condo buildings facing Victoria Street in central Toronto. Some of these sequences one might possibly glimpse in the windows of a sophisticated hotel, condo, spa and parking garage building, but many sequences are "impossible," e.g. in one sequence fish swim from window to window. This installation was opened as an official event of the Toronto International Film Festival September 2006.
  • Flight Stop - Toronto Eaton Centre a collection of life sized Canada geese in flight hanging over the main section of the mall. In 1982, the installation was the subject of a leading Canadian court decision on moral rights, Snow v. The Eaton Centre Ltd.
  • The Audience (1989) - SkyDome (now Rogers Centre in Toronto) is a collection of larger than life depictions of fans located above the northeast and northwest entrances. Painted gold, the sculptures show fans in various acts of celebration.

Filmography

thumb|The Audience sculpture adorning the facade on the northwest corner of [[Rogers Centre stadium in Toronto. This photo only shows half of the art installation. The other set is located above the north east corner of the building, and is of similar size and configuration.]]

  • A to Z (1956)
  • New York Eye and Ear Control (1964)
  • Short Shave (1965)
  • Wavelength (1967)
  • Standard Time (1967)
  • One Second in Montreal (1969)
  • Dripping Water (with Joyce Wieland, 1969)
  • <--→ or Back and Forth (1969)
  • Side Seat Paintings Slides Sound Film (1970)
  • La Région Centrale (1971)
  • Two Sides to Every Story (double 16mm installation, 1974)
  • "Rameau's Nephew" by Diderot (Thanx to Dennis Young) by Wilma Schoen (1974)
  • Breakfast (Table Top Dolly) (1976)
  • Presents (1981)
  • So Is This (1982)
  • Seated Figures (1988)
  • See You Later (1990)
  • To Lavoisier, Who Died in the Reign of Terror (1991)
  • Prelude (2000)
  • The Living Room (2000)
  • Solar Breath (2002)
  • *Corpus Callosum (2002)
  • WVLNT ("Wavelength For Those Who Don't Have the Time") (2003)
  • Triage (2004), with Carl Brown
  • SSHTOORRTY (2005)
  • Reverberlin (2006)
  • Puccini Conservato (2008)
  • Cityscape (2019)

References

Further reading

  • Bassnett, Sarah; Parsons, Sarah. Photography in Canada, 1839–1989: An Illustrated History. Toronto: Art Canada Institute, 2023.
  • Martha Langford. Michael Snow: Life & Work. Toronto: Art Canada Institute, 2014.
  • Annette Michelson. "Toward Snow: Part 1." Artforum, Vol. 9, no. 19 (June 1971): 30–37.
  • Jim Shedden, ed. Presence and Absence: The Films of Michael Snow 1956–1991, The Michael Snow Project. Toronto: Art Gallery of Ontario, Alfred A. Knopf Canada, 1995.
  • P. Adams Sitney. "Michael Snow’s Cinema," in Michael Snow /A Survey: 79–84. Toronto: Art Gallery of Ontario in collaboration with the Isaacs Gallery, 1970.
  • Michael Snow, ed. 1948–1993: Music/Sound, The Michael Snow Project. Toronto: Art Gallery of Ontario, The Power Plant, Alfred A. Knopf Canada, 1993.
  • Michael Snow, Union List of Artist Names
  • Article at thecanadianencyclopedia.ca
  • Michael Snow at Northernstars.ca
  • The Michael Snow Dossier at Offscreen
  • Film Studies For Free: Michael Snow, 2009
  • Digital Snow DVD-Rom: Now on the Web (fondation-langlois.org), Daniel Langlois Foundation, 2021
  • Michael Snow, Canadian artist dies at 95