Mati Klarwein - WikiHQ

Abdul Mati Klarwein (9 April 1932 – 7 March 2002) was a German painter best known for his works used on the covers of music albums. His father was Jewish and his family fled to the British Mandate of Palestine when he was two years old, after the rise of Nazi Germany. In 1948, after his parents' divorce, Mati and his mother emigrated to Paris when Israel declared independence. In Paris, Mati studied from 1949 to 1951 with Fernand Léger, and attended the art schools École des Beaux-Arts and Académie Julian. Klarwein said, "My ambition was to go to Hollywood and become a movie director, but instead I went to Paris and studied painting for Fernand Léger. I realise Fernand's greatness, but he was never any direct source of inspiration to me. His main contribution to my artistic development was introducing me to the art of Salvador Dalí. The movie Un Chien Andalou virtually took my breath away."

Klarwein added "Abdul" (which means "servant of-" in Arabic) to his name in the late 1950s to express his sentiments about the hostility between Jews and Muslims in the Middle East: he felt that to understand each other better, every Jew should adopt a Muslim first name, and vice versa. In 1956 he met Kitty Lillaz, and traveled with her around the world, including Tibet, India, Bali, North Africa, Turkey, Europe and the Americas.

In the early 1960s, he settled for a while in New York City, meeting Jimi Hendrix. At a New York exhibition in 1961, organized by Lillaz for the unveiling of the painting Flight to Egypt Klarwein met Salvador Dalí for the first time, whom he called a spiritual father. The same year he met his wife Sophie (née Bollack, also known as Sofi). Among other painters he met more often was Arik Brauer.

Style and technique

During his time in Saint-Tropez he met Ernst Fuchs, who would have a profound influence on his technique, teaching him the Mischtechnik. He also worked more conventionally across a variety of genres including still life, landscape, and portrait.

Career

The art and culture magazine Juxtapoz, quoting an unnamed source, wrote that Klarwein was "often considered 'the man literally responsible for every great, legendary record cover you've ever seen—if he didn't do it, he inspired it.'" Despite the hyperbole of this claim, it is true that many people would immediately recognize his vivid, colorful style from many album covers. Andy Warhol is reported to have said that Mati Klarwein was his favourite painter.

1960s

During the '60s Klarwein's fame grew and some of the decade's most progressive musicians used his artwork for their album covers.

In his painting Grain of Sand (1963–1965), many disparate images are combined together in one massive, yet oddly coherent work. Klarwein's own words illuminate the work: "I projected it as a sort of painted musical comedy movie with a Sanskrit swinging cast of thousands, starring Marilyn Monroe, Anita Ekberg, Ray Charles, Pablo Picasso, Brigitte Bardot, Roland Kirk, Cannonball Adderley, Ahmed Abdul Malik, Wonder Woman, Delacroix's Orphan Girl at the Cemetery, Litri and his bullfighters, Lawrence of Arabia, Socrates, Dalí, Rama, Vishnu, Ganesh, the Zork and a Milky Way of Playmates."

1970s

thumb|right|400px|Mati Klarwein's artwork for [[gatefold cover of Miles Davis's Bitches Brew (1969).]]

Klarwein produced comparably striking designs for the covers of two Miles Davis albums, Bitches Brew (1969) and Live-Evil (1971).

thumb|right|Mati Klarwein's artwork for cover of [[Time Magazine, 2 February 1970, illustrating the face of Barry Commoner]]

Klarwein created the cover for the 2 February 1970 Time magazine issue, showing the face of Barry Commoner, projecting a powerful image of ecology, which took the stage for the first time in the public eye.

Klarwein's painting Annunciation from 1961 was seen in reproduction by the musician Carlos Santana, who subsequently used it 1970 as the cover image of his band Santana's second album Abraxas.

His painting Zonked (1970) was originally planned as the cover image for Betty Davis's self-titled album, and for a compilation in 2010.

In 1971 he went to Hamburg and created set paintings for the film Herman Hesse's Steppenwolf.

Klarwein also painted many commissioned portraits, including Robert Graves, Noël Coward, Juliette Binoche, Richard Gere, Michael Douglas and Brigitte Bardot.