Mary Blair (born Mary Browne Robinson; October 21, 1911 – July 26, 1978) was an American artist, animation concept artist, colorist, and designer. She was prominent in producing art for The Walt Disney Company, drawing concept art for such films as Alice in Wonderland, Peter Pan, Song of the South and Cinderella. Blair also created character designs for enduring attractions such as Disneyland's It's a Small World, the fiesta scene in El Rio del Tiempo in the Mexico pavilion in Epcot's World Showcase, and an enormous mosaic inside Disney's Contemporary Resort.

Several of her illustrated children's books from the 1950s remain in print, such as I Can Fly by Ruth Krauss. Blair was inducted into the group of Disney Legends in 1991.

Early life

Born on October 21, 1911, in McAlester, Oklahoma, Mary Browne Robinson moved to Texas while still a small child, and later to the city of Morgan Hill, California, in the early 1920s. After graduating from San José State University which she attended from 1929 to 1931, in Los Angeles, where artists such as Pruett Carter, Morgan Russell and Lawrence Murphy were among the teachers. She graduated from Chouinard in 1933. In 1934 shortly after college, she married another artist, Lee Everett Blair (October 1, 1911 – April 19, 1993). She was the sister-in-law of animator Preston Blair (1908–1995). Along with her husband Lee, she became a member of the California School of Watercolor and quickly became known for being an imaginative colorist and designer.

Career

Blair's first professional job in the animation industry was as in the animation unit of Metro-Goldwyn-Mayer. She would soon leave and join Lee Blair at the Ub Iwerks Studio before moving to Disney. In the 1930s she was also a part of the innovative California Water-Color Society. in 1940, and worked briefly on art for Dumbo, an early version of Lady and the Tramp, and "Baby Ballet," a segment for an proposed sequel to Fantasia.

After being away from the studio for a short time, Blair traveled to various South American countries with Walt Disney, Lillian Disney and other artists on a research tour

<!-- Deleted image removed: thumb|left|Flying Boat Concept Art -->

Blair first began animation and color design on major films in 1943 and would continue to work on animated films for Disney for a full decade. This would not be widely celebrated by others though, as many animators who worked alongside her had trouble bringing her 2D paintings to life and many seemed confused on her unique use of colors. The early 1950s were a busy time for the Disney studio, with an animated feature released nearly every year. Mary Blair was credited with color styling on Cinderella (1950), Alice in Wonderland (1951) and Peter Pan (1953), and the artistic influence of her concept art is strongly felt in those films, as well as in several animated shorts, including Susie the Little Blue Coupe and The Little House, she designed during that period. Some of Mary Blair's work, notably in So Dear to My Heart, was inspired by quilts. In a letter to Walt Disney, Blair discussed her interest to incorporate quilts into So Dear to My Heart: "It seems that quilt making is a revived art in this country now, which fact adds more value to its use as a medium of expression in our picture."

After the completion of Peter Pan, Blair resigned from Disney and worked as a freelance graphic designer and illustrator, creating advertising campaigns for companies such as Nabisco, Pepsodent, Maxwell House, Beatrice Foods and others. She also illustrated several Little Golden Books for publisher Simon & Schuster, some of which remain in print today, and she also designed Christmas and Easter sets for Radio City Music Hall. Blair not only worked in graphic design and animation but also as a designer for Bonwit Teller and created theatrical sets.

Blair created murals that would be showcased in Disney parks, hotels and other Disney attractions from California to Florida. These murals were not only painted but some would be tile decor.

In 1991, she was honored as a Disney Legend. Also posthumously, she received the Winsor McCay Award from ASIFA-Hollywood in 1996 along with two other Disney animators.

While the fine art she created outside of her association with Disney and her work as an illustrator is not widely known, Blair's bold and groundbreaking color design still inspires many of today's contemporary designers and animators. A Google doodle was created on Friday, October 21, 2011, to commemorate the centennial of her birth. The Doodle featured an image of an illustrator as Mary might have drawn herself, surrounded by the simple patterns and shapes that made up her familiar cartoon world. Simon & Schuster published Pocket Full of Colors, a picture book biography about Mary Blair, in August 2017. The book is written by Amy Guglielmo and Jacqueline Tourville, and illustrated by Brigette Baranger, who once worked as an artist at Disney.

Mary Blair has been credited with introducing modernist art styles to Walt Disney and his studio by using primary colors to form intense contrast and colors that are unnatural to the image they are depicting. The mural is on the side of the Honey Beene Boutique in downtown McAlester.

There is a visual representation of Blair in Disneyland's It's A Small World ride; she is rendered as a little girl halfway up the Eiffel Tower, holding a balloon.

Since 2015, literary journal Reed Magazine (headquartered at Blair's alma mater San José State University) has exhibited the Mary Blair Award for Art, awarding visual artists a $1,000 prize and portfolio publication, as chosen by noted artists and curators.

Selected artwork

<gallery>

Mary Blair Art from South America.jpg|Blair, Mary (1941), Street Market Card, South America

Disneys-contemporary-resort-mosaic-closeup.jpg|.

Concept Work from Mary Blair (7200675516).jpg|Concept art for "It's a Small World" by Mary Blair. On display at the Disneyland Hotel.

Disney's Contemporary Resort Mary Blair Mural.png|Blair's Mural at the Contemporary Resort

File:Arabian blair.jpg|Arabian Nights concept art, 1942, by Mary Blair.

</gallery>

Bibliography

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References

Sources

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Further reading

  • Nathala Hollt,The Queens of Animation, Little Brown, 2019.
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  • LIFE magazine photos from the 1941 Disney tour of South America
  • Mary Blair Ceramic Mural link
  • Mary Blair Online Gallery by John Canemaker (2020)