Mel Colm-Cille<!-- sourced under early life --> Gerard Gibson (born January 3, 1956) is an American actor and filmmaker. The recipient of multiple accolades, he is known for directing historical films as well for his action hero roles, particularly his breakout role as Max Rockatansky in the first three films of the post-apocalyptic series Mad Max (1979–1985) and as Martin Riggs in the buddy cop series Lethal Weapon (1987–1998).
Born in Peekskill, New York, Gibson moved with his parents to Sydney, Australia, when he was 12 years old. He studied acting at the National Institute of Dramatic Art, where he starred opposite Judy Davis in a production of Romeo and Juliet. During the 1980s, he founded Icon Entertainment, a production company. Director Peter Weir cast him as one of the leads in the World War I drama Gallipoli (1981), which earned Gibson a Best Actor Award from the Australian Film Institute.
In 1995, Gibson produced, directed, and starred in the war film Braveheart for which he won the Golden Globe Award for Best Director, the Academy Award for Best Director, and the Academy Award for Best Picture. He later directed and produced The Passion of the Christ (2004), a biblical drama that was both financially successful and highly controversial. He received further critical notice for directing the action-adventure film Apocalypto (2006), set in Mesoamerica during the early 16th century. His notable acting roles during this period were in Ransom (1996), Payback (1999), What Women Want (2000), The Patriot (2000), and Signs (2002).
After several legal issues and controversial statements leaked to the public, Gibson's popularity in Hollywood declined, affecting his career. He subsequently starred in Edge of Darkness (2010) and Jodie Foster's The Beaver (2011). His directorial comeback after an absence of 10 years, Hacksaw Ridge (2016), won two Academy Awards.
Early life and education
Mel Colm-Cille Gerard Gibson was born on January 3, 1956, in Peekskill, New York, a suburb of New York City. Gibson's paternal grandmother was opera contralto Eva Mylott (1875–1920), who was born in Australia to Irish parents, while his paternal grandfather, John Hutton Gibson, was a millionaire tobacco businessman from the Southern United States. One of Gibson's younger brothers, Donal, is also an actor. Gibson's first name is derived from St Mel's Cathedral, situated in his mother's hometown of Longford. His second name, Colmcille,
Gibson's father was awarded US$145,000 in a work-related-injury lawsuit against the New York Central Railroad on February 14, 1968 (), and soon afterwards relocated his family to West Pymble, New South Wales, Australia. Gibson was 12 years old at the time. The move to his grandmother's native Australia was both financial and a way to avoid the draft of his eldest brother during the Vietnam War.
During his high school years, Gibson was educated by members of the Congregation of Christian Brothers at St Leo's Catholic College in Wahroonga, New South Wales.
Career
Overview
Gibson gained favorable notices from film critics when he first entered the cinematic scene, as well as comparisons to several classic movie stars. In 1982, Vincent Canby wrote that "Mr. Gibson recalls the young Steve McQueen... I can't define 'star quality,' but whatever it is, Mr. Gibson has it." Gibson has also been likened to "a combination of Clark Gable and Humphrey Bogart." Gibson's roles in the Mad Max series of films, Peter Weir's Gallipoli (1981), and the Lethal Weapon series of films earned him the label of "action hero".
Later, Gibson expanded into human dramas such as the Franco Zeffirelli film version of Hamlet (1990), and comedic roles such as those in Maverick (1994) and What Women Want (2000). He moved to directing and producing with The Man Without a Face (1993), Braveheart (1995), The Passion of the Christ (2004), and Apocalypto (2006). Jess Cagle of Time compared Gibson with Cary Grant, Sean Connery, and Robert Redford.
Acting
thumb|upright|Gibson in 1985
Gibson studied at the National Institute of Dramatic Art in Sydney. As students, Gibson and actress Judy Davis played the leads in Romeo and Juliet, and Gibson played the role of Queen Titania in an experimental production of A Midsummer Night's Dream. After graduation in 1977, Gibson immediately began work on the filming of Mad Max, but continued to work as a stage actor, and joined the State Theatre Company of South Australia in Adelaide. Gibson's theatrical credits include the character Estragon (opposite Geoffrey Rush) in Waiting for Godot, and the role of Biff Loman in a 1982 production of Death of a Salesman in Sydney. Gibson's most recent theatrical performance, opposite Sissy Spacek, was the 1993 production of Love Letters by A. R. Gurney, in Telluride, Colorado.
While a student at NIDA, Gibson made his film debut in the 1977 film Summer City, for which he was paid $400. Gibson then played the title character in the film Mad Max (1979). He was paid $9000 for this role. Shortly after making the film, he did a season with the South Australian Theatre Company. During this period, he shared a $30 a week apartment in Adelaide with his future wife Robyn Moore. After Mad Max, Gibson played a mentally slow youth in the film Tim (also 1979). Gibson also appeared in Australian television series guest roles. He appeared in serial The Sullivans as naval lieutenant Ray Henderson, in police procedural Cop Shop,
Gibson joined the cast of the World War II action film Attack Force Z, which was not released until 1982 when Gibson had become a bigger star. Director Peter Weir cast Gibson as one of the leads in the World War I drama Gallipoli (1981), which earned Gibson another Best Actor Award from the Australian Film Institute. Gallipoli also helped to earn Gibson the reputation of a serious, versatile actor and gained him the Hollywood agent Ed Limato. The sequel Mad Max 2 (1982) was his first hit in America, where it was released as The Road Warrior. Gibson again received positive notices for his role in Peter Weir's romantic thriller The Year of Living Dangerously (1982). Following a one-year hiatus from film acting after the birth of his twin sons, Gibson took on the role of Fletcher Christian in The Bounty (1984). Gibson earned his first million dollar salary for playing Max Rockatansky for the third time, in Mad Max Beyond Thunderdome (1985).
Gibson's first American film was Mark Rydell's drama The River (1984), in which he and Sissy Spacek played struggling Tennessee farmers. Gibson then starred in the Gothic romance Mrs. Soffel (also 1984) for Australian director Gillian Armstrong. He and Matthew Modine played condemned convict brothers opposite Diane Keaton as the warden's wife who visits them to read the Bible. In 1985, after working on four films in a row, Gibson took almost two years off at his Australian cattle station. He returned to play the role of Martin Riggs in Lethal Weapon (1987), a film which helped to cement his status as a Hollywood "leading man". Gibson's next film was Robert Towne's Tequila Sunrise (1988), followed by Lethal Weapon 2 (1989). Gibson next starred in three films back-to-back, all released in 1990: Bird on a Wire, Air America, and Hamlet.
thumb|upright|left|Gibson in 1990 at an [[Air America (film)|Air America premiere]]
During the 1990s, Gibson alternated between commercial and personal projects. His films in the first half of the decade were Forever Young, Lethal Weapon 3, Maverick, and Braveheart. He then starred in Ransom, Conspiracy Theory, Lethal Weapon 4, and Payback. Gibson also served as the speaking and singing voice of John Smith in Disney's Pocahontas.
Gibson was paid a record salary of $25 million to appear in The Patriot (2000). It grossed over $100 million, as did two other films he featured in that year, Chicken Run and What Women Want. Gibson's popularity declined after he had made some controversial statements.
While promoting Signs, Gibson said that he no longer wanted to be a movie star and would only act in film again if the script were truly extraordinary. In 2010, Gibson appeared in Edge of Darkness, which marked his first starring role since 2002 and was an adaptation of the BBC miniseries, Edge of Darkness. In June of the same year, Gibson was in Brownsville, Texas, filming scenes for the film Get the Gringo, about a career criminal put in a tough prison in Mexico.
In 2010, following an outburst at his ex-girlfriend that was made public, Gibson was dropped from the talent agency of William Morris Endeavor. Gibson was lined up for a small role in The Hangover Part II but he was removed from the film after the cast and crew objected to his involvement. Gibson also played two villains: Luther Voz in Machete Kills in 2013, opposite Danny Trejo, and Conrad Stonebanks in The Expendables 3 opposite Sylvester Stallone in 2014.
thumb|upright|Gibson with Expendables co-star [[Sylvester Stallone (background) in 2014]]
Gibson appeared in the lead role of director S. Craig Zahler's police brutality-themed film Dragged Across Concrete, released in 2018. He then starred in The Professor and the Madman – he and the director both disowned the film.
Producing
After his success in Hollywood with the Lethal Weapon series, Gibson began to move into producing and directing. With partner Bruce Davey, Gibson formed Icon Productions in 1989 in order to make Hamlet.
In late 1996, New Zealand producer Timothy White became founding head of a co-production venture between Fox and Gibson, called Fox-Icon, based at Fox Studios Australia in Sydney. The company failed to produce a single film, shutting down in December 1999.
Gibson has produced a number of projects for television, including a biopic on the Three Stooges and the 2008 PBS documentary Carrier. Icon has grown from being just a production company to also be an international distribution company and film exhibitor in Australia and New Zealand.
Gibson is credited as an executive producer of the 2023 movie Sound of Freedom, a film based on a true story which revolves around the topic of trafficking of children.
Directing
According to Robert Downey Jr., studio executives encouraged Gibson in 1989 to try directing, an idea he rebuffed at the time. Gibson made his directorial debut in 1993 with The Man Without a Face, followed two years later by Braveheart, which earned Gibson the Academy Award for Best Director. Gibson had long planned to direct a remake of Fahrenheit 451, but in 1999 the project was indefinitely postponed because of scheduling conflicts. Gibson was scheduled to direct Robert Downey Jr. in a Los Angeles stage production of Hamlet in January 2001, but Downey's drug relapse ended the project. In 2002, while promoting We Were Soldiers and Signs to the press, Gibson mentioned that he was planning to pare back on acting and return to directing. In September 2002, Gibson announced that he would direct a film called The Passion in Aramaic and Latin with no subtitles because he hoped to "transcend language barriers with filmic storytelling".
In 2004, he released the controversial film The Passion of the Christ, with subtitles, which he co-wrote, co-produced, and directed. The film went on to become the highest-grossing rated R film at the time with $370,782,930 in U.S. box office sales. Gibson directed a few episodes of Complete Savages for the ABC network. In 2006, he directed the action-adventure film Apocalypto, his second film to feature sparse dialogue in a non-English language. The next two films he directed were Hacksaw Ridge (2016) and Flight Risk (2025).
Gibson has expressed an intention to direct a movie set during the Viking Age, starring Leonardo DiCaprio. Like The Passion of the Christ and Apocalypto, he wants this speculative film to feature dialogue in period languages. However, DiCaprio ultimately opted out of the project. In a 2012 interview, Gibson announced that the project, which he has titled Berserker, was still moving forward.
In 2011, it was announced that Gibson had commissioned a screenplay from Joe Eszterhas about the Maccabees. The film is to be distributed by Warner Brothers Pictures. The announcement generated significant controversy. In April 2012, Eszterhas wrote a letter to Gibson accusing him of sabotaging their film about the Maccabees because he "hates Jews", and cited a series of private incidents during which he allegedly heard Gibson express extremely racist views. Although written as a private letter, it was subsequently published on a film industry website. In response, Gibson stated that he still intends to make the film, but will not base it upon Eszterhas's script, which he called substandard. Eszterhas then claimed his son had secretly recorded a number of Gibson's alleged "hateful rants". In a 2012 interview, Gibson explained that the Maccabees film was still in preparation. He explained that he was drawn to the Biblical account of the uprising due to its similarity to the American Old West genre. In early November 2016, Gibson revealed on The Late Show with Stephen Colbert that the sequel's title will be The Passion of the Christ: Resurrection. He also stated that the project could "probably be three years off" because "it's a big subject". In January 2023, it was reported that the sequel will begin filming later that year. In November 2016, the film critic Matt Zoller Seitz named Gibson "the pre-eminent religious filmmaker in the United States".
In May 2018, it was announced that Gibson would be directing a WWII film titled Destroyer. Destroyer, similar to Hacksaw Ridge, will also deal with the Battle of Okinawa in the Pacific Theater, although from a different front. It will be based on the heroic story of the crew belonging to USS Laffey (DD-724), who defended their ship from 22 kamikaze attacks.
In September 2018, it was announced that Gibson would direct and co-write a remake of the 1969 film, The Wild Bunch. In May 2019, Deadline reported that Gibson was courting Michael Fassbender, Jamie Foxx, and Peter Dinklage to star in the project; that Jerry Bruckheimer will produce the film, and Warner Bros. will finance and release the project. In 2021, after the death of the Lethal Weapon director, Richard Donner, Gibson said he would direct and star in Lethal Weapon 5.
Directing style
Gibson has credited his directors, particularly George Miller, Peter Weir, and Richard Donner, with teaching him the craft of filmmaking and influencing him as a director. As a director, Gibson sometimes breaks the tension on set by having his actors perform serious scenes wearing a red clown nose. Helena Bonham Carter said, "He has a very basic sense of humor. It's a bit lavatorial and not very sophisticated." Gibson inserted a single frame of himself smoking a cigarette into the 2005 teaser trailer of Apocalypto.
Film work
Gibson's screen acting career began in 1976, with a role on the Australian television series The Sullivans. In his career, Gibson has appeared in 65 films, including the Mad Max and Lethal Weapon film series. In addition to acting, Gibson has also directed six films, including Braveheart and The Passion of the Christ; produced 11 films; and written three films. Films either starring or directed by Mel Gibson have earned over US$2.5 billion, in the United States alone. Gibson's filmography includes television series, feature films, television films, and animated films.
Mad Max series
Gibson got his breakthrough role as the leather-clad post-apocalyptic survivor in George Miller's Mad Max. The independently financed blockbuster helped to make him an international star. In the United States, the actors' Australian accents were dubbed with American accents. The original film spawned two sequels: Mad Max 2 (known in North America as The Road Warrior) and Mad Max 3 (known in North America as Mad Max Beyond Thunderdome). A fourth movie, Mad Max: Fury Road (2015), was made with Tom Hardy in the title role.
Gallipoli
The 1981 Peter Weir film Gallipoli is about a group of young men from rural Western Australia who enlist in the Australian Imperial Force during World War I. They are sent to invade the Ottoman Empire, where they take part in the 1915 Gallipoli campaign. During the course of the movie, the young men slowly lose their innocence about the war. The climax of the movie centers on the catastrophic Australian offensive known as the Battle of the Nek.
Peter Weir cast Gibson in the role of Frank Dunne, an Irish-Australian drifter with an intense cynicism about fighting for the British Empire. Newcomer Mark Lee was recruited to play the idealistic Archy Hamilton after participating in a photo session for the director. Gibson later recalled:
<blockquote>I'd auditioned for an earlier film and he told me right up front, "I'm not going to cast you for this part. You're not old enough. But thanks for coming in, I just wanted to meet you." He told me he wanted me for Gallipoli a couple of years later because I wasn't the archetypal Australian. He had Mark Lee, the angelic-looking, ideal Australian kid, and he wanted something of a modern sensibility. He thought the audience needed someone to relate to<!-- OK here: don't correct it--> of their own time.</blockquote>
Gibson later said that Gallipoli is, "Not really a war movie. That's just the backdrop. It's really the story of two young men." The critically acclaimed film helped to further launch Gibson's career. He won the award for Best Actor in a Leading Role from the Australian Film Institute. According to John Hiscock of The Daily Telegraph, the film did, indeed, establish Gibson as an international talent.
Gibson was initially reluctant to accept the role of Guy Hamilton. "I didn't necessarily see my role as a great challenge. My character was, like the film suggests, a puppet. And I went with that. It wasn't some star thing, even though they advertised it that way." Gibson saw some similarities between himself and the character of Guy. "He's not a silver-tongued devil. He's kind of immature and he has some rough edges and I guess you could say the same for me."
The film series has since been rebooted with a television adaptation, which aired for three seasons on FOX. On November 15, 2021, Gibson confirmed that he will direct the fifth Lethal Weapon film following the death of director Richard Donner. "The man who directed all the 'Lethal films', Richard Donner, he was a big guy. He was developing the screenplay and he got pretty far along with it. And he said to me one day, 'Listen kid, if I kick the bucket you will do it.' And I said: 'Shut up.' But he did indeed pass away. But he did ask me to do it and at the time I didn't say anything. He said it to his wife and to the studio and the producer. So I will be directing the fifth one" Gibson said. In June 2024, Gibson confirmed in an interview with the Inspire Me podcast that he would direct the fifth installment of the Lethal Weapon franchise and that the film would stay true to Donner's vision and influence. Gibson also stated that he and Glover would return to play their respective roles of Riggs and Murtaugh.
Hamlet
Gibson made the unusual transition from action to classical drama, playing William Shakespeare's Danish prince in Franco Zeffirelli's Hamlet. Gibson was cast alongside experienced Shakespearean actors Ian Holm, Alan Bates, and Paul Scofield. He compared working with Scofield to being "thrown into the ring with Mike Tyson". Scofield said of Gibson "Not the sort of actor you'd think would make an ideal Hamlet, but he had enormous integrity and intelligence."
Braveheart
thumb|upright=1.2|Gibson (right) on the set of Braveheart
In 1995, Gibson directed, produced, and starred in Braveheart, a biographical film of Sir William Wallace, a Scottish patriot and resistance fighter who was executed in 1305 for high treason against King Edward I of England. Gibson received two Academy Awards, Best Director and Best Picture, for his second directorial effort. In winning the Academy Award for Best Director, Gibson became only the sixth actor-turned-filmmaker to do so. Braveheart helped to revive the film genre of the historical epic; the Battle of Stirling Bridge sequence is considered by critics to be one of the all-time best-directed battle scenes.
The film's depiction of the Prince of Wales as an effeminate homosexual caused the film to be attacked by Gay and Lesbian Alliance Against Defamation (GLAAD), which was especially enraged by a scene in which King Edward I murders his son's male lover by throwing him out of a castle window.
Gibson asserted that the reason that King Edward I kills his son's lover is because the king is a "psychopath". Gibson also expressed bewilderment that some filmgoers laughed at this murder:
The Passion of the Christ
Gibson directed, produced, co-wrote, and funded the film The Passion of the Christ (2004), which chronicled the passion and death of Jesus (Jim Caviezel). The film was shot exclusively in Aramaic, Latin, and Hebrew. Gibson originally intended to release the film without subtitles, but eventually relented for theatrical exhibition. The film sparked divergent reviews, ranging from high praise to criticism of the violence. The Anti-Defamation League accused Gibson of antisemitism over the film's unflattering depiction of Caiaphas and the Sanhedrin.
In The Nation, reviewer Katha Pollitt wrote: "Gibson has violated just about every precept of the conference's own 1988 'Criteria' for the portrayal of Jews in dramatizations of the Passion (no bloodthirsty Jews, no rabble, no use of Scripture that reinforces negative stereotypes of Jews, etc.) ... The priests have big noses and gnarly faces, lumpish bodies, yellow teeth; Herod Antipas and his court are a bizarre collection of oily-haired, epicene perverts. The 'good Jews' look like Italian movie stars (Magdalene actually is an Italian movie star, the lovely Monica Bellucci); Mary, who would have been around 50 and appeared 70, could pass for a ripe 35."
Among those to defend Gibson were Orthodox Jewish rabbi Daniel Lapin and radio personality Michael Medved. Referring to ADL National Director Abraham Foxman, Rabbi Lapin said that by calling The Passion of the Christ antisemitic, "what he is saying is that the only way (for Christians) to escape the wrath of Foxman is to repudiate (their own) faith." Eventually, the continued media attacks began to anger Gibson. After Hutton Gibson's Holocaust denial was used to attack his son's film in print by The New York Times writer Frank Rich, an enraged Mel Gibson retorted, "I want to kill him. I want his intestines on a stick.... I want to kill his dog."
Gibson's Traditionalist Catholic upbringing was also the target of criticism. In a 2006 interview with Diane Sawyer, Gibson stated that he feels that his "human rights were violated" by the often vitriolic attacks on his person, his family, and his religious beliefs which were sparked by The Passion. surpassing any motion picture starring Gibson. In U.S. box offices, it became (at the time) the seventh-highest-grossing film in history and the highest-grossing R-rated film of all time. The film was nominated for three Academy Awards and won the People's Choice Award for Favorite Dramatic Motion Picture.
Apocalypto
Gibson received further critical acclaim for his directing of the 2006 action-adventure film Apocalypto. Gibson's fourth directorial effort is set in Mesoamerica during the early 16th century against the turbulent end times of a Maya civilization. The sparse dialogue is spoken in the Yucatec Maya language by a cast of Native American descent.
Gibson himself has stated that the film is an attempt at making a deliberate point about great civilizations and what causes them to decline and disintegrate. Gibson said, "People think that modern man is so enlightened, but we're susceptible to the same forces—and we are also capable of the same heroism and transcendence." This theme is further explored by a quote from Will Durant, which is superimposed at the very beginning of the film: "A great civilization is not conquered from without until it has destroyed itself from within."
The Beaver
thumb|upright|Gibson with [[Jodie Foster at the premiere of The Beaver at the 2011 Cannes Film Festival]]
Gibson starred in The Beaver, a domestic drama about a depressed alcoholic directed by former Maverick costar Jodie Foster. The Beaver premiered at the South by Southwest Festival in Austin, Texas on March 16, 2011. The opening weekend in 22 theaters was considered a flop; it made $104,000 which comes to a per-theater average of $4,745. The film's distributor, Summit Entertainment, had originally planned for a wide release of The Beaver for the weekend of May 20, but after the initial box-office returns for the film, the company changed course and decided instead to give the film a "limited art-house run". Michael Cieply of The New York Times observed on June 5, 2011, that the film had cleared just about $1 million, making it a certified "flop". Director Jodie Foster opined that the film did not do well with American audiences because it was a dramedy, and "very often Americans are not comfortable with [that]".
Before its release, much of the coverage focused on the unavoidable association between the protagonist's issues and Mel Gibson's own well-publicized personal and legal problems (see ), including a conviction of battery of his ex-girlfriend. Wrote Time magazine, "The Beaver is a somber, sad domestic drama featuring an alcoholic in acute crisis ... It's hard to separate Gibson's true-life story from what's happening onscreen."
Hacksaw Ridge
In 2014, Gibson signed on to direct Hacksaw Ridge, a World War II drama based on the true story of conscientious objector Desmond T. Doss, played by Andrew Garfield.
The film premiered at the 73rd Venice Film Festival in September 2016 and received what The New Zealand Herald called "rave reviews". It won or was nominated for many awards, including Golden Globe nominations for Best Picture, Best Director for Gibson, and Best Actor for Garfield. Hacksaw Ridge was also nominated for an Academy Award for Best Picture, Best Director, Best Actor, Best Sound Editing, Best Sound Mixing, and Best Film Editing.
The film grossed $164 million worldwide, four times its production costs.
Flight Risk
In May 2023, it was announced that Gibson would direct a film titled Flight Risk, starring Mark Wahlberg. Set to be released by Lionsgate, the film will star Wahlberg as "a pilot transporting a dangerous criminal for trial." It was later reported that the film had begun shooting in Las Vegas on June 16. Filming was reportedly unaffected by the SAG-AFTRA strike, having been exempted as an independent project. Flight Risk was released in the United States on January 24, 2025.
Personal life
Because of his mother, Gibson retains dual Irish and American citizenship. He is also an Australian permanent resident.
Relationships
Robyn Denise Moore
thumb|Gibson and Moore at the [[60th Academy Awards in 1988]]
Gibson and Robyn Denise Moore met in 1977, soon after filming Mad Max, in Adelaide, South Australia. At the time, Robyn was a dental nurse and Mel was an unknown actor working for the South Australian Theatre Company.
On June 7, 1980, Mel and Robyn were married in a Catholic church in Forestville, New South Wales.
They have one daughter and six sons, including twins, and seven grandchildren .
After 26 years of marriage, Gibson and Robyn separated on July 29, 2006. In a 2011 interview, Gibson stated that the separation began the day following his arrest for drunk driving in Malibu.
Robyn filed for divorce on April 13, 2009, citing irreconcilable differences. In a joint statement, the Gibsons declared, "Throughout our marriage and separation we have always striven to maintain the privacy and integrity of our family and will continue to do so."
The divorce filing followed the March 2009 release of photographs appearing to show him on a beach embracing his live-in girlfriend of one year, Russian songwriter and pianist Oksana Grigorieva.
The Gibsons' divorce was finalized on December 23, 2011, and the settlement with his ex-wife was said to be the highest in Hollywood history at over $400 million.
They reportedly did not have a prenuptial agreement; because California is a community property state, Robyn received half of everything her husband had earned during their marriage.
On April 28, 2009, Gibson made a red carpet-appearance with Grigorieva. She had previously had a son with actor Timothy Dalton, and she gave birth to Gibson's second daughter and eighth child in October that year. By April 2010, Gibson and Grigorieva had split. On June 21, 2010, Grigorieva filed a restraining order against Gibson to keep him away from her and their child. The restraining order was modified the next day regarding Gibson's contact with their child. Gibson obtained a restraining order against Grigorieva on June 25, 2010.
thumb|upright|Gibson's 2011 mugshot from booking with [[El Segundo, California|El Segundo Police Department]]
Grigorieva accused Gibson of domestic violence, leading to an investigation by the Los Angeles County Sheriff's Department in July 2010. On July 9, 2010, some audio recordings of a rant, allegedly directed by Gibson toward Grigorieva, were posted on the internet. The same day Gibson was dropped by his agency, William Morris Endeavor. while forensic experts have questioned the validity of some of the tapes, Gibson himself did not deny they were accurate at the time. In March 2011, Mel Gibson agreed to plead no contest to a misdemeanor battery charge. In April 2011, Gibson finally broke his silence about the incident in question. In an interview with Deadline Hollywood, Gibson expressed gratitude to longtime friends Whoopi Goldberg and Jodie Foster, both of whom had spoken publicly in his defense. About the recordings, Gibson said,